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Understanding Louisiana Iris Part 2: I fulva

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By Joe Musacchia        


                   


           
Parula Warblers
     
I. fulva has a great history. It is the species most responsible for this group of irises being called “Louisiana” irises. Besides the fact that four of the five species grow and naturally hybridize in Louisiana, I. fulva was first called “Louisiana Flag” by John James Audubon in 1821. He used an illustration of I. fulva on which to put his painting of theBlue-Backed Yellow Warblers, and in his notes referred to the plant as a “Louisiana Flag.”  It became all the rage as the first red Iris. The warblers in the painting are now known as Parula Warblers.

Traits of I. fulva:


Red I. fulva showing multi flower positions
 and branching







I. Fulva has an extensive range from the Gulf Coast well up the Ohio Valley.  I. fulva is listed as 'endangered' in Kentucky and Tennessee, and is listed as 'threatened' in Illinois. I. fulva is not usually found in standing water, although it will tolerate shallow water for long periods. The preferred habitat is the damp or wet banks along ditches and swampy areas. The flower stalk is thin and straight, or slightly zig-zag, eighteen to thirty-two inches tall. They can be found with one to two branches with flower sockets that may be doubled. The main stalk generally has 4 bud positions. 


Fulva 'Lottie Butterscotch'
A yellow showing semi-umbrella form 
I fulva blooms later than I. giganticaerulea,in mid-season in Louisiana. It has an open semi-umbrella form with flowers two and a half to three and a half inches across. The common color is a rusty red, but darker red forms are not uncommon. Yellow is found now and then, but is not common.  The underlying color of I. fulva is yellow, so the flowers that lack red pigment are yellow.

The rhizome of I. fulva is long and slender, but not nearly as long as I. giganticaerulea. Consequently, itdoes not travel as much, and forms tighter clumps. Its root structure is also much shallower. When grown in loose soil, and when many flowers are open, the stalks tend to go over in strong wind. This is not a problem in its native growing areas with more clay in the soil. Like I. giganticaerulea,in the heat of the summer I. fulva tends to go dormant, but grows through the winter here in Louisiana. Unlike I. giganticaerulea, in colder regions such as Central New York, it
Benny Trahan holding a typical Fulva
showing the height and color. This was
taken on a tour in southern Louisiana at
a SLI convention  
blooms nicely, usually in lat
e June and will grow all summer with adequate water there.                      
I. fulva genes add diversity to the Louisiana iris hybridizer’s mix; a lot more flowers, branching, less traveling with tighter clumps, and an extended range where Louisianas can and will grow and bloom. Most of all, we must not leave out color. Red and yellow are a welcome addition to the Louisiana iris color palette. 
Fulva 'Ouachita Half-Moon'
The smallest most unique collected fulva I have seen.
The flowers are 1 - 1 1\2 inches on a 12-15' stalk
with branching and 4-5 bud possessions


Coming Up:  The Traits of   I brevicaulis                                                                                                                                    

ENJOY YOUR TALL BEARDED IRISES ALL YEAR LONG! Creative ways to preserve your iris photos

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 By Susanne Holland Spicker

Tall bearded irises 'Proud Tradition' (Schreiner 1990), 'Queen's Circle'(Kerr 2000), 'No Count Blues'(Schreiner 2009)

"The gardens that make us happiest flourish because we have taken the time to make sure they feed our souls and fill a special place in our lives." (Lindley Karstens)

Tall bearded iris 'Daring Deception'(Johnson 2012)

For several years I have been taking some of my iris photos and making them into cards, posters, and photo books, adding favorite thoughts and quotes to the image. I have chosen a few to share in the hopes that they may inspire you, or just bring a smile to your face. Most of the iris images are first-time bloomers in my 2015 garden.

Tall bearded iris'Winning Edge'(Ghio 1997)
Tall bearded iris 'Coming Up Roses' (Gatty 1992)
Tall bearded iris 'Engagement Ring'(Ghio 2011)
Tall bearded iris 'Ascii Art' (Moores 1997)
Tall bearded iris 'New Leaf'(Ghio 1997)
Tall bearded iris 'Magical' (Ghio 2007)
Tall bearded iris 'Global Crossing'(Van Liere 2012)
Tall bearded iris 'Wedding Belle'(Keppel 2007)
Tall bearded iris 'Vienna Waltz'(Keppel 2000)
Tall bearded iris 'Tickle Me Pink'(Van Liere 2011)

Tall bearded iris 'Queen's Ransom'(Van Liere 2012)

Tall bearded iris 'Devonshire Cream'(Sutton 2000)

I love the quote from A.J. Balfour:  "What a desolate place would be a world without a flower! It would be like a face without a smile or a feast without a welcome.  Are not flowers the stars of the earth?"
Tall bearded iris 'Long Embrace'(Van Liere 2010)

Tall bearded iris 'Aristocracy'( (Keppel 2006)
What are some ways you enjoy the beauty of your irises though the year? Do you have any creative ways in preserving their beauty when they're not blooming?  I'd love to hear from you!






The Iris Garden: Premio Firenze -- Florence, Italy

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Part I: The Start of a Beautiful Garden
By Andi Rivarola

Just as many of us in the U.S. were enjoying the gardens near Portland, Oregon during the National Convention of The American Iris Society, Italians and other European iris lovers were attending their own world iris gatherings. This post is about one such event, The Iris Garden and "Premio Firenze," in Florence, Italy.


The Iris Garden in Florence located at the Park Michelangelo was created to host the Annual International Competition, and its main prize, the “Premio Firenze” (Florence Award), was given for the first time in 1954. Crucial to the development of this event were Mr. Flaminia Specht and  Ms. Nita Stross Radicati, members of the Friends of Flowers Society. Active hybridizers, it was their energy and drive that brought the event to Florence, a city with an interesting historic relationship with the iris.




The then Commissioner of Fine Arts and Gardens, Piero Bargellini, immediately sensed the importance of the initiative, he worked actively to support it and he pushed for the municipality to assign an area on the eastern side of the park.

The Garden was an original project by architect G. Zetti and opened in May 1957, after plant donations were made by many foreign growers, including a large collection of historic irises donated by The Presby Memorial Iris Garden in Montclair, New Jersey, U.S.







In 1967 the lower area was built to house a pond in marshy ground surrounding the Japanese and Louisiana irises.

Mr. Saverio Pepe Enjoying the view




The Iris Garden is run by the Italian Iris Society, founded in Florence in March of 1959 mainly for the purpose of managing the garden designed to accommodate the International Iris Competition and protect the numerous collections of plants it received.

More on Part II...



Note: This article was original posted in Italian by Saverio Pepe, a resident of Florence, who kindly gave permission to use his material and images for this blog post. 

Translated by Andi Rivarola 



An Iris by Any Other Name

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by Tom Waters

'Catchy Name' (Seligmann, 1983)
One of the things you may notice about serious iris enthusiasts (sometimes known as “irisarians”), as opposed to gardeners who casually grow a few, is an obsession with names. We go around earnestly correcting the names of irises people share on line or in person, sometimes even to the point of calling out minor spelling errors.

What is this about? Surely the flower’s loveliness and welcome presence in our gardens doesn’t depend on its name. Why is it so important to some of us enthusiasts?

It’s one of those things that most of us get very much indoctrinated about, early on in the learning process, as the iris hobby becomes more and more serious. It’s been part of iris culture for generations.

At one time, you see, names were in a state of chaos. The same plant would be passed around under any number of different names, and similar plants were sold or shared under the same name. Names would be casually translated from one language to another, with no one quite sure if they were meant to refer to the same plant or not. One of the first goals of the American Iris Society in the 1920s was to try to straighten out the confusion, by carefully documenting names from old magazine articles and catalogs and compiling a checklist. The American Iris Society is the international registration authority for all irises except those that grow from bulbs (like Dutch Iris and reticulatas). Ideally, every name is registered with the AIS along with a careful description before the iris it belongs to is sold or shared.

Iris pallida variegata, sometimes grown under the incorrect name "Zebra"
Without this care, the names become practically meaningless, and one cannot reliably purchase a particular cultivar or discuss its qualities with other growers.

This is especially important because so many irises resemble others, at least at first glance. Casual gardeners may be inclined to think that all pink irises are the same, or that the one they just bought from a garden center is “the same iris” grandma grew years ago, because they are both purple.

Any time an iris is sold or shared under an incorrect name, it makes headaches for those further down the line who want to know which iris they actually have.

Irises whose names are unknown are these days often called “noids” (for “no ID”). The term is cute and memorable, but alas it’s too close to the name of a well-known hybridizer of some decades past, Luella Noyd, so I prefer to avoid it. I’ve also seen them spoken of as UFOs (unidentified flowering objects).
 
The Internet has taken the problem of identifying irises to a whole new level. It has made it 100 times easier to get information on any subject, but 10,000 easier to get bad information on any subject, it seems. Every day, people post photos of irises asking for the name, and often just accept the first answer someone throws out. That can be worse than having no answer at all!

Very few irises are so distinctive that they can be unambiguously identified at a glance from a single photo. The only way to check a tentative identification is to acquire the true plant from a reliable source and grow it alongside your own. They should be identical in detail.

BB'Oops'(Craig, 2003)
So what is a “reliable source”? The “big box” stores are notorious in selling mislabeled irises. Local garden centers are better, but still make quite a few mistakes. Iris sellers on Ebay are all over the map in terms of reliability. Your best bet is to stick to sellers who specialize in irises. Even that is not foolproof. A few years ago, I ordered the iris ‘Orange Crush’ from an iris grower with impeccable credentials. When it bloomed, it was not even the right color! I wrote to him and inquired about it. It turns out he grows his plants in alphabetical order, and the one I got was the previous one in the alphabet. Its name? ‘Oops’. That gave us a chuckle.

Some name confusions have been going on for so long that it can be quite difficult to sort them out. When I started growing irises in Las Cruces, New Mexico, in the 1970s, a number of local growers had a historic iris ‘Mme. Chereau’. We all loved it, not least because it had been around since 1844! It turned out the plant we were all growing was actually an even older cultivar, ‘Swerti’. But because we had all seen it in each others’ gardens, we “knew” it was ‘Mme. Chereau’.  A photo of the impostor even made it into the American Iris Society book, The World of Irises, showing how difficult it can be to be sure of identifications, even on the best authority.
'Mme. Chereau'(Lemon, 1844)
photo: Mike Starhill
'Swerti'
Aware of this long-standing confusion, I resolved a couple years ago to grow these two irises in my garden and familiarize myself with their differences. Ironically, the ‘Mme. Chereau’ I acquired to make the comparison turned out to be – you guessed it! – ‘Swerti’.

A word of caution: The on-line Iris Encyclopedia, although hosted by the American Iris Society, is (like Wikipedia) maintained by users, and is not authoritative. The entries for some irises have incorrect photos.

For older irises, the Historic Iris Preservation Society is the best source of identification expertise. HIPS is home to experts who have made identification of older cultivars into a passion, delving into the subject with persistence and dedication, unearthing old photographs, documents, and descriptions. There are some confusions so old and entrenched, however, that even the experts can hold different views. Some irises have had whole articles and book chapters written about them, as researchers struggle to sort out their identity.

But you don’t have to be an expert to help with the problem of misidentified irises. Anyone can help by following one simple rule: don’t pass an iris around unless you are sure it is correctly named. If it came to you without a name, this will often mean growing the real thing side by side with your orphan. Even passing an iris on saying that you don’t know its name is not a good idea. Inevitably, someone down the line will be growing it and decide they “know” what it is anyway!

A second bit of advice: Don’t become indignant or defensive when someone tells you your iris is misidentified. It’s not a criticism, it’s a gift of better information than you had before! A thank-you is the appropriate response.

unidentified yellow TB
Some growers just destroy anything they are not sure of. That’s one way solve the problem, but sometimes an unidentified iris just pleads with you to give it a home. When we moved into our present house, there were some irises growing on the property. They turned out to be a yellow tall bearded, apparently of mid-twentieth-century vintage. They outperform almost everything else I grow, with tall stalks, clear color, and a long period of bloom. It’s hard to say good-bye to one of the best irises you have! I suspect this iris is the classic variety ‘Ola Kala’, but I will not share it under that name until such time as it passes the side-by-side test.


TALL BEARDED IRISES WITH UNKNOWN PARENTS

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BY DAWN MUMFORD 



'War Sails' (Schreiner 1983) Unknown parentage

This year I resolved to try hybridizing irises.  I was drawn in by a YouTube video by Mark Richards of Pleasant Valley Iris Farm,  here, and an interesting article by Dan Holt, here.  

These references took the mystery and fear out of hybridizing, so I decided to write this article, geared toward the novice iris hybridzer.  I'm just learning about it and want to share with other beginners what I learned.  

I joined the Facebook page IRIS HYBRIDIZERS about three months ago.  I immediately put my foot in my mouth and showed my ignorance on the subject by stating 

"I don’t know why but it surprises me that there are so many irises with unknown ancestors that are allowed to be registered on the American Iris Registry.  It just seems like a hybridizer should know the genealogy when he or she registers it."

A number of people took issue with this statement because I used the word "allowed", and what followed was an enlightening exchange with some important hybridizers.   What I wanted to know was what circumstances lead to hybridizers not knowing one or both parents when they register new iris?  The following is what I learned when I stirred up the hornet's nest.  

The obvious reason is that some iris crosses are the results of “bee pods,” meaning a bee has brought pollen to a flower and pollinated it and the result is a swollen pod. The grower would know the pod parent but would not know which flower or flowers the bee had visited before coming to pollinate that iris. He or she could decide to let that pod ripen and save and plant the seeds anyway.  

There are also some other less obvious reasons for a breeder not to know parentage.  One hybridizer said he always labeled his crosses with a label but he had a teenage neighbor with Down’s Syndrome who got a kick out of changing the signs around. Another said they knew of a certain hybridizer who invented pedigree information if he didn’t happen to like the hybridizer whose plant he was using for breeding. Another had a cat who took out the labels and played with them.  Another claimed that there was at least one breeder who just didn’t want to be bothered with registration and got cross with the registrar over it. He didn’t have adequate records to start with, and made stuff up.  There were also several hybridizers who had iris gardens with crosses in them all labeled when terrible weather took out the labels.  A lot of information was lost during hurricanes Katrina, Rita and Ike.
   
One of our well-known and respected hybridizers said that a lot of people seem to take registration as a kind of stamp of approval, deeming something as worthy of being sold, or like a patent or something.  I was one of those people.  As it turns out, it’s just about ensuring “one iris, one name.”  That made perfect sense to me.  Another said that registration aids when giving out awards later on. 

Another comment was that some hybridizers were afraid people would steal their ideas.  Later in the thread someone said that hiding parentage deliberately is a useless exercise.  He said by the time you have registered an iris you are already about 5 years or more ahead of anyone who would copy it. 

There are many wonderful irises whose parentage or partial parentage is unknown.  Here are some of examples of irises that I grow that we don’t know one or both of the parents.  All are lovely and some are Dykes Medal winners.  


'Dusky Challenger' (Schreiner 1986) Unknown parentage Dykes Medal 1992


'Stepping Out' (Schreiner 1964) Unknown parentage Dykes Medal 1968


 'Clarence' (l. Zurbrigg 1990)  Unknown Parentage Wister Medal 

'Girly Girl' (Schreiner 2013) Unknown Parentage 



'Lioness'(Ernst 1989) Unknown Parentage 


'Salzburg Echo' (Schreiner 2009) Unknown Parentage 


'Sweet Serenade' (Schreiner 2011) Unknown parentage 


The following irises have the pod parent listed but not the pollen parent: 


'Tut's Gold'(Schreiner 1979)  Pod parent is listed as'Saffron Robe'but the pollen parent is unknown          
                                                  


'Syrian Hills'(Schreiner 2012) Pod parent is 'Regal Affair'X'Conjuration'and the pollen parent is unknown

'Picture Book'(Ghio 2006) This beauty's pod parent is'Treasured' but the pollen parent is unknown
  
Unfortunately, my plan to begin breeding irises was foiled this year by torrential rain, but I am on the lookout for bee pods.  Maybe the bees did some work in the few moments that it wasn't raining.  

If this article sparks your interest in hybridizing I suggest you go to the two links above.  Although there are a number of good resources, these are the two I found most useful. Happy gardening, and let me know how it goes.



Four months of Pacifica Iris blooms, and still going in late June

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Kathleen Sayce

This title is not a mistake, nor an Energizer battery advertisement: Pacifica Iris begin flowering in March, and are still flowering in my garden (on the West Coast at 46 N latitude) in June.  Blooms shift from one group to another over the months. I did not initially plan for a long bloom season, it happened by chance.  

An early I. douglasiana selection 


PCI 'Premontion of Spring' also flowers sporadically from fall to spring Equinox,
 ending in late March. 


The Pacifica Iris blooming year begins in the fall, with PCI 'Premontion of Spring', a hybrid developed by Garry Knipe, Cupertino, CA.   It flowers mid-fall through late winter. In my garden, it starts in September, and continues to spring, straddling the Fall to Spring equinoxes, tossing out a flower or two every few weeks. Garry is working on other early flowering hybrids, so look for more plants like this in coming years. 

I also grow several selections of Iris unguicularis, which flower sporadically through winter, peaking in March, and I. danfordiae andI. reticulata, which usually flower in February and March.
I. unguicularis flowers sporadically
all winter into early spring; not a
PCI, it may cross with them.

The main flowering event begins in mid March to early April, with many hybrids opening flowers in just a few weeks. The race is on each year to see which one will flower first. In 2015, PCI 'FingerPointing' had colored buds showing, but PCI 'Blue Plate Special' opened first. A week later, dozens of hybrids were flowering. 

PCI 'Blue Plate Special' is one of several
blues that come on in April.

PCI 'Daria' is another sturdy main season
flower.


This seedling yellow is from a mix of tall yellows
from Ghio; it also starts a bit later.

   
PCI 'Rodeo Gulch' starts a few weeks after other hybrids


This main season of blooms from hybrid plants lasts six to eight weeks or more, depending on weather. Hot days will bring flowers on quickly, and then finish quickly. In cool weather, the hybrids may flower for more than ten weeks, from early April well into June. Species that flower during this period include I. innominata (usually early), various I. douglasiana selections straddling the whole period, and I. chrysophylla.

By June, most hybrids are done. This year, PCI 'CapeFerrelo' and a seedling of PCI 'Untitled' kept opening flowers into mid June, one or two at a time. By then, the flower show shifted to Iris tenax, late flowering I. douglasianatypes, and other species crosses, including I. tenax x I. innominata andI. chrysophylla x I. tenax.

Species flowers aren't as showy as hybrids, and the color palette is 
more limited, but a month after the commercial hybrids are done, these are going strong. I particularly like I. douglasiana from Mendocino Coast Botanic Gardens, and Cape Blanco, for their late purple flowers, and dwarf I. douglasiana, from the SPCNI seed exchange, for very low plants that flower in June to early July most years.  

I. tenax, Neahkahnie seacliffs, south
Clatsop Co., Oregon, has a
 wonderful late show of flowers


Wild-collected I. tenax from southern Clatsop County, Oregon, flowers reliably in June in my garden, usually peaking as the first lilies come into bloom. I also have a purple small-flowered I. douglasiana x I. chrysophylla, also from the seed exchange, that peaks in early June; the plant is taller than most hybrids; the latter tend to be well under two feet tall.


I. innominata x I. tenax is also late.
The original seed lot gave
 seven color patterns.


The nicest aspect of late flowering species is that bees easily find the flowers, which set a lot of seed to share out to others. In my garden, early to mid season flowers (PCI hybrids) don't always get pollinated. Poor seed set early in the season was very noticeable this year. I'm looking into ways to encourage bumblebees and other cool season bees to help this along. Early seed set is less problematic in warmer gardens, and plants are probably taller too.
Late and low-growing, this I. douglasiana is usually the last PCI to flower. Flowers and foliage are under 12 inches tall. 

I'm waiting to see which plants flower lastthis year: dwarf I. douglasiana or I. innominata x I. tenax?Meanwhile, lilies are opening first blooms all over the garden, and will carry the flower banner forward to early September.



The Iris Garden: Premio Firenze -- Florence, Italy, Part II

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Part II: The Iris Garden
By Andi Rivarola


Iris pallida and olive trees at the Prunetti Farm in Chianti area
Various activities and initiatives have taken place during the life of Premio Firenze and some of the most important to are: 

  • In 1963, the planning and development of the "First International Iris Symposium" 
  • Collaborated since 1997 with the Department of Plant Biology of the University "La Sapienza" in Rome by participating in meetings and seminars.
  • Collaborated since 1998 with the University "La Sapienza" in Rome and The Lynnean Society in London to promote the Iris International Conference "Iris & Iridaceae: Diversity and Methodology."
  • In 2006, the planning and development of the "Second International Iris Symposium."



Winner of the 2012 Competition "Cheyenne My Dog" by Marucchi
Premio Firenze also took part in exhibitions and specialized events in the field of landscape and gardening, organized exhibitions, courses  in hybridization, courses for judges and lectures in schools.

2012 Firenze Competition Signs 
The Main Garden

The Iris Garden was set up on a hilly land previously cultivated but now surrounded by olive trees as well as other plants of the native Tuscan collections including: cypress trees, Judas trees (Cercis siliquastrum L.), strawberry trees (Arbutus unedo L.), laurel (Laurus nobilis L.) and some varieties of maples. Irises are accompanied by roses, and also bushes to highlight paths and walkways. But it is the iris plants and their variety of forms and colors that almost completely cover the garden and when they are in full bloom turn it into a colorful landscape. The vast majority of irises are tall bearded (almost 3000), but there are also intermediate, border and dwarf irises. The international competition variety has practically guaranteed continued improvement and renovation of the main iris collection, making it one of the largest and interesting in the world.

Judges in the Garden - Zdenek Seidl, Jill Bonino, Laura Bassino, Gisela Danthe, Augusto Bianco

Ponte Vecchio and River Arno, Florence
The garden also contains Siberian irises, Pacific Coast Native, spurias, and around the pond area there are some Louisiana, pseudoacorus and Japanese irises.

Bearded and beardless species irises typical in the region are represented by iris pallida, iris germanica, iris florentina, iris setosa, iris unguicularis, and iris ochroleuca 


There are numerous collections of historic irises in the garden among which we should mention:



  • The collection of the American Dykes Medal Winners since 1927 to today. 
  • Some historic irises from the Presby Memorial Garden in Montclair, NJ.
  • Historic irises from the Prague Botanical Garden, the Czech Republic.
  • A full collection of plants of the first and second prize winners of the international competition since 1957.
  • And also a selection of all the plants that participated in the competition, organized by years, from the first competition to date.

A part of the garden was reserved for ARSIA, a local Tuscan agency focused on development and innovation in the agriculture and forestry industry, and the plants included were chosen for their conservation of genetic material of the genus iris.


Valerio Romano, Director of the Firenze Competition, in the Garden

The Garden at Villa Gamberaia

Note: This article contains information originally shared online in Italian by Saverio Pepe, a resident of Florence, who kindly gave permission to use his material and images for this blog post. The pictures on Part II are all from Jill Bonino who participated in Premio Firenze as a judge in 2012. 


Translated by Andi Rivarola 


If you missed Part I


Reblooming Iris Program: Zone 6: On the Cheap

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by Betty Wilkerson

Many of the improvements in irises have been made by the backyard gardener, and some of their creations have won The Dykes Medal. You can spend a small fortune, hunting up fancy tweezers and paint brushes, but it's possible to breed irises without all this. When I started my rebloom program, I had a child in elementary school, and two in high school, so I couldn't justify spending much money on the iris program. I bought a cheap iris colletion from Schreiners and the next year I ran across a really cheap fall blooming iris collection from Fields, a mail order catalog. Then, I bought a few rebloomers from Monty Byers. 

An empty milk jug, cut into strips, and then cut again, made good tags.  I punched holes in one corner, with a hole punch, and used some orange yarn from my crochet bag to make ties. They were neat, but the birds really liked them, too, and used several in building their spring nests. If one was missing, I learned to look to the tree tops.  The tags would glisten and reflect sunshine from up in the trees. After I moved to Allen county in 2003, I switched to strips of plastic venetian blinds shown below.  To prevent fading, I use paint markers. I made 150 tags so I would not have to reuse any during any season. Early on, I bought a couple of pair of tweezers from Wal-Mart. I stressed over the method of pollen transfer until I found I was comfortable with using my ring finger as the implement of transfer.  Works fine for me.

A few years back, I bought a large garden bag that will hold all of my hybridizing equipment, and then some. Before the new bag, I would put everything in a gallon size ziplock bag.  The new bag is lined with pockets on the inside, which is convenient for pollen envelopes, tweezers, seed packets, nozzles for the hose, etc.. It even has a clip for my keys, if I choose to use it.  

Garden Bag


Hybridizing Tags

Lace Bonnets
The first summer I was in Allen County, 2004, a pod went missing.  It was my favorite from 'Strictly Ballroom' X 'Mariposa Skies.' Sorry, I do not have pictures of the irises. I spent way too much time looking for the pod, but with absolutely no luck. The following winter I made a bunch of these lace bonnets to protect my pods from the deer.  Haven't lost a pod since 2004.



Personal Size Envelopes
for Seed
Once the seed are harvested from the pods they are usually wet or at least damp and they need a home until time to plant.  Rather than take chances of getting the seed mixed up, it's just easier to go straight to the envelopes.  I put all of the permanent information onto the envelope, pod parent, pollen parent, and seed count, then I put the seed into the envelopes.  I place it/them on an envelope rack to dry.  I shake the envelope each day and turn it upside down. This is to make sure all seed fall to the other side.  They are usually dry within a week and can rest until planting time at the end of Oct.  The soil must be cool.



Mum Pots for Germination

Chicken Wire

Soil should be placed in the pots about six weeks before the seed are planted.  A natural settling of the soil in the pots will leave air in the soil, important, where tamping does not. In my zone 6 garden it's important to put chicken wire (mine is plastic and reusable) over the pots to keep out the vermin.  In my zone 6 garden the average date to expect sprouts is April 1.


Landscape Fabric
As I've grown older and more crippled, I've adjusted the way I care for my iris. The cost of my operation went up at the same time.  DeWitt woven landscape fabric is really good.  I buy it in big rolls that will cover about five beds.  I like the stuff with the green lines because it helps make straight rows and I need all the help I can get.  Each spring I must check for crowding and cut the landscape fabric where needed.  I use a thick grade of black plastic for the paths. I use a piece of pvc pipe with paint markers every six inches to measure between plants.

If you want to make some iris crosses, but don't think you can afford the equipment?  Please give it another thought.  Be creative. We need reblooming hybridizers in the middle and cooler states, zones 4-6.  To get rebloom you will need to use really strong rebloom stock. I'm always willing to discuss anything iris!  Just find me on Facebook or e-mail me at bridgeintime@aol.com. Put "irises" in the subject line. Good luck.








Satisfying Louisiana Irises’ Craving for Water

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By Patrick O'Connor

If there’s anything that is generally understood about Louisiana irises it is that they like water.   As these irises have risen from obscurity to popularity among gardeners, however, their promoters have had to walk a fine line in describing their water needs.

On the one hand, it has been important to convince people that these “swamp plants” do not have to grow in standing water.  Gardeners can succeed quite well with them in a bed alongside annuals and perennials of many kinds.  On the other, optimal performance may not be attained if their Louisiana irises get only the amount of water that the “average” plant needs. 

Louisianas suffer if they get too dry, even for a brief period.  They require consistent moisture.  If they dry out during an even brief drought, especially from spring through summer, they will begin to have scruffy foliage and, in the extreme, go essentially dormant.  Generally, with insufficient water, they enter an in-between state in which much of the foliage is just yellowed and unattractive.  This is hardly a fatal condition, but it is not a pleasing sight.  Ample water is the preventative.  (Soil fertility is also critical, but that is mostly another story).

The thirstiest Louisiana, Iris giganticaerulea, in a swamp in Jean Lafitte, LA.
I. brevicaulis, the least thirsty of the species, growing in Gary Babin's Baton Rouge backyard, nowhere near standing water.
Different Louisiana irises may have a greater or lesser tolerance for insufficient moisture.  In a separate series of blogs, Joe Musacchia is describing the background and characteristics of the species that are the foundation of today’s cultivars.  For present purposes, it is enough to say that some of the species (Iris giganticaerulea and I. nelsonii) are indeed swamp dwellers, found growing in standing water.  (The East Coast species I. hexagona appears to like the same or similar conditions as I. giganticaerulea, but this iris has been used only rarely in developing the modern cultivars.)  At the other extreme, I. brevicaulis is an inhabitant of low, damp spots, but is not generally found in anything beyond the mucky edges of water.  I. fulva is intermediate in this regard, often the inhabitant of wet ditches and sloughs that may hold water all or most of the year.  The water requirements of a cultivar will depend upon the often obscure or unknown genetic mix of these species in its background.

The issue is how to deal with the water needs of Louisiana irises so that they are respectable citizens of the garden when not in bloom, as well as how to encourage plentiful and beautiful flowers.  There are any number of approaches that will work so long as the result is that the irises remain consistently wet.  One could drag out a hose and attend to their thirsty cravings by hand watering.  Not many of us would elect that course, at least for very long.  I once used a sprinkler placed around the garden on a rotating basis, but even that got old, and I was not really as consistent as necessary.  I had reasoned that in the New Orleans area where there are 60 inches of rainfall annually and where the irises are native, it should not be necessary to take herculean steps to water these plants.  I was wrong, and I was never satisfied with the way my irises looked in the hot summer months.

A switch to a series of sprinklers each on a timer was a huge improvement.  That arrangement created the consistency of moisture that the irises require, and for the first time, the foliage on my irises remained green and attractive right through the summer heat.  Only in the fall when the new growth cycle began did I have to apply serious work to clean up the iris foliage.

The weeds responded well to this approach also.  I found it difficult to keep up with the weeding, especially with some noxious non-native perennials, such as alligator weed. 

When I operated a nursery, Zydeco Louisiana Iris Garden, I had grown many plants in half barrels with no drain holes.  That worked well generally, but most of those barrels were at another location, not in my home garden.   My primary objective at home has been to maintain an attractive landscape and not have it look like a production farm, even though I did use much of the yard space for nursery operations.  I was in the market for water-holding containers without an industrial appearance.
A mortar mixing tub from Home Depot, a future home for Louisiana irises.
The solution came to me in an email from Wayland Rudkin.  A California hybridizer, Wayland sent me a picture of his ‘Ginny’s Choice’, later a Debaillon Award winner, growing in a shallow  tub of the kind sold in the construction sections at Home Depot and Lowe’s for mixing mortar.  The tub in Wayland’s picture was packed with happy, healthy looking irises. 

These mixing tubs are sold in two sizes, one about six inches deep that measures 18 by 24 inches and the other two inches deeper and slightly longer and wider.  There are no drain holes.  The smaller size sells for between six and seven dollars and the larger between twelve and thirteen dollars.  They are black and made of some sort of thick plastic material.   They will crack if hit hard, stepped on, or lifted while full of soil, but they otherwise seem sturdy and probably are reasonably long lasting. These trays can be sunk into the ground or placed on the surface. 

I opted for the smaller, shallower tubs for reasons of economy and to maximize the number of cultivars I can grow.  I have replaced most of my iris beds with these mixing tubs set one next to the other on the soil surface or on landscape fabric in a few areas.  The rims of the tubs can be overlapped to prevent weeds from growing between them.  I have found that the tubs currently sold by Home Depot work better for overlapping than the ones from Lowe’s because of a flatter rim.  The tubs can be angled slightly to accommodate curved beds or walkways. 

Mixing tubs in place but not yet mulched.
A garden path with tubs cleverly disguised by rows of bricks and Live Oak leaf mulch. 
If the tubs are not dug into the soil, it is necessary to resort to camouflage for an unobtrusive look.  In my case, I lined the paths in my garden with bricks stacked two or three high.  When mulch is added and the irises are growing well, the tubs are essentially hidden, and the look, to me, appears natural.

After two and a half years, I consider growing Louisiana irises in these tubs to be a successful experiment.  The irises so far have grown very well and bloomed beautifully.  Like irises in beds, I anticipate that the tubs will have to be reworked periodically.  The soil undoubtedly will have to be replenished, although I have added an inch or so each year.  Either there is a bit of subsidence or some soil washes out, but in either case I try to keep the soil level near the top in order to allow maximum room for root development and to prevent too much standing water.  If the trays are full or nearly full of soil, evaporation quickly takes care of any surface moisture that might attract mosquitoes. 

I did worry when I began using the mixing tubs that six inches of soil would not be sufficient for good growth of the irises.  I have found only a few varieties with roots so long that they hit the bottom of the tubs and then flatten across the bottom.  Even with those, the irises appear to grow happily.  Except for cost, I probably would have opted for tubs two inches deeper, but I have not detected any problem with the shallower model.

Garden scenes during the first and second seasons with the tubs in place.


I will not go so far as to say that weeding has become a delight, but it is much easier to pluck a weed from a mucky bog than from garden soil.  Many common weeds do not like the bogs, although one can expect a few new ones to appear.  The iris bogs are no replacement for diligence, though, and they will look bad if unattended.  Of course, any perennial weeds growing beneath the tubs will be entirely frustrated.  This gives me great pleasure.

A bog replacement for normal beds does not require a landscape of uninterrupted Louisiana irises.  There are many interesting plants not often found in the garden that can be grown in the tubs with the irises.  Marsh Fern (Thelypteris palustris)and various forms of papyrus thrive under these conditions.  I devote one entire tub to a Royal Fern (Osmunda regalis), which provides great texture that contrasts nicely with iris foliage.  Pickerel Weed (Pontederia cordata) has beautiful blue-purple flowers and also a nice contrast of foliage texture.  The deep red foliage of the hybrid Crinum‘Menehune’, Red Bog Lily, is a wonderful accent, also.  The use of little bogs for irises opens up a new palette of companion plants.



There are some issues that must be dealt with if employing bog culture.  I have found a few cultivars that do not thrive in the tubs.  These seem prefer a good garden bed but with ample moisture.  There are not many, however, and trial and error is the only way I know of to discover this preference.

The shallow tubs will dry out quickly if not watered.  I had thought that this approach would be a better way to reduce the amount of water I use.  That has not been the case.  When I apply water, however, the irises get to grow in boggy conditions, and almost all varieties thrive year round. 

I have never been sure how to fertilize irises grown in containers that do not drain.  Fertilization is the second key to success with Louisianas.  All the fertilizer rate recommendations assume beds or containers through which water drains rather than accumulates.  I have no idea what happens with the chemistry in those tubs.  I have used mainly time release fertilizers applied as if the tubs were containers with drain holes.  It has seemed to work, but I am sure there is a much more refined and informed approach that would be preferable.  I suppose a container system would be better that more closely emulated a real bog in which there is some natural, albeit very slow, movement of water.

There are many other approaches through which the thirst of Louisiana irises can be satisfied.  For example, Benny Trahan in Slidell, Louisiana, creates “iris paddies”, which essentially are retention ponds with a few inches of water into which he places potted irises.  The plants are able to suck up as much water as they want.  Eileen Hollander in New Orleans is also using mixing tubs, and has written an account of her experience in the Spring 2014 issue of SLI’s publication Fleur de Lis.  Robert Treadway, from Carlisle, Arkansas, wrote of his development of plastic lined beds in an article that can be found on the SLI website at:  Development of Plastic Lined Beds

While I regard the creation of iris bogs using mixing tubs to be a successful experiment, it undoubtedly is not one that should be tried without modification in all parts of the country.  The weather in, say, Montana, may argue for a different approach. But a key to success with Louisiana irises is water, regardless of how it is delivered.

Personal Favorites: Tall Bearded Iris 'Peach Royale'

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By Renee Fraser


As I was organizing my photos the other day I ran across some photos of one of my favorite irises, 'Peach Royale'.  I saw a lovely clump online years ago, but the only source I could find was sold out, year after year.  Finally, in 2009, I got my order in on time.  In its first year it proved to be worth the wait, and I look forward to it each year.

'Peach Royale' was hybridized by Meininger in 1999, and it is among the first of my irises to bloom.  I like the early bloomers, because it gets very hot here early in the year, and any iris that dawdles into bloom in May is likely to have a short career.  'Peach Royale'lasts a long time, both because of the early bloom and because of the high bud count on the stalks.


It fades beautifully, getting lighter around the edges.



I have it planted with 'Spin Off' (Maryott, 1986) , which has the same magenta color that appears in the falls of 'Peach Royale'.


Here it is glowing in the sun.

And from the top.



With verbascum 'Southern Charm' and pelargoniums.




If you are looking for a nice tallish iris (34-36") in this color range, I recommend 'Peach Royale' for its foliage, long bloom period, and beauty in the garden.  If you grow this iris, please let us know how it does in your part of the world in the comments, below.







Standard Dwarf Bearded Irises: A Success Story

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by Tom Waters

'Abuzz With Charm' (Coleman, 2013)
Standard dwarf bearded irises (SDBs) are defined as bearded irises between 20 cm (8 inches) and 41 cm (16 inches) in height. But behind that simple definition is an exciting story of the creation and development of a family of wonderful garden plants unknown in nature, beginning with two curious hybridizers collaborating on an experiment and culminating in what would become an enormously successful class of irises, second in popularity only to the tall beardeds.

The story begins in the 1930s with Robert Schreiner seeking out seeds of the dwarf bearded species Iris pumila, native to eastern Europe. There were already dwarf irises grown in gardens at that time, nearly all of them derived from Iris lutescens, a species native to the western Mediterranean: Italy and southern France. There was not much potential in breeding these dwarfs, however. The color range was limited (yellow, violet, and occasionally off-white), and attempts to add more variety by crossing them with tall bearded irises produced only sterile intermediates, a dead end as far as improving the dwarfs was concerned.

Iris pumila
Iris pumila offered the prospect of something new for dwarf breeding. Although not grown in western Europe or North America, it was known to iris specialists. It was one of the iris species originally listed by Linnaeus, and was described in W. R. Dykes's The Genus Iris and other sources. It is a truly diminutive iris, virtually stemless, with the tip of the blooms often only 10 or 15 cm above the ground. Its range of colors is delightful: yellow, cream, pure white, violet, purple, and blue, almost always with a darker spot on the falls. Instead of just lamenting its unavailability from commercial sources, Schreiner initiated communication with plant enthusiasts in eastern Europe, and was eventually able to import some seeds of this promising species.

By the 1940s, Iris pumila was being grown by a small handful of iris hybridizers in the USA. Two of them, Paul Cook in Indiana and Geddes Douglas in Tennessee, decided to exchange pollen. Iris pumila was blooming in Indiana around the same time as the tall beardeds were blooming in Tennessee. The results of these crosses delighted them both. The stems grew about 30 cm in height, only slightly larger than the garden dwarfs of the time. There were two buds at the top of the stem, and often a third on a short branch. The flower form was perky and modern by the standards of the time, and the colors were bright and varied wonderfully. And, most extraordinarily, these new hybrids were fully fertile and could be bred with one another for as many generations as the hybridizer desired. These were the first of a new type of iris, now called SDBs. Paul Cook introduced the first three to the world in 1951: the clear yellow 'Baria', blue 'Fairy Flax', and white and green 'Green Spot', which achieved an enduring popularity among iris enthusiasts.
'Green Spot'(Cook, 1951)
photo: Barbara-Jean Jackson

The creation of these new hybrids soon caused controversy. Were they dwarfs or were they intermediates? Many dwarf enthusiasts insisted on the latter view. Iris pumila was a dwarf, after all, and crossing dwarfs with TBs was the classic recipe for intermediates. Furthermore, they argued, no true dwarf iris could have a branched stalk, which SDBs often did. Others, however, noticed that these new irises were much closer in size and general appearance to the dwarfs than to the intermediates, and preferred to just stretch the definition of "dwarf" a little bit to accommodate the new hybrids. Geddes Douglas thought they should be in a class by themselves, neither dwarf nor intermediate, and proposed calling them "lilliputs".

By the mid-1950s, those who preferred grouping the new irises with the dwarfs had prevailed. The AIS adopted a classification where any bearded iris up to 16 inches in height was considered a dwarf. The Dwarf Iris Society refused to accept this however, and the result was a schism between the two groups, with the DIS having its own judging standards and its own system of awards. This state of affairs was untenable, and by 1958, it was clear that the classification problem needed serious rethinking.

'Rain Dance' (B. Jones, 1979)
The final outcome was abandoning the simple division of dwarf, intermediate, and tall, and replacing it with four "median" classes in between the dwarfs and the talls. The intermediate class remained, but now there would also be a new class for "lilliputs" and two more classes in the intermediate height range, one for small TBs (border bearded) and one for the dainty diploid "table irises" (miniature tall bearded).

So the new pumila/TB hybrids now had their own class, but what should they be called? Douglas's name "lilliput" was deemed a bit too fanciful. The final decision was to call them "standard dwarf bearded" and refer to the smaller true dwarfs as "miniature dwarf bearded". The Dwarf Iris Society would continue to promote only the MDBs, while a new organization, the Median Iris Society, was created to promote the four median classes: SDB, IB, MTB, and BB. The result is a slightly perplexing situation where the SDBs, although having the word "dwarf" as part of their name, are technically medians, not dwarfs.

This brand new type of iris shook up the conventional thinking of the time, but the result was much better than if they had been forced into either the dwarf or intermediate categories. Having their own class and their own awards gave great encouragement to breeders striving to improve them. And the improvements came rapidly. Breeders like Bee Warburton and Bennett Jones were at work from the beginning, scarcely behind Cook and Douglas in producing new SDBs. Before long, most hybridizers were no longer crossing Iris pumila with TBs to produce new SDBs. It was easier to simply cross the existing SDBs with each other, and the results were usually better too.

The influence of the SDBs extended beyond their own class. Today, most IBs come from crossing SDBs with TBs, and most MDBs derive from SDBs as well.

SDB breeding produced some extraordinary surprises. It was originally thought that some of the recessive colors and patterns, such as pink and plicata, could only appear in TBs. But it did not take long before they began showing up in SDBs as well. Today's SDBs have virtually all the colors and patterns seen in TBs, as well as the "spot pattern" inherited from Iris pumila. I think it is fair to say they are the most varied class of irises in existence.

'Chubby Cheeks' (Black, 1985)
photo: Mid-America Garden
In the nearly 65 years since the first SDBs were introduced, there has been a steady improvement in form and substance. Bennett Jones's creamy white 'Cotton Blossom' was hailed as an early improvement in form, with wide round petals and light ruffling. But the greatest breakthrough was Paul Black's 'Chubby Cheeks' in 1985. A prodigious parent for decades, this iris and its descendants set a new standard of form for the entire class.

SDBs are deservedly popular, and not only for their varied colors and appealing flower form. They bloom about a month earlier than TBs in most climates, greatly extending the iris season. Furthermore, their size makes them more versatile in garden design than their larger cousins. They can be tucked in next to a doorway, along a path, or even used in small "postage stamp" backyards where TBs would be out of scale. It's hard to imagine the iris world without them.

And we owe their very existence too a few creative souls whose curiosity prompted them to step outside the status quo and try something different. Who can say where the next great iris success story will come from?


PHOTOGRAPHS OF MY TALL BEARDED IRIS ALL YEAR LONG

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BY DAWN MUMFORD


At the end of Susanne Spicker's post published June 8th, she asks “what are some ways you enjoy the beauty of your irises through the year? Do you have any creative ways in preserving their beauty when they're not blooming?” 


In this post, I give a four-part answer:


1.  I made an album where I keep all the pictures and descriptions of the irises.

2.  I make digital scrapbook pages that I can upload to a printing company to be made into a book.

3.  I make collages for later enjoyment.

4.  I love to make iris slideshows set to music that can be played on my T.V. year-round.  



1.  The album: I started collecting and growing irises in the mid 1980s.  I cut photos out of older catalogs and put the photos and the descriptions in an album to help me make comparisons and double check my maps. This is an important garden reference book, but I also enjoy just looking through it.




2.  Digital scrapbook pages and self-published books:  I have used both Mixbook and Picaboo publishers and have had good results with both.  Sometimes I like to create the pages in the scrapbook section of the Smilebox software and then save them as jpg's or jpeg (jpg stands for Joint Photographic Experts Group).  It is a common format used for storing and transmitting photographic images on the World Wide Web.   When Mixbook or Picaboo have a sale, I go to the site.  When it asks me to upload photos, the pages have already been created (with art and embellishments).  All I have to do is upload them. Here is a sample page made in Smilebox but saved as a jpg ready to be uploaded to a company that prints books. This process helps make your books look more professional.  
Pages can hold 1, 2, 3, 4, or 5 photos, but of course, the photos will be smaller each time one is added.  




Susanne Spicker has used different companies with success. She has produced beautiful iris books, garden books, and even flower arranging books. (Perhaps if we are lucky she will show some of her books on one of her posts here.)  The books can be hard or soft cover and are generally not too expensive unless they are very long.  Once you get started, some of these companies e-mail you when they are having a sale.  Costco and Walmart also make good photo books, but I have had better results with my local Walmart than I did uploading the files to the main Walmart company in another state.  (Uploading is a process that these companies use to take copies of your picture files off your computer and put them on theirs so that they can print your book). Don't worry, you control what files they have access to.  

Here are a few of my iris books:







This book has pictures on the front and back of the hard cover.



3. Collages:  I love to make digital collages.  They are easier than they look, especially after you have made the first one.  I use the free software called Picasa from Google.



The irises above are 'Private Label' (Nelson, 1985), 'Aristocracy' (Keppel, 2005), 'Mulled Wine' (Keppel, 1981), 'Salsburg Echo' (Schreiner, 2009),  'Conjuration' (Byers, 1988), 'Queen in Calico' (Gibson, 1979), and 'Kitty Kay' (Keppel, 2002).

These collages were made with Picasa.  It is a fun way to enjoy looking at your iris all through the year.  You can even upload these collages and have them printed in a photo book. 

There are too many irises in this collage to name them all!


4.  Compact disks that can be played on the T.V.:  The slideshow disks that I create for T.V. are made with Smilebox  software It is really pretty easy, but it takes some time to find your pictures, decide which photos to use, and to add the captions.  The art work in Smilebox  is already created and you just pick what you like.  Some of the introductions even include animation.  This company is making new designs all the time.  Another fun thing is that you can set your slide show to music to add to your enjoyment.  Smilebox has lots of music to pick from, or if you have some already stored on your computer you can use that.   
  
To see one of my iris slideshows adjust your speaker volume for music and then click  5 minute Slideshow. The show has 50 photographs taken in our iris patch. 
They are tall bearded irises, historic and new, in no particular order.  You can stop the slide show at any time by pressing the "Esc" button on the top left of your keyboard or the "X" button at the top right of your screen.  If you want to hear all three songs in the show slide the cursor across the iris while the slideshow is running and white letters appear; click on the rectangle to the right of all the white letters; when you click, it will allow the show to loop and play over and over until you stop it.  When the slash line is through the box it will not repeat play.  


I'll end this article with the same question that Susanne asked before:  What are some ways you enjoy the beauty of your irises through the year? Do you have any creative ways to preserve their beauty when they're not blooming?”

P.S.  I’m often asked if I sell or trade my irises.  I’m sorry but I don’t.  My husband has Alzheimer’s disease and he does all the digging and takes care of our orchard (and me!) and I can’t ask him to do more.  I can give you the name of the iris, the hybridizer, and the year of registration (for most) so you can order your favorites. I do keep rows of irises for sharing, and I give those away to people who come to the garden while they are blooming, usually around Memorial Day, but I do not sell them.



IRISES, the Bulletin of the AIS - Summer 2015 Edition

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BY ANDI RIVAROLA


Hot off the presses, here's the Summer Edition of IRISES, the Bulletin of The American iris Society. On the cover, 'Football Hero,' a fantastic new introduction by hybridizer Lynda Miller and top favorite iris chosen during the Portland National Convention. For all Favorite 15 Guest Irises of the convention, please see page 34.

The Summer 2015 issue of the AIS Bulletin is now available for online viewing within the Emembers section of the AIS websiteNote: to access this area of the website you must have a current AIS Emembership. AIS Emembership is separate from the normal AIS membership. Please see the Electronic Membership Information area of the AIS website for more details.



A fantastic edition, this time focusing on the National Convention held in Portland, Oregon.
One of the most detailed convention descriptions I've seen in recent years, it covers everything that a gardener/attendee would want to know, from the the pre-convention gardens and their uniqueness, to details of irises and updates on hybridizers' current developments. From this land of many iris wonders you will enjoy a full 10-pages of pure iris talk.

And for some welcome news, Bonnie Nichols writes a detailed article about the newly formed Novelty Iris Society of which she's President, on page 11, with information regarding the selection of the first officers and directors, a list of committee heads still needed, and the many ways to help the new Society.

You will find the article on the announcement of the 2015 Winner of the Bennet C. Jones Award for Outstanding Median Hybridizing, Jean Witt, both inspiring and stimulating -- on page 13.

Jean Morris, explains on pages 38-39 of the section Another Day in the Garden why Siberian irises are her favorite, and how she glad to seeing these beauties at the Portland Convention. I must say that I feel the same way as Jean, I cannot grow them in my area, but oh boy I love to see them when I can. 

Don't miss the buckets-full-of iris blooms from Schreiner's Iris Gardens, on page 3. I couldn't believe my eyes on location. Only at Schreiner's. 

The Bulletin's section Youth Views is on page 8 and the encouraging essays by youth members, and Ackerman Essay Winners, on page 9.

If you like reading mystery novels, the nonfiction story by Aaron Floden and James Waddick will surely please you. Is set in a land of many eccentricities and contracts, and the line of captivating characters are looking for a majestic prize. Don't miss The Long Road to a New Iris in India -- Part 1, on pages 50 - 51. 

Congratulations to Jim Waddick from Missourfor winning the 2014 Michael Foster Memorial Plaque announced and bestowed by the British Iris Society. Read about it on page 14.

On page 62, towards the end of the Bulletin find the invitation to next year's convention. Although not mentioned in IRISES due to publishcation deadline restrictions, please note that the 2016 National Convention website is out. Going Eas in 2016 will be held in Newark, NJ. Click on the link for more information. 

AIS President, Jim Morris, continues to inform us about Irises Down Under& New Zealand, with his Part 3 of what seemed like a trip of a lifetime. The combination of two splendid beauties, nature and irises, really makes it a special trip, don't you think?

There's a lot more to see and read in this edition of IRISES, either in digital or print formats. I hope you are an AIS member because that means that you will receive the print edition soon (it's in the hands of the Post Office), or if you are an e-member, then that version is already available online as mentioned above. 

Happy gardening!



Purple Pacific Iris

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Kathleen Sayce

Purple is a common color for many species of Pacifica Iris. Color saturation ranges from pale lavender to velvety dark purple. Many wild populations include lavender to purple flowers. Being a common color, you might think that it's boring. Hmm. Not. Between hues, shades and saturation, not to mention veins, signals, petal widths, and ruffles, there's a lot to explore, and more to come from hybridizing. 


This Iris douglasiana selection is short and blooms at the end of the main flowering period, which is June to early July in my climate. Timing makes up for the plain species-like flowers; when this one blooms, other PCIs are done.

As with other flower traits, petal widths, ruffling, signals and veining vary widely in wild flowers and in the garden, where hybridizers continue to push the boundaries on what is possible for iris flowers to achieve.

This orchid-purple iris is from Joy Creek Nursery. It was one of my very first PCIs, and is still one of my favorites. It has striking signals with a dark halo and veins on a light purple base, a yellow streak in the white, and the veins extend into the main falls. 

Sea coast populations of irisdouglasiana in northern California include purple-flowered plants. Mendocino Coast Botanic Garden sells seeds from their plants, which grow on the sea cliffs in the botanic garden and seem right at home in my garden, six hundred miles north on Willapa Bay on the south coast of Washington. Similar plants flower hundreds of miles to the south at Pt Reyes, and on down the coast into central and Southern California. These plants are wind, salt and drought-hardy.
Iris douglasiana, from Mendocino Coast Botanic Gardens, has a small sturdy flower on stems held above the foliage. The plant is strong, the flowers are numerous, and the color is a nice medium purple.



A 'Gravitas' seedling has a large flower with a lovely dark color to the petals. 


Strong purples show up regularly in open pollinated garden crosses. I've learned to stop growing them all, lovely as each one is, I aim for sturdy plants with flowers held well above the foliage. This flower, above, was a surprise for its size, more than four inches across with nicely wide falls. 

Another purple favorite is an I. tenax x I. innominata cross, which produced a nice diversity of colorful seedlings, from this purple (below) to white, including some colorful veining variations in between.

This I. tenax x I. innominata seedling is one of five variations from the same seed lot, and shows the most purple. It's a reliable late spring to early summer flowering plant, long after the hybrids are done. 

PCI 'Valley Banner' was selected by Ruth Hardy from plants derived from a wild population of I. tenaxx I. chrysophylla in the south Willamette Valley, in Oregon. Falls are white and heavily veined in dark purple; standards are white with narrow purple midrib; style arms are red purple. 


PCI 'Valley Banner' is a well-veined, bicolor combination. This photo was taken by Debby Cole. 



I've mentioned petal widths before, and here again are some of the variations, from wide and ruffly to narrow.

This seedling is almost pink, with a striking purple signal and central pale slash. The ruffles are over the top. This is a PCI 'SanBenecio' seedling.


A neighbor showed me his PCIs this spring, and this lovely narrow-leaved specimen grew with more typical I. doug-type flowers. Why do I like narrow petals? They often hold up well in wet weather.


Will Plotner's PCI 'Wild Survivor' is a species-like hybrid with lavender flowers, slightly darker veins on the falls, and a white and yellow signal. This hybrid was a Mitchell Medal Winner a couple of years ago, see below.


PCI 'Wild Survivor' is a lavender hybrid with a species-like appearance. This can be very refreshing among highly ruffled and intensely colored selections. Photo by Richard Richards, from the SPCNI photo collection, thanks to Ken Walker. 

A maiden flower on a seedling from PCI 'Earthquake' at the south end of the yard was a lovely dark purple. The falls are velvety, ruffled, and intensely colored, with rich dark veining over the background color.

Then there is the impact of dark veins on light backgrounds, and complex signals, touched on initially with Joy Creek's orchid PCI, and again here, below, with a hybrid from Southern California. 


PCI 'Daria' has a light purple background, intense veining on falls and a large yellow signal; it's yet another variation on purple.

The take-home message about purple is that this color encompasses a wide range of hues, shades, saturations, and petal forms. As a foundation color PCIs, new variations will keep appearing for years to come. 


Reblooming Iris Program in Zone 6: "But That's Too Old!"

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by Betty Wilkerson


Over the past thirty years, I've grown most of the irises reported to rebloom, and used many of them in breeding. I've produced and grown many iris seedlings that I thought would rebloom, but most have not.  Over the past ten years, as I've tried to encourage others to breed rebloomers, I've often suggested certain strong rebloomers. Ninety percent of the time or more, I'm answered with, "That's to old." or "That's to plain." Of course, they are right, but if we want rebloom, it seems this is the path we must take in zone 6. Most of the rebloomers, introduced in the past thirty years, either don't ever rebloom in my garden, or miss most years. In order to breed rebloomers you may want to use some of the older and more tailored rebloomers.  

My advice would be to grow a handful of strong rebloomers, and experiment with the crosses.  Grow some known rebloomers that are strong in the type of rebloom you want to produce, even fall rebloom if that makes you happy.  Add a few good color genes if you can, but know that the closer you stay to strong rebloom, the more rebloom you are likely to get in your seedlings. Mainly, be happy with your crosses, otherwise there is no point.
  

'Blatant' (Byer's 1990)


'All Revved Up' (Wilkerson 2007) 

Several years ago, John Van Hook visited my garden on a regular basis, and he often urged me to use 'Blatant' as a reblooming parent. Like everyone else, I didn't want to use it because it was "older & plainer." Eventually, I put pollen from 'All Revved Up'(Wilkerson 2007) onto 'Blatant' (Byer's 1990).  I lined them out, fertilized well, and watered on a regular basis.  The cross is approximately 75% plicata so I got plicatas, selfs, saturated variegatas, one white with yellow standard rims and fall rims, and one white glaciata.  A total of 13 rebloomed, including the glaciata.  


'Cool Character' (Wilkerson 2013)


1907-10Re (sibling to 'Cool Character'


1910-10Re (sibling to 'Cool Character.') 

Another rebloomer that I've been reluctant to tell people to use in breeding is 'Violet Returns' by Earl Hall. It's a half sibling to'Feed Back.' It's both older looking and more tailored, but it produced one of my best reblooming seedlings, 1625-01Re.  'Star Gate' is the pod parent and my 'Violet Returns'X'Breakers'child is the pollen parent.  Again, it's plainer and shorter than desired.  



2006-01Re is from ('Chinese New Year' x 'Theme Master') X 1625-01Re.  All this one really needs is a touch more form.  It has great height and branching which I attribute to 'Chinese New Year.' 

2006-01Re seedling


2008-01Re Wilkerson seedling

Another child of 1625-01Re is just above, 2008-01Re.  It's not particularly modern, but did rebloom a lot. Yes, it is hard to get modern form when using these more tailored varieties, but this is where the reblooms seems to reside.  Also, rebloom passes most easily when working with plicatas.  I've had really good luck with 'Earl of Essex,' and 'Over and Over.' 'Earl of Essex' is good for working with fall/cycle rebloomers, while I expect 'Over and Over' to work better when working for summer/whenever rebloomers.  More work with'Over and Over' is in the future.

I've recommended'Over and Over,' since it's one of the strongest rebloomers I've grown. Most people say they don't want to use it.  Few say it's because it's too plain, but don't offer other reasons.


'Over and Over' (Innerst 2001)

The picture above is not one of the best pictures, but does show some of it's potential faults. It would probably be best to make the cross both ways, just to satisfy your own curiosity as to which way is best.  If you have better pictures of'Over and Over,' and you are willing to let me use them in my blogs, please send them to me at bridgeintime@aol.com, with permission to use.  

Keep in mind that my reports are from work in my own garden in south central Kentucky.  I'm on a ridge, above a creek. The garden was a former pasture. Your results may be different than mine.   





Understanding Louisiana Iris Part 3: Iris brevicaulis

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                                                                                              By Joe Musacchia




    I. brevicaulis is the smallest of this species group. Most stalks are only 12-13 inches tall. The flowers are small  3-4 inches across. The stalks are very zig-zag and tend to lie down.  They produce no branches. 


   The typical flower is blue-violet with white underlay and yellow signals. They have been found in many varied shades  from deep blue to a lavender-blue. 


'Pink Joy Roberts'
'Finders Keepers'



Their range is the entire Mississippi River Valley, the Ohio Valley and some of the Missouri Valley. It has been spotted as far north as Canada and around the Great Lakes. 

As you can see it is very cold hardy. I. brevicaulis do not do well in water. It grows on the field edges and ridges, not in the ditches and swamps with standing water. They do like a lot of moisture though. I. brevicaulis is the last of this group to bloom.










Other characteristics are: it grows in full sun, the rhizomes are smaller and it grows on tight clumps.
One rhizome forming a clump.




One very easy way to tell if a cultivar has brevicaulis in it is the pubescence signal.









With the addition of I brevicaulis in the mix we add a lot of new possibilities. OK, so let's explore the good, the bad, and the ugly.  The good: Zig zag stalk opens up flower presentation. Tighter clumps makes them better neighbors. They are more cold tolerant so extend the growing range. Bloom later extending the bloom season. The bad: Flowers open in the foliage and stalks tend to lie down. They do not grow in water so if a cultivar has a lot of brevi in it may not do well in water culture. The ugly: Sorry I have never seen an ugly Louisiana.    

Jim Murrain had an excellent piece on  I brevicaulis  in this blog on FEBRUARY 10, 2014. Click here to take a look.

Previously on this series:



Next we look at I Nelsonii.



THE TALL BEARDED IRISES OF BOB VAN LIERE

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Growing and hybridizing tall bearded irises for beauty, performance, and your pleasure." (Bob Van Liere, Iris4U)

By Susanne Holland Spicker


One of Bob's newest introductions: 'FOREVER MY LOVE' (Van Liere 2015) 
"There is an excitement, a rush, and thrill when you walk out in your garden, and you see a new iris." (Bob Van Liere)

Bob Van Liere has been growing and selling irises since 1994. His nearly 3-acre family operated iris garden, Iris4U, is located in Denver, Colorado, as well as Hamburg, Germany, Iris4u Greenhouse, where his daughter, Jennifer, has expanded the family business. Bob started hybridizing tall bearded irises in 1998, with his first cross 'CASTING CROWNS' in 2005. He says, "When that first cross reached bloom, I just stood there and said, 'Ahh.'"
'CASTING CROWNS'(Van Liere 2005)


Thousands of crosses and more than 60 introductions later, "Iris Bob," as he is affectionately nicknamed, is still looking for good, vibrant color combinations that exhibit the form, bud count, durability, and unique qualities he desires. His motto is "Growing and hybridizing tall bearded irises for beauty, performance and your pleasure."


This year, Van Liere has been working through a field of 4,000 seedlings bred during the 2012 season. This is their third year in the garden, and he has selected the best 250-300 performers to be dug up and set out again. He'll continue the culling process next year, ending up with maybe 10-20 varieties he thinks are worthy of introduction. The rest will be composted.



Bob reports this seedling, coming from his award-winning  2010 introduction 'Stars and Stripes Forever' looks "very promising," saying "it has a beautiful, consistent flounce." If it passes his rigorous standards, this seedling may be introduced soon.



2015 introduction 'MY EMBRACE' is a sister to 'Long Embrace,''Embrace Me,' and 'Sisterhood.' Van Liere says, "This may be my favorite of the sisters, as she is bigger and bolder and has a strong salmon coloration." He says "it is probably the slowest grower of the sisters, but it has the largest flower." On a personal note, I am anxious for this luscious-colored 'sister' to bloom next year in my garden, completing the fabulous foursome. 

'MY EMBRACE'(Van Liere 2015)

Bob says he would say his most popular introduction to date has been'CROOKED LITTLE SMILE.' He goes on to say "the standards are twisted (hence the name Crooked), but the falls are so intensely colored the average iris lover doesn't care." He says "it makes a great garden plant" with its intensely colored deep lavender falls, rimmed in gold.
'CROOKED LITTLE SMILE' (Van Liere 2008)


Bob's 2012 introduction 'GLOBAL CROSSING'  is a favorite in my garden, and a 2015 award-winning iris. The crisp light blue-violet standards, with its heavily ruffled, deep purple falls, edged with a light blue-violet line is elegant and stunning. An iris with a long bloom time, it was the first TB to bloom in my 2015 garden, and among the last still blooming at the end of the season. The flower is not only outstanding, but the foliage has lush green, wide, thick fans and  is always a subject of conversation with the visitors in my garden.



2015 award-winner 'GLOBAL CROSSING' (Van Liere 2012)

 A 2015 award-winning iris,'SWEETER THAN HONEY'(Van Liere 2012) has exceptional color and beautiful form. 
Another popular 2015 award-winner, 'MAYAN MYSTERIES' (Van Liere 2011) has a unique purple waterfall and bright color. 


Bob's tall bearded iris 'SISTERHOOD'refers to survivors of breast cancer. He says he introduced it in 2011 with all proceeds going to several breast cancer research organizations. I love the delicate color and wonderful substance of the petals of this large ruffled, laced, light 
pink self, which ensures a long bloom time. As a survivor of breast cancer, this addition to my garden has special meaning. Thank you, Bob, for honoring survivors in this 
meaningful way!
'SISTERHOOD' (Van Liere 2011)

'BY DAWN'S EARLY LIGHT' (Van Liere 2013)


Van Liere says this about his 2013 introduction 'BY DAWN'S EARLY LIGHT':  "A hybridizer is supposed to like their own introductions, but I really like this one. It has grown on me year after year. It calls me from across the garden. There is a confidence in its make up; it has a garden presence which says, 'Look at me.'"


Seedling 11AR5 (Tying Yellow Ribbons x That's All Folks) is a Mid-to Late bloomer with a "possibility for a 2016 introduction." Bob says "it had 28 increases after its maiden bloom in 2013." He says to stay tuned for her name.
Van Liere says, "Good looks don't matter if the blossoms aren't prolific and lasting." His culling of seedlings is based on bud count and flower forms. He says he "wants the standards and falls to be substantial enough to last three or four days in the heat," and "a stem should last two weeks." Van Liere's irises have always been exceptionally prolific and hardy in my zone 6 garden. Some of my favorites include:
Large blooms of 'TICKLE ME PINK'(Van Liere 2011), with it's bright, bushy beards, are long-lasting and a stand out in the garden. An honorable mention in the 2015 iris awards.
Striking and prolific 'LONG EMBRACE'(Van Liere 2010). A clump of this is absolutely stunning!

Regal 'QUEEN'S RANSOM' (Van Liere 2012). There are always lots of Oooh's and Ahh's over this unique iris.

Pictured below is Seedling 24FJ28. Bob may be introducing it in 2016. Hopefully this beauty will pass his rigid standards. I love the rainbow effect on the falls and the yellow glow and rosy edge on the standards. I have the perfect spot for it in my garden!  


Rhizomes ready to ship for planting. Bob suggests amending the soil with triple super phosphate fertilizer when planting. He fertilizes again in early March, when the flower stalks begin to develop. About 6 weeks after blooming, he fertilizes with a low nitrogen fertilizer. 


Iris4U Iris Garden, Denver, Colorado
"It can take a decade before a cross is proved to be worthy of commercial introduction. It's a lot of hard work," Bob admits. But I bet if you asked him, he would say it is all well worth it!


Do you grow any of Bob's irises? Which one(s) are your favorite(s)? I'd love to hear from you! 



Bob was featured in the Denver Post this past year. To read the article, go to http://www.denverpost.com/.../breeders-an-eye-better...

   To read more about Bob's seedlings and the future of their progress, other introductions, or what is happening right now, go to iris4u.com






Growing Irises Organically

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by Tom Waters


Today, I thought I'd write about organic gardening methods, particularly my experiences of them as an avid iris grower. When I first took up growing irises in the 1970s, organic gardening was still very much a fringe movement. Storage sheds full of bags of synthetic chemicals intended to address every conceivable gardening problem were the norm.

Today, organic gardening has become mainstream. Most modern gardening books emphasize organic practices, and many people are excited about having gardens that resemble nature and use nature's own cycles and processes. This post is not meant to be polemical. Rather, I'm just hoping to provide some starting-off points for people interested in using more organic methods in their own gardens.

Fertilizer

When I began transitioning to organic gardening methods in the 1990s, I was relatively unconcerned about synthetic fertilizers. A fertilizer is not a poison after all. And what difference does it make if the nitrogen a plant needs comes from a factory or from a compost pile? Nitrogen is nitrogen, after all. But a lot has been learned about the negative effects of synthetic fertilizers in recent decades. The processes used to synthesize nitrogen and phosphorous fertilizers depend on petroleum, and so are not sustainable and contribute to greenhouse gases in the atmosphere. Furthermore, fertilizer runoff has created an enormous problem: eutrophication of our lakes and waterways, causing ecosystem destruction on a huge scale. Granted, home gardeners are not the main culprits in this problem, but why should we be adding to it if we don't need to?
despite rumors to the contrary, irises do grow and bloom
without the use of synthetic fertilizers

Beyond all these considerations, our understanding of soils has progressed tremendously since the mid-20th century. A healthy soil is an ecosystem unto itself, harboring extraordinary numbers of decomposers, from earthworms and beetles down to micro-organisms and fungi. All these creatures process waste matter into nutrients that plants can use, creating a self-renewing reservoir of the ingredients plants need to thrive. A blast of highly soluble nitrogen or phosphorus from synthetic fertilizer can completely disrupt the chemical environment in which the soil organisms live. The instant "boost" the irises get from the synthetic fertilizer comes at the expense of destabilizing the soil ecosystem over the long term.

Consider doing nothing. Beginning iris growers are often told something like "fertilize with superphosphate or a low-nitrogen fertilizer such as 5-10-10 before bloom in spring and again in fall." So common is this mantra, that people often do not even step back to consider why fertilizing is necessary at all. There have been flowering plants thriving on the Earth for the last 160 million years or so, and petrochemical-based fertilizers have only been around for about a century. So obviously they are not needed - in the big picture of things, at least. Irises will grow and bloom almost anywhere their water and sunlight needs are met. My advice to beginning growers is to not worry about fertilizers unless your plants appear unhealthy. And then, have a soil test so that you know what exactly is deficient. Then, look for organic methods to supply the deficient nutrients.

The virtues of compost. Compost is the single most important thing you can do for your soil. If improves soil texture, helping to capture air and water which plant roots need. And it feeds all the decomposers and other organisms that make for a healthy soil ecosystem. Even better, it does all this almost irrespective of what type of soil you are starting with. Everyone should have a compost pile. But remember its main virtue is as a soil amendment; it must be added in volume to make much of a difference. Composting your kitchen scraps is not going to produce enough compost for a whole garden. You can buy compost from commercial sources. You can also collect leaves and other vegetation waste to compost. Animal manure is also an excellent compost ingredient.

There are various other organic products intended to provide specific nutrients, such as cottonseed meal, alfalfa meal, bone meal, blood meal, and so on. These provide organic alternatives to some of the synthetic fertilizers. But as with synthetics, it makes sense to do your homework and learn if the specific deficiencies these products address really apply in your case.

A final thought: A boost of synthetic fertilizer can indeed create visible effects quickly. You might get taller stalks and larger flowers, for example. Putting synthetic nitrogen on your lawn can make it look noticeably darker and greener a week later. But these effects do not mean that the synthetic fertilizer is improving the overall health of your irises, or your lawn. Health requires more of a focus on the long term.

Weeds


weed or wildflower?
One well-known herbicide is the focus of controversy everywhere you look these days. I don't intend to engage that particular debate here, as it would quickly take on a life of its own and distract from the bigger picture of organic gardening practices, which is the subject of this post.

I find that weed control represents most of the labor involved in my garden. It's a huge task, much more laborious and time-consuming than watering, soil building, grooming, planting, dividing, and all the rest. I think most gardeners' experience is comparable, wherever they live.

Consider doing nothing. That sounds ridiculous, but let me explain There's two parts to this suggestion.

(1) Consider not using any herbicides at all. I remove weeds from my iris beds mechanically (pull them out). This is really the only way that is 100% safe for the irises and other desirable plants in the garden. And although it is a lot of work, it does have the bonus of keeping you familiar with how every square inch of your garden is doing. I couldn't do it without my handy padded kneeler, but at present I can more or less manage. Having said that, I do understand that there are many people who would have to give up gardening entirely if hand-weeding were the only option.

(2) Consider what needs to be removed, and what doesn't. In recent years, I've become very interested in native plants, and it has changed my philosophy of gardening. Certainly, there are some plants that will absolutely overrun a garden if left unchecked. But there are others that are really only a problem in the eye of the gardener. Originally, I ruthlessly pulled everything I didn't plant. Now, I know all the regular interlopers individually, and I pull things that I specifically know to be problem species. Some other natives (and self-sown garden plants) get to stay if they are in a place where they will not cause serious harm, Native plants in the garden help "tie it in" to the surrounding landscape, and provide benefits for local wildlife. They are also inherently adapted to the environment, reducing water needs and other types of care for the garden as a whole.

Understand what you use. If you do decide to go the herbicide route, there are certain questions you need to answer in making your selection. This is just as true for organic or "natural" herbicides as for others. (1) What does it do? Does it just kill top growth, or does it get the roots of perennial weeds? (2) How harmful is it for humans, pets, or wildlife? (3) Does it damage the soil? Some popular "recipes" for making herbicides out of household products circulate on the internet. Just because you can find something in your pantry doesn't mean it's "harmless" in the garden. Do the research.

This year, I've been using a commercial product that is a mix of highly concentrated vinegar, orange oil, and molasses. It's very satisfying to use, as it burns off top growth almost instantly. It does have limitations, though: it really needs sunlight to act fully, and it only kills the leaf surface that it actually lands on. This means the to completely kill a plant, you need to apply a lot of it. And of course, it has no effect on roots. I have extremely alkaline soil, so I'm not worried about the effects of the acid - that might be different if I lived where soil was too acid to begin with. It's useful stuff, but not suitable for all jobs.

Pests

The dangers of chemical insecticides have for decades given great impetus to the organic gardening movement. Things presumed safe by one generation of gardeners are later understood to be dangerous and taken off the market.  It's not surprising that some people just want to stay clear of all of them.

Today, people are also just more aware of the shortsightedness of introducing poisons into the environment we share with other plants and animals, even if there are no direct consequences for us humans.

But most every gardener at some point or other has experienced an insect infestation that has gone completely out of control.

'Dollop of Cream' with chives
Consider doing nothing. It's not necessary to react to every insect sighting or every sign that something has been nibbling on a leaf or two. In most places, in most years, there is an ebb and flow between pests and their predators; nature can be wonderfully self-correcting. Garden planning is an important too, as well. Pests tend to exploit monocultures. The more different kinds of plants you grow, the less likely you garden is to become a beacon to one particular pest species. Some plants actively repel certain pests. Aphids don't like alliums, for example. I have not had the tiniest aphid issue since I studded my garden with clumps of chives.

Now this has gone too far! Sometimes, though, doing nothing is not an option. Organic controls fall into two broad groups: predators (ladybugs, for example) or species-specific parasites/diseases. As I write this, I am in the midst of grasshopper infestation of Biblical proportions. All 150 iris seedlings I lined out this spring were killed in a matter of days. A friend recommended Nolo bait, a parasite that eventually spreads through the grasshopper population. It's not instantaneous, but works gradually over months, sometimes requiring further application the second year.

local fauna or evil incarnate?
A little research on the internet will turn up a range of organic solutions to most gardening problems. One of the things we give up when going organic however, is instant gratification. Organic methods are not about the quick fix, but about putting things in place now that will reduce problems in the future.

I know that for some people, the choice to use or not use organic gardening methods has a political dimension. For myself, I am more motivated by a passion for the natural world, the great diversity of life, and a love of growing things. When I use organic methods, I feel like I'm learning how nature works and gardening with nature, participating in the great web of life rather than battling with it.

Do you use organic methods in your garden?

ANOTHER LOOK AT PLICATAS IN THE IRIS PATCH

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By Dawn Mumford

Plicatas: irises that have stippled, dotted or stitched edges around the rim and possibly also the standards on a ground color of white, yellow, apricot, or pink. (Stippling, in drawing, painting, and engraving, is to mark a surface with numerous small dots or specks.) The ground color on the standards and falls doesn't have to be the same. There can be dotting, peppering, or striping covering the falls and standards. Hybridizers are working on creating plicatas with more intense depth of color, such as orange, for the background. 

This is 'Drama Queen'(Keppel,2002) with artistic effects that really dramatize the lines and stippling of this stunning iris.

For this post, I have put together a continuation of my last theme on how to use photos to extend the iris season. The last post described using different media to enjoy irises.  This slideshow is on plicatas, and also uses Smilebox (you do not have to have it downloaded on your computer to view the show). 

The slideshow has 50 pictures, counting the collages at the end, lasts seven minutes, and has musical accompaniment, so adjust the volume on your speakers.
Here is the link: Plicatas in the Mumford Garden.

While the slideshow is loading click on the button to make the show full screen.  It looks like this except yours won't be yellow. 

I hope all of you have at least a few plicatas. They add interest to the garden. If you grow plicatas, post in the comment section below which are your favorites.  I would love to hear from you.  









Newly Published: BEARDLESS IRISES, A Plant For Every Garden Situation

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By Andi Rivarola

We iris lovers take for granted the huge amount of information that is available online, and because there are so many people sharing their love for iris with photographs, blogs, and plainly just posts on Facebook, we forget that there are those in the iris community that are really experts in the field.

I didn’t know anything about Kevin Vaughn just a few months ago, and didn’t think of him as an expert when I first met him. In fact I thought of him as another iris fan with an amazing taste for garden design, but after reading all the details in his book I realized that the love for irises runs deeply than that for him.
Today I believe that he has not only great advice to give on how to grow irises successfully, but also offers a multitude of information that makes reading his new book a joy. 

During the recent National Convention of The American Iris Society, held in Portland, Oregon, attendees were able to experience the beauty of Kevin Vaughn’s garden twice. Once during the pre-convention (optional) tour, and then as part of the Siberian & Species Convention held after the regular convention.  It was during these two sessions that I had the pleasure to meet Kevin Vaughn and enjoy his friendly demeanor, and also his knowledge of irises.


Cover photo provided by Kevin Vaughn


One feature of the Portland convention that was really different from other conventions is that many of the irises were blooming at the same time. Call it "Global Warming," or simply, "the weather." Normally, one would not see this, but having all the different irises blooming at the same time made it an extraordinary experience. The Vaughn garden had a huge variety of iris types, Louisiana, Spuria, Siberian, median and other irises, several of which he's also hybridizing. There was a particular combination towards the back of the property that really caught my attention: a fantastic display with a gorgeous bright yellow i. pseudacorus next to a deep purple Siberian iris seedling. Both reaching five feet tall and blooming in full glory. What a sight! (I'm still to post the many photos of this garden, stay tuned). 

Pacific Coast iris 'Caught in the Wind' (Joseph Ghio, R. 2012)
Even though Kevin grows many bearded and non-bearded irises, this book focuses on everything that is fascinating about the latter. 

So why write about beardless irises? Kevin says,”Compared to their bearded iris cousins, the beardless irises have remained a secret to many gardeners…” 

With this gorgeous book, suddenly a wide variety of non-bearded iris types are introduced in a way that is easy to understand, with a multitude of photographs to tempt the unsuspecting reader to take a chance; perhaps grow a few of them.

Louisiana iris 'Aqua Velva' (Kevin Vaughn, R. 2014)

You will also find answers to the following questions:

"What are beardless irises?"
"What is the purpose of the beard on bearded irises, and how do beardless irises do without them?"
Pacific Coast Native iris 'Moderator' (Joseph Ghio, R. 2011)
If you don't grow beardless irises in your garden at this time, after reading this book you may just start doing so. Some of the sections on each chapter such as, "Garden Use and Culture," Pests and Diseases," and Kevin's own "Favorites," will help you make decisions about where to start. 


Vaughn Seedling 40-chromosome Siberian iris seedling 
I hope you also start keeping an eye on Kevin Vaughn's work as I have, as many of the iris seedlings in his garden show much promise. I have started to add some of his Spuria irises to my wish list, and one of the first ones is a child of 'Adriatic Blue' called 'Adriatic Memories,' that is just amazing. Can't wait to see it growing in my own little garden.

Vaughn wide-ruffled Spuria iris seedling
Enjoy this preview of pictures provided by the author, and let me assure you that there are many more in the book. Besides being a great writer, Kevin Vaughn is a great photographer and hybridizer. Here's the list of iris varieties covered in the book:


Siberian
Louisiana
Spuria
Species
Species-X
Pacific Coast Natives

"BEARDLESS IRISES, A Plant For Every Garden Situation" is available via Amazon.com 


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