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Update on transplanted Iris hartwegii australis

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By Kathleen Sayer

Last spring I moved one clump of Iris hartwegii australis (IRHA) to a well insulated planter and placed that planter under the eaves near a hose bib. My intention was to mimic montane thunderstorms in southern California during summer, and in winter to give IRHA some shelter from heavy rain, mimicking snow cover. 
Iris hartwegii australis in flower in its native habitat, the Transverse Ranges of southern California, photo courtesy Richard Richards. 

Richard Richards said this was the wrong time of year to move IRHA, that I should wait for fall. But his words came too late, I had already dug the clump and replanted it. Read about those details here:  https://theamericanirissociety.blogspot.com/2017/05/overcoming-climatean-experiment-with.html from May 2017.

I fully expected to see this plant wither in June and die. Which I would have then reported at some point. A few leaves did die back at the tips, and later browned off. You can see those brown leaves in the image below. 

However, the plant did not die. Instead, new leaf fans started growing in late spring. Then, a couple of weeks ago, several newer fans appeared: 


Recently transplanted Iris hartwegii australis, not yet dead, a new large dark green leaf fan on the left, and tiny newer fans around it. 


Closer in, see three young fans on the left shoot, and one on the right. 

So, this experiment in growing IRHA in a planter is still underway, and has not yet terminated in failure. This IRHA appears to be thriving in its new home!

I grow this plant in a medium sized rectangular styrofoam cooler covered with epoxy cement patch, but have been unhappy with the durability of the epoxy, so am now making hypertufa planters (perlite:coir:cement in 3:1:1 ratio). These should be more durable, and provide a well-aerated cool root-space for Pacifica Iris and other native species that prefer cool roots. Details to follow in a later post. 

Growing Louisiana Irises

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 by Ron Killingsworth
Louisiana irises growing in Mooringsport, LA


Far too often I hear various Master Gardeners, and other flower lovers, say they just simply cannot grow Louisiana irises.  I even gave a talk, several years ago, on growing Louisiana irises to a group in Fort Worth, TX, who told me they cannot grow Louisiana irises.  That’s funny, because they grow lots of them in Dallas.

Louisiana irises growing where they were simply dropped on the ground
 My personal experience is that if you throw a Louisiana iris rhizome down on the ground, and it can reach dirt, it will grow right there.  Not long ago I removed all the irises from a raised bed to amend the soil and just piled the rhizomes on the ground next to the bed.  After amending the soil (with compost) I replanted the rhizomes.  Obviously I missed a few and left them on the ground outside the bed.  Later that fall, I took this picture of the irises growing right there where I had placed them in the grass next to the bed. They were growing as well as those I had carefully planted back into the raised bed!

'Fringed Gold' growing next to a pond
While it is true that Louisiana irises like to have a lot of water, fertilizer and sunlight, they will grow reasonably well with less water and at least 50% sunlight.  In really hot climates, I find that they do much better if they have afternoon shade in the heat of late afternoon.  The real beauty of Louisiana irises is that it is almost impossible to overfeed or over water them.  Yet they grow quite well with other plants.  If you do not give them enough water, food and sunlight, they will produce less bloom and less increase.  If you are not growing them for sale, but simply growing them for their beauty, then who cares if they have less than "garden judging" performance?

Massive planting of Louisiana irises
The above picture was taken in front of my house.  This area was once my vegetable garden and we planted about 6000 Louisiana irises there, temporarily, about eight years ago.  They were dug from Marie Caillet's famous pond in Little Elm, TX, and were mostly unidentified hybrid and registered Louisiana irises.  We were able to identify some of them and move them into beds; however, most of them remain as "surprise" irises who have lost their identify.  This soil was just common gardening soil, un-amended, and they receive very little care and are not often fertilized, yet they put on quite a show every year.  I hesitate to guess how many irises are in this huge planting.  It gives me quite a view from my front porch during bloom season.

Louisiana irises growing with poppies and other "wild flowers"
This picture shows Louisiana irises growing with poppies and "hardy glads".  And, admittedly, with a few weeds.  But, although they receive little maintenance and very little fertilizer, they continue to do quite well.

Louisiana irises growing with Tall Bearded irises
 We have a lot of trouble growing Tall Bearded irises in Louisiana because of the heavy spring rains and very hot summer temperatures.  Some of the old species TB's do quite well, while more modern hybrid TB's last about two years before they burn up in the hot sun or develop rhizome rot from too much water.

Louisiana irises and iris.virginica growing around a pond with Caddo Lake in the background
If you have a water feature, a pond, or a tank (Texas talk) you can grow Louisiana irises in the edge of the pond or around the pond.  A small pump installed in the pond can provide the water to keep them very happy.  Not all Louisianas do well growing directly in the water.

Louisiana irises growing with other plants
These Louisiana irises are growing with bushes and other flowering plants.  They receive very little sunlight other than direct noon sun and are seldom fertilized.  Yet they continue to produce at least two or three blooms per bloom stalk and to increase enough each year to bloom the next year.  This is not the ideal way to grow Louisiana irises commercially and for sale, but if you are growing them to simply enjoy them, then this method works well.

Louisiana irises growing with wild flowers
This is an area of the property we call the "deer meadow" and we plant wild flowers there each year.  The Louisianas in the background are in dug beds, lined with plastic, and are watered through an irrigation system that pumps water out of Caddo Lake.

Louisiana irises growing in pots
Many people chose to grow their Louisiana irises in pots.  This makes it a lot easier to keep the different cultivars separated.  Louisianas are know to "creep" and when planted in beds, will soon creep into the space of their neighbor unless you dig them and divide them every two to three years.  Pots also make it easier to control weeds.  These pots have holes in the bottoms but you can use pots without holes to help conserve water.  If you use pots without holes, I suggest you punch some drainage holes about three inches below the soil level to keep the water from standing above the soil.

Louisiana irises growing with Tall Bearded irises and other flowering plants
You certainly would not want to grow Louisiana irises in your cactus beds but they will grow with just about any other plant.  If you do not feed them and water them enough, they simply will not produce the "garden judging" required number of bud positions and bud count, nor the required increase each year.

Louisiana irises growing in dug beds, lined with heavy plastic
We grow irises commercially and using a backhoe dig beds about two to three feet deep and four feet wide by as long as the space allows.  We line the beds with plastic and fill the beds with amended soil.  Again they are watered from a pump in Caddo Lake.  This method works well in our area.

Raised beds are easy to make with landscape timbers.  Just line the bed with plastic and fill with good compost.
These Louisiana irises are happy with about 50% sunshine and grow well in this raised bed.  Of course, when you make it ideal for irises you also make it ideal for weeds!

Rhizome ready to plant
A rhizome ready to plant should have the foliage trimmed back and, if necessary, reduce the size of the rhizome.  Plant the rhizome about 1 1/2 to 2 inches below the top of the soil.  Keep it moist, not drowned, until the new growth starts to appear.

To learn more about the Society for Louisiana irises, click here.

To learn more about growing Louisiana irises, click here.

OK, class is out for the day.  Now let's just look at some of my favorite Louisiana irises.

'Boiled Crawfish' (Guidry, R 2016)

'Cajun Merry' (Dunn, M 1995)

'Cajun Sunrise' (Mertzweiller, J 1992)

'Cotton Plantation' (Dunn, M 1994)

'Easter Tide' (Arny, C 1979)

'Heavenly Glow' (Morgan, R 1988)

To learn more about the American Iris Society, click here.

Prolific, Long-lasting Bloom from 'Sweeter Than Honey'

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By Renee Fraser



Frankly, I don't remember how I acquired 'Sweeter Than Honey'.  It may have been a bonus iris, it may have been won at an auction, or perhaps it was a prize from the San Fernando Valley Iris Society. In any case, it is not a color I would have chosen.  You see, I don't do pastels.  I am a fan of florescent salmon, shocking scarlet, bright orchid purple, and sunny yellow.  Pastels have a hard time standing up to such an onslaught.


Nevertheless, this pastel iris won my heart through its sheer excellence in the garden.  Not only is the flower itself huge and perfectly formed and ruffled, it puts on the best show of any iris I have ever grown. It not only blooms extravagantly, it blooms FOREVER.  In the last two years, this thing has started in January or February and it has bloomed non-stop until June.  In case you don't believe me, I have documented this phenomenon on Facebook.  You can look it up.


Here it is blooming early in the season, before the roses get going.


I first got it in 2012, and I have not yet divided it.  I thinned it a little this year by pulling off a few rhizomes from the edges and the middle of the clump, but it bloomed prolifically last season, and I don't want to jinx it!


Not only has it bloomed better than any other iris, it actually looks very pretty next to screaming florescent salmon-orange and dark pink roses.  Here it is still going strong at the peak of rose season.


When it is backlit, it outshines the brighter roses.  I have tried to get a photo of the effect, but I don't yet have the skills to capture it.



 'Sweeter Than Honey' was hybridized by Bob Van Liere and registered in 2011.  The description says it is 35" tall and blooms midseason, although mine blooms for almost half the year.  It won an Honorable Mention in 2015.


This iris has been a favorite of mine since 2013, when it started to outdo the other flowers in the garden.  If you are looking for an iris with a modern, ruffled form that performs, give 'Sweeter Than Honey' a shot.







The Iris Grower's Struggle, Part II

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by Carlos Ayento

As mentioned previously, the Chicago iris gardener is presented with many problems: humid summers, cold winters without snow cover, and the pests such as grey squirrels, rabbits and iris borers.  While pest can be controlled to an extent, weather cannot; and only the toughest irises survive and thrive in the Windy City. 

In my last blog, I provided a sampling of some West Coast iris originations that have grown well in the City of Chicago.  Today, I present a listing of modern irises by introduced by various iris hybridizers that have proven themselves to be superb growers.  If you have some difficulties growing iris, give these a try!

From Anthony and Dorothy Willott, we have Hallucination (2006).  It is a remarkable standard dwarf bearded origination for its red-violet bands, veining and dotting.  The carrot-red beards make a nice touch.  It has proven extremely resilient and vigorous.  It was attacked by squirrels in June and has made a remarkable comeback.


Bijou (George Sutton, 2002) was an iris that I received as a gift from an order placed in 2007 or so.  I’m am so glad that I received it.  It has been nothing short of amazing and is quick to form clumps in the garden.  I’m also a sucker for blue-pink irises, especially ones with blue beards!


Direct from Canada, one of my personal favorites of Chuck Chapman’s introductions is his Summoned Spirit (2002).  It’s an intriguing medley of pale gold and blues, almost as if each petal was individually brush stroked.  The bonus of it being bred in Canada is that it is completely cold-hardy and snuffs at Chicago’s most brutal winters.


 Named after a computer graphic movement, Walter Moores’ ASCII Art (2007) is fine plicata.  But, the fact of the matter is that it isn’t just your average plicata.  The light purple coloring is heavy strictly on the hafts and style arms of the petals.  The strokes of purple are seemingly bleached away the further it encompasses the standards and falls.  It has bloom consistently since planting it in 2014 and has outstanding growth qualities.


A favorite iris amongst myself the Region 9 iris gardeners is Emma’s Laughter (2008) by our very own G. Steve Poole.  While Mr. Poole has registered and introduced irises since the early 1980s, it is only recently that his originations are taking notice.  I appreciate Emma’s Laughter for its exquisite ruffling, pale powder blue coloring and crisp texture.


Ernie Hoch is a new iris hybridizer based in Washington state.  He only has a handful of registered introductions, but that consistently impressed me is his 2014 introduction Chevron Three.  I purchased the iris as a new introduction in 2014 and it does not disappoint.  As a matter of fact, it has bloomed every year so far, since planting it in 2014.  Growth is just outstanding.  It produced rhizomes like no other.  I’ve literally had to divide it every year because there were just so many new rhizomes.  Highly recommended!


 From overseas, the wonderful French-import Pause Douceur (2014) from fourth generation hybridizer Richard Cayeux, is proving its worth here across the Atlantic and in Chicago.  A delectable confectionary, Pause Douceur has classic form, strong substance and superb growth habits.  Having purchased this iris directly from the Cayeux Iris firm in 2014, I have sadly yet to see this wondrous iris for sale by any U.S. iris growers.  I’m sure it will prove to be a popular iris variety in the years to come.


In the world of irises with ruffles galore, sometimes an iris with a more tailored appearance is a welcome reprise.  As a historic iris enthusiast and collector, some of my favorite irises are from the 1950s through 1970s.  These irises were ruffled just enough to be pleasing.  So, when I saw the Schreiner’s introduction Better Together (2014), I was very pleased so a highly contrasted iris in a tailored (to modern iris standards) bloom.  To me, the most eye-catching quality is the subtle brushing of buff-cream on the pale violet-blue standards.  It is very appealing, especially when offset by the much darker, wine-purple falls.  So far, it has been proving itself in Chicago and it has been one of my personal favorites the recent Schreiner introductions.

  

A Whiter Shade of Pale

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By Bryce Williamson

White. A color so important in the garden and so often ignored. I would shock people when giving judges’ training with the idea that the two most important colors in the iris garden were yellow and white. I stick to that position—yellow bring a shaft of sunlight into the garden and whites are need to balance other colors and patterns, bringing harmony to the landscape that might dissolve into chaos.

Ironically only three white irises have won the American Dykes Medal—Swan Ballet and Winter Olympics in the Tall Bearded class and Swans in Flights, a Siberian. Whites have to be especially outstanding to get attention. We used to joke in Region 14, when all of us were growing lots of Winter Olympics seedlings, that a selection was “just another white.”


I have yet to grow Swans In Flight. With Siberians needing moist soil, the five years of drought have taken a toll on the yard and I did not have a good place for this variety. While we have lots of water in California this year, we need a second wet season to be sure that the drought is over.

In the last twenty years, two white tall bearded irises have achieved classic status. Larry Gaulter’s Carriage Trade did win an Award of Merit, but when it was first introduced, no one realized how really good it was and that it would endure while many of the irises introduced in that decade have disappeared. It is possible to note its tight branching, but that tight branching may actually be an advantage in two and three year clumps since the flowers are held close to the stalk. Still worth growing and still has a place in my iris collection.

Skating Party--image by Suzanne Spicker

Joe Gatty’s Arctic Express has also achieved classic status. The Gatty irises were always known for their impeccable form and Arctic Express is no exception with its heavy ruffling. Ironically, it has not always performed well for me in Campbell. When Bill Maryott was still growing irises, we would often comment about an iris growing well for him 5 miles away and I would be growing something well here that he had problems with. Since Arctic Express has rave reviews around the country, it is worth adding to the garden and in the last years of the California drought, it has done better here.

Arctic Express--image by Rick Tasco

White with yellow-gold shoulders was always an attractive color combination, but there are few choices these days. Off the beaten path hybridizer, George Hilton, has produced Be Still My Heart.


Be Still My Heart--image by George Hilton

Currently there is one warm white that is very good—by warm white I mean one that is tinted with cream/yellow. That iris is Ten Carat Diamond. So far the reports on this ruffled variety are good from all areas of the country.


Whites with tangerine-red beards are always popular. Vern Wood, who produced lovely irises in a small garden, released Arctic Fox and it is bright and dependable year after year. Perhaps there is a better red bearded white, but I have not seen it yet.

Arctic Fox--image by South Jersey Irises

Rick Tasco's White Hot has also be popular in the red-bearded white class, showing a touch of yellow at the hafts, and is an Award of Merit winner.

White Hot--Image by Brock Heilman

New on the horizon is Schreiners Kenny G. When I first saw it in Oregon in 2015, I dismissed it as “just another white.” Then I walked into the field and saw it on a long row, looking sharp, and went back into the display garden and took a picture. It is one of those irises I have added to the buy list. I am, of course, the only person who keeps a list of iris names by the computer of images that I have seen and think I might want to add to the plant to the garden.



Hybridizing in Missouri, an area that can have difficult weather in the spring, Barbara Nicodemus has produced a series of fine irises. Her Kennadi’s Angel is overlooked. Breed from two classic irises, this ruffled white has beards than deepen to gold in the heart of the flower.

Image by Hugh Stout

In a different direction, there are the cold-blue whites. Oddly I am going to mention Silverado here. This multi award winner, grows and blooms well; the flowers have lovely form. Registered as a bluebird blue, in our California sun, it opens powder blue and fades, gracefully, to blue white after one day. Growth is good too. It should not be a surprise that one of its parents is Carriage Trade.

Silverado--image by Betty Jacobs

So when planning your iris garden, remember traditional colors, including white, are important in the overall plan. White irises bring a calmness to the yard, provide transition between color that might be garish or clashing, and will rule the flower bed with calm serenity.

An Arilbred Iris Sampler

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Tom Waters

'Oyez'(White, 1938)
I was recently contacted by an iris lover who had read my blog post on the classification of arilbred irises and wanted to sample each of the categories. She asked if I had any recommendations. I gave a few off the top of my head, and she suggested that this might make a good blog topic. I agree! So here is my arilbred sampler, for those who want to try the full range of different types of arilbreds.

I've restricted the irises mentioned here to those that are readily available. The commercial gardens that have the best selection of arilbreds are Superstition Iris Gardens, Mid-America Garden, and Blue J Iris. In addition, the Aril Society International has an annual plant sale with many more arilbreds than these commercial growers offer. The offerings vary each year depending on what members contribute, but many varieties are offered nearly every year. If an iris was available from one of the three large commercial growers in their most recent catalog, or in the ASI plant sales for the last two years, I deemed it readily available. Some other commercial growers list a small number of arilbreds, and if arilbreds are grown in your area, the local iris society plant sales can also be a good source of plants.

I want to be clear that this listing is indeed intended as a "sampler". The idea is to cover as many different kinds as possible, to showcase the diversity of arilbreds. It is not an attempt to identify the "best arilbreds" by some objective criteria, nor even a list of "Tom's favorites". The idea is that if you are new to arilbreds, and plant a varied assortment, you can discover your own preferences and what grows well for you.

The ASI recognizes nine different categories of arilbred, based on the type and amount of aril content the iris has. There are two types of pure arils: oncocyclus and Regelia. An arilbred can have either or both of these types of aril in its background. Hence we have oncobreds (OB), Regeliabreds (RB), and oncogeliabreds (OGB, mixed onco and Regelia content). Furthermore, arilbreds can be half aril, more than half aril, or less than half aril. Those with more than half aril content are indicated with a "+" sign; those with less than half aril with a "-" sign. No sign is used for those that are half aril. Thus RB+ means an arilbred whose type of aril content is Regelia only, and whose amount of aril content is more than half.


It turns out that these nine categories actually allow for more distinctions than a practical gardener need attend to. There are very few OB arilbreds, and they are indistinguishable from most OGB types. The reason is that most of today's arilbreds are descended from pioneering work by C. G. White in the 1940s, and White did not keep track of parentages during this time. So his arilbreds, although drawing heavily on oncocyclus arils and selected to resemble oncocyclus as much as possible, are classified as OGB because of the possibility of some Regelia ancestry. So I don't separate OBs from OGBs here.

I do, however, separate out the arilbred medians and arilbred dwarfs from the tall arilbreds. These smaller arilbreds, typically with dwarf or median bearded irises in their parentage, fill a very different role in the garden and provide much of the diversity to be encountered in the arilbred tribe.

So much for the preliminaries. Onward to the plants!


OGB and OB (Onco-type halfbreds)

These are what most of us think of when we think of arilbreds. Most are tall types, with TB and oncocyclus ancestry dominating. Blooms are typically large and globular, often with strong aril markings, such as signal spots or veining.

'Refiner's Fire' (McGrath, 2007)
Large bold signals are actually a rather recent development in this group, with 'Energizer' (Shockey, 1996) being a striking breakthrough in its time. More recently, 'Noble Warrior'(Tasco, 2006) combines a dramatic signal with a bit of veining.'Refiner's Fire' (McGrath, 2007) gives a striking dark signal on a deeply colored red-toned flower.

'Sand Dancer' (Tasco, 2010) gives us a whole different look, with falls covered in peppery stippling. Yet another completely different look is to be found in 'Navajo Velvet'(McAllister, 2009), with falls of lustrous, satiny mahogany red.

The historic arilbred 'Oyez' (White, 1938) has seduced many iris growers into the arilbred world with its dramatic precise veining. Strangely, it has been difficult to reproduce this striking pattern in modern arilbreds. ('Oyez' is a sterile diploid.) An early success was 'Jonnye's Magic'(Rich, 1992). For a true modern advancement in veined arilbreds, seek out'Alakazam' (Tasco, 2013).

'Aladdin's Gem' (Thoolen, 2002)
There are few arilbred medians and arilbred dwarfs in this category. Very notable is'Aladdin's Gem' (Thoolen, 2002), a fertile aril-pumila hybrid about the size of a small SDB (standard dwarf bearded)!

OGB- and OB- (Onco-type quarterbreds)

Originally, these categories were dominated by tall arilbreds that came from crossing halfbreds with TBs. At a time when halbreds were uncommon and difficult to grow, the quarterbreds were the most accessible arilbreds for most gardeners. The historic iris'Elmohr' (Loomis-Long, 1942) was a fine example of the type, the only arilbred to win the Dykes Medal. It does not show the strong aril patterning we now expect in arilbreds, without signal or veining to speak of. To understand its allure, we must think back to a time when TBs were troubled with narrow petals and often droopy form. 'Elmohr'stood out with dramatically large blooms, wide falls, and a bit of globular onco form to bring it all together.

Some other tall quarterbreds for the sampler are 'Dune' (Hager, 1981) and the very recent'Heart of Hearts'(Black, 2015). At their best, this type of iris can bring some of the modern TB form and bud count into irises that still evoke their aril ancestry.

'Desert Snow' (Black, 2013)
Since the 1970s, however, arilbred medians have increasingly dominated these categories. Crossing an
OGB halfbred with an SDB produces an OGB- arilbred median. In the garden, these occupy a niche similar to the IBs (intermediate beardeds), but with some aril traits to give them that special something extra. The charm and adaptability of this type of arilbred has given them a great appeal among arilbred growers and median fanciers alike. 'Brash and Bold'(Black, 2009) and'Desert Snow' (Black, 2013) are fine examplars of what this category has to offer.

A somewhat different approach is found in 'Persian Sapphire' (Baumunk, 2005), a child of 'Aladdin's Gem' that has more Iris pumila in its makeup than TB.

There are some arilbred dwarfs in this category that are worthy of attention. 'Loudmouth'(Rich, 1970) is a perennial favorite, SDB-sized with raucous signal and veining and globular form.'Tiny Pirate' (Rich, 1990) is the most diminutive arilbred I have grown; it would be small even among MDBs (miniature dwarf beardeds), but struts onco form, a signal, and a whisper of veining.

RB (Regelia-type halfbreds)

Enthusiasm for large, globular oncocylcus irises with their dramatic signals and stippling was a driving force in early arilbred breeding. The Regelias took a back seat in the minds of many growers and breeders; sometimes they were thought of as providing nothing but some ruggedness and climate adaptability. But some have always appreciated the Regelias for their svelte elegance, sometimes striking veining, satiny texture, or blended colors.

An early Regeliabred that helped draw attention to the potential of this type of iris was'Genetic Artist' (H. Danielson, 1972). This shows a classic color pattern derived from the Regelia Iris stolonifera: a yellowish rim around a blue or violet center. 'Afrosiab' (Volfovich-Moler, 2001) shows a touch of ruffling from its TB parent, 'Mary Frances' (Gaulter, 1973). The French hybridizer Lawrence Ransom worked extensively with Regeliabreds, with his 'Eastern Blush' (Ransom, 2002) being much used in his breeding program.

RB- (Regelia-type quarterbreds)

Ransom's work takes center stage in this category. Among the tall RB- are the horned'Sandthorn' (Ransom, 2011), and his "Pashtun" series, for example'Pashtun Princess'(Ransom, 2011).

Ransom also produced a delightfully varied series of RB- arilbred medians, the "Vera girls", from crossing the Regelia 'Vera' (Van Tubergen, not registered) with SDBs.of which'Vera-Marina'  (Ransom, 1998) is one example.

OGB+ (Onco-type "three-quarter"-breds)

This group has become sadly scarce in commerce, with seldom any new ones registered and introduced. This is perhaps because few arilbred hybridizers today grow the oncocyclus species and hybrids needed to produce this type of arilbred, which usually comes from crossing an OGB arilbred with a pure oncocyclus. The few that are readily available are not always representative of the best this type of breeding has to offer. 'Tul Kerem' (H. Danielson, 1974) is interesting but I find its combination of oncocylcus and Regelia traits ends up not doing justice to either. 'Masada's Glory'(Whitely, 2002) is a better exemplar of what this category has to offer. Although they do not meet my availability criteria, keep a look out from 'Jeweled Veil' (Rich, 1978) or 'Dotted Sunsuit' (Mathes, 2001). These show the oncocyclus features of their ancestry to best advantage.

RB+ (Regelia-type "three-quarter"-breds)

'Turkish Topaz' (Austin, 1962)
A couple oddities round out the sampler. 'Turkish Topaz' (Austin, 1962) was registered as a pure Regelia hybrid, but its parentage is somewhat ambiguous and it looks and grows like an RB+. The flowers are yellow with much brown streaking and blotching.'White Arts'(L. Danielson, 1986) has only Iris hoogiana in its Regelia ancestry. This species shows nothing that we might recognize as distinctively aril in its coloration. If you walked by 'White Arts'in a garden, you could be forgiven for thinking it was a white IB or perhaps an antique diploid TB.

If you want to sample the world of arilbreds, be sure to try several different types. The variety available in plant size, color pattern, and form is truly remarkable!

'City Lights' Lights up the Garden

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By Renee Fraser




There are few irises that have stood the test of time in my garden.  One of the prettiest is 'City Lights'.  Although it's not a new variety (registered by Mary Dunn in 1990) it always looks fresh in the garden.  It reproduces well but does not get overcrowded.




It's a reblooming iris here in Southern California.  One year it bloomed for 26 days, from April 1 to 25, and another year it bloomed from March 28 to May 2!

I don't know if it reblooms in cooler areas, because it reblooms here late, beween September and January.




Although my main garden is designed around warm colors and I have no place for blues, 'City Lights' is so lovely that it is the only iris I have planted near my pond.




I must say that pictures really do not do this iris justice.  That white spot makes it look like it is aglow in the garden.





'City Lights' starts out looking quite blue as the flowers first open, but it takes on more of a violet hue as the days wear on.





If you are looking for an iris that has a good long bloom period and lights up the garden, try 'City Lights'.










Louisiana Irises and City Park, New Orleans, LA

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by Ron Killingsworth

Louisiana Irises and mallard ducks enjoy the "Big Pond" in City Park, New Orleans, LA
The American Iris Society annual convention will be held in New Orleans from April 8-13, 2018!  To learn more about the convention, click here.  And, the Society for Louisiana Irises will hold their annual convention immediately following the AIS convention in the same hotel, from April 12-14, 2018.  Don't miss this chance to attend to great iris conventions in the wonderful city of New Orleans, LA.

As a preview of what you will see during these conventions, I have assembled some pictures of some of the great places you may visit.

Louisiana irises were once found growing in the canals and marshes in and near New Orleans. Today you can still find Louisiana irises growing in New Orleans, but you have to know where to look.  One of the best places to view Louisiana irises blooming would be in City Park during the last of February and first of March.

Any trip to New Orleans should include a tour of the City Park and especially the Sculpture Gardens located within the park and near the Art Museum.
Louisiana irises growing around the edge of the lake and canal inside the Sculpture Gardens, City Park, New Orleans

Louisiana irises grow well around the lake in the middle of the Sculpture Garden

Ponds such as this one in the Sculpture Garden in City Park are great places to grow Louisiana irises

Massive plantings of Louisiana irises around the "Big Pond" in City Park

Another view of the Louisiana irises around the edge of the "Big Pond" in City Park

Beautiful Louisiana irises abound in City Park, New Orleans, LA

A view of massive plantings of Louisiana irises with the "Big Pond" in the background

Louisiana irises in full bloom with the Art Museum in the background at City Park


What better way to view the Louisiana irises blooming in the Sculpture Garden than a ride in a gondola?

Sculptures with the Sculpture Garden overlook the blooming Louisiana irises

Another place to find Louisiana irises growing in New Orleans is at Pat O'Connor's house and gardens.  Pat and his wife Julie love to collect "yard art" to highlight their Louisiana irises.

Pat has a lot of "seedlings" (baby irises grown from seeds) growing in his backyard garden

Not far from New Orleans is the city of Lafayette and Jim Leonard grows Louisiana irises commercially in large pots
To learn more about irises in general, visit the American Iris Society.  To learn more about New Orleans, visit the New Orleans Official Tourist Website at New Orleans On Line.

Louisiana irises grow in many places around the world.  Learn to grow them yourself by visiting The Society for Louisiana Irises (SLI).To join SLI on facebook, visit Facebook - Society for Louisiana Irises.

Be sure to visit City Park in the Spring to see some beautiful flowers and breathtaking landscapes.

Sydney B. Mitchell: A Renowned California Hybridizer

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By Jean Richer

As the president of the iris club that bears his name, and as a longtime staff member at the University of California at Berkeley, I have always felt an affinity for Sydney B. Mitchell, one of the most prominent California iris hybridizers of the early 20th century and a distinguished scholar of library science.

Sydney B. Mitchell was born in Montreal, Canada in 1878, and received bachelor and master of arts degrees from McGill University in Canada. He also was given an honorary Doctor of Literature  degree from Occidental College. While a student at McGill, he befriended the university's gardener, who gave him his first iris plants. Mitchell's brother allowed him to grow his iris in his back yard, and he soon had a sizeable collection. His wife shared his interest in plants, and when they moved to California in 1911 they began their lifelong collaboration in the garden.

                                           Purissima (Mohr-Mitchell 1927)

Mitchell was as distinguished in his "day job" as he was as an irisarian. He joined the UC Berkeley library staff as head purchaser in 1911, became acting librarian for the university during World War I, and founded and became the first director of the Graduate School of Librarianship in 1924. He was named dean of the school in 1944, and retired as Dean Emeritus in 1946. He was also a member of the executive board of the American Library Association, vice president of the California Library Association, a fellow of the American Library Institute, and advisory editor of Library Quarterly.

He had a lifelong interest in horticulture, and was the first president of the California Horticultural Society (a position he held until his death), as well as its journal editor. He was also a founding member of the American Fuchsia Society. In addition, he was a renowned author, and wrote four books: Gardening in California, From a Sunset Garden, Your California Garden and Mine, and Iris for Every Garden.

While other flowers interested him from time to time, it was his love for tall bearded iris that remained with him throughout his life. He hybridized many varieties during his life, and was particularly successful with developing new large plicatas and yellow iris. Some of his finest varieties are 'Alta California,''Happy Days,''Naranja,''Natividad,' and 'Fair Elaine.'

                                     Alta California (Mohr-Mitchell 1931)
       
                                               Naranja (Mitchell 1935)

Mitchell's greatest achievements in hybridizing, however, were in collaboration with others, particularly his work with William Mohr. Upon Mohr's tragic death at a young age, Mitchell continued the work with Mohr's seedlings, introducing the best ones and hybridizing to further Mohr's breeding lines. One of the early introductions from these seedlings was 'San Francisco,' the first winner of the U.S. Dykes Medal.

                                           San Francisco (Mohr 1927)

 Mitchell initially ran a commercial iris garden at his home in the Berkeley hills, but when he became more interested in hybridizing he sold the commercial enterprise (and its accompanying acreage) to his friend and neighbor Carl Salbach, whose business sold and introduced iris (as well as dahlias and gladiolus) from the mid-1920s to the 1950s.

                                            Sunol (Mohr-Mitchell 1933)

Mitchell was also the (inadvertent) originator of space age iris. In his breeding program he developed a plicata with a curious extension on its beard (later introduced as 'Advance Guard'). While Mitchell was uninterested in pursuing the possible ramifications of the trait himself, he passed the seedling along to fellow hybridizer Lloyd Austin, whose hybridizing work with it eventually resulted in "space age" iris with horns, spoons, and flounced on their beards.

                                          Advance Guard (Mitchell 1945)

                               photos by the late Mike Lowe (we miss you!)

Mitchell was involved in the organization of the American Iris Society, and frequently contributed to its bulletin. He was one of the sixteen writers contributing to the AIS publication The Iris - An Ideal Hardy Perennial. He served as chair of the species committee until the end of his life, and was a longtime custodian of the California division of the Farr Memorial Library. He was honored with the AIS Hybridizer Award in 1941, and with the British Iris Society's Foster Memorial Plaque (given to persons contributing to the advance of the genus Iris) in 1943.


Sydney B. Mitchell passed away in 1951. A few years later, the iris club in Oakland was named in his honor. Throughout his life Mitchell was a proponent of using native plants in home gardens, and he was a particular proponent of Pacific coast native iris. He took great pride in the plantings of PCNs in his own garden, and had a large collection of various forms of Iris innominata and Iris douglasiana. In recognition of his support of Pacific coast iris, the annual award for the best Pacific coast iris introduction is named in his honor.

A yellow form of Iris douglasiana

I would like to thank the American Iris Society, the Society for Pacific Coast Native Iris, and my wife Bonnie Petheram for information used in this blog. Bonnie researched materials on Sydney B. Mitchell in his collection of papers archived at the Bancroft Library at UC Berkeley.

What are your favorite Sydney B. Mitchell introductions?









IRISES, the Bulletin of the AIS - Fall 2017 Edition

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By Andi Rivarola

A warm welcome to those who are seeing IRISES, the Bulletin of The American Iris Society for the first time. If you are a member of The American Iris Society I hope you enjoy this new edition, which you will receive via U.S. Mail very soon. 

The Summer 2017 issue of the AIS Bulletin will also be available soon for online viewing and accessible via the Emembers section of the AIS website. On the cover this edition, 2017 Dykes Medal Winner ‘Montmartre’ (Keith Keoppel 2008, TB).

Note: to access this area of the website you must have a current AIS Emembership. AIS Emembership is separate from the normal AIS membership. Please see the Electronic Membership Information area of the AIS website for more details.


Don't miss the listing of all award winning irises, on pages 14 — 20 with the title, AIS 2017 Awards.

A fascinating view at genealogy of irises with the article by Maryann Schicker, titled Introduction to the Vertical Genealogical Chart, on pages 22 — 25.

A beautiful description of the Florence Iris Gardens by Florence Darhenay, in her piece called A Walk in the Giardino, on pages 26 — 29. Lovely images included. 

Debbie Strauss says adieu to the last AIS Silent Auction she and Nick Steward put together. Her article is called AIS Silent Auction and is on page 30.

An invitation to attend the 2018 AIS Convention in New Orleans, Louisiana starts with a fantastic description on pages 32 — 33, and continues with the registration form on pages 34 — 35. You may also find information about the convention online at: http://www.2018irisconvention.org/

International Iris News gives us but a glimpse of iris news from outside the U.S., compiled by Bruce Filardi, on pages 39 — 41.

A reprint from our own blog, by Susanne Holland Spicker, called Older Tall Bearded Irises ~ Timeless Beauties on page 43.

There's a lot more to see and read in this edition of IRISES, either in digital or print formats. If you are an AIS member know that you will receive the print edition soon (it's in the hands of the U.S. Post Office), or if you are an e-member, then that version will be a available online soon. 

Happy Gardening!

Bloom Out in Bearded Irises

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By Bonnie J. Nichols

In 2013 Texas had a wet and very cold winter.  We had more snow than we had seen in years.  The April 2014 bloom season was spectacular.  From the SDBs to TBs and beyond.  Winter in 2014 and 2015 had enough cold winter weather to give us good bloom. 



Then came last winter.  Actually, what winter?  In December when the Christmas Day temperature was 82 degrees and New Year’s Eve was 73 degrees, we knew the iris bloom season was in jeopardy.  And, it didn’t get better when on January 31st the high temperature of the day was 79 degrees.

When I saw various bearded irises blooming in December and January I asked friends if they thought the bloom was “rebloom” OR what would have been our April spring bloom.  We all had no idea.  In April, we knew the sparse bloom we had seen in December and January was “the spring bloom” because we kept waiting and kept waiting and we had no additional bloom.  Maybe 20% tall bearded irises bloomed and very limited (if any) of the medians bloomed.  The Louisiana and Spuria bloom was not damaged by the mild winter.

We skimped and scraped and came up with enough blooms for our iris shows and we shrugged off the fact that we could not control Mother Nature.  We saw more than normal increases on some of the plants because they did not use their energy to bloom.  On other plants we noticed something that we had not had much experience with – “lightbulb” bloomed-out rhizomes.  Lightbulbs are rhizomes with no increases and the roots wither away.  Now I can spot the “lightbulbs” before digging.  The rhizome increases in size and twists slightly as if it is pushed out of the ground.  This could be the result of the roots drying out.  Some of the “lightbulbs” bloom.  The bloom stalk comes up in the middle of the fan and dies back quickly.  The rhizome eventually dries up and dies also.

When I see a lightbulb rhizome sending up a stalk, I have unsuccessfully tried to make crosses on the blooms.  I was hoping to force a pod and force the plant to increase. 

While my experiments and observations are interesting…………I hope we have a colder winter in 2017 and eventually get back to good iris bloom and the “lightbulbs” are a thing of the past.  However, as I write this article we are 2 ½ weeks from Thanksgiving and our Dallas temperature high today was 91 degrees.  Global warming? – I’m not sure; however, I’m beginning to believe it is.



Growing Pacifica Iris for Foliage

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By Kathleen Sayce 

Among the dozen or so species of Pacifica Iris, foliage is outstanding in only a few. By outstanding, I mean not simply green, but evergreen, and more, a luscious green color--dark, medium or light green, golden to blue-gray in tone. Leaves should also be shiny, substantial in feel, and durable. This creates a lovely dark anchor to other plants in the garden. 


Iris's shiny dark green fans are a good foil for dying fringecup foliage, and give the ground cover at a time when taller plants are flowering. 


Some Pacifica Iris foliage is lustrous and green year round. Use it in the garden to balance other plants even when it is not in flower.


One of the oft-repeated statements made about Pacific Iris is that leaf fibers were used by Native Americans to weave nets to trap, among other animals, elk. Hefty fiber levels in leaves means durability, and durability plus evergreen elevates foliage from one season to four. Take time to search out those sturdy-leaved species' selections and hybrids--they have year round presence in the garden.

I. innominata during flowering:  leaves are dark green, shiny and durable.

Iris innominata
and its close cousinIris thompsonii have narrow, dark green, evergreen leaves less than fifteen inches long. These species grow in dense tufts to slowly increasing circles, and then rings, if you are slow to divide and replant. They are useful as foliage accents in small scale spots or along border edges, planted with other low growing plants, including primroses and small bulbs. 

For larger plants with a bigger garden presence, look at Iris douglasiana. Many hybrids and selections of this species have light to medium green leaves, which may or may not look good fall through spring. A few have striking dark green foliage, which gives these irises a strong garden presence year round. 

Leaves range from less than twelve inches to more than thirty inches long. I mentioned the lack of tall Iris douglasiana in current hybrid and species offerings a few months ago. Another reason to seek those tall vigorous Iris douglasiana selections is to have foliage for the mid to back borders. 

Iris douglasiana, wild form, has great year round foliage, here it grows with fringecups, Tellima grandiflora (Saxifragaceae) and a rhododendron. 


This wild-collectedIris douglasiana is from Cape Blanco, Oregon; it has medium lavender flowers of basic species appearance, but the foliage is outstanding. With leaves around twenty inches long, foliage on this iris is striking dark green on a medium sized plant. I grow this one for its luscious foliage; the flowers are an added benefit for a few weeks each year. 

I. douglasiana x I. chrysophyllais taller, vigorous, with foliage that looks good year round. 

Another good foliage iris is an Iris douglasiana x I. chrysophyllacross. Flowers are purple and small, but the foliage is outstanding, medium green, shiny and lovely year round. With leaves more than twenty five inches long, this plant makes vigorous fountains of green all year—a good plant for mid border locations. It is especially nice interplanted with lilies: Summer-flowering Lilium‘Cascablanca’ is short enough to be balanced nicely by the dark green fountains after this iris is done flowering in spring. 

Iris 'Burnt Sugar' is an unregistered Pacifica Iris, probably an I. douglaisanax I. innominata hybrid. Flowers are species-like, and the evergreen foliage is excellent. 
Look for outstanding light green to yellow-green foliage, short to tall, and for good foliage irises taller than thirty inches, also for any sign of white striping on dark green leaves, and other color variations on green, including red to purple. 

Readers:  tell us about Pacifica Iris selections that have great foliage, and please post here if you have plant suggestions to share. 


A Japanese Iris Cross for Beginners

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By Chad Harris
Mt Pleasant Iris Farm 

Of the several different crosses over the past 38 years involving Japanese irises, Iris ensata that have stood out, I would like to share with you my most rewarding to date, ‘Night Angel’ (Aitken 1996) X ‘Frosted Intrigue’ (Bauer/Coble 1997).



Looking to the background of the two parents you will find many different patterns, selves, rims, sanded, blazed, veined, and rays. Pictured here are but a few of the lineage check out the AIS Wiki for more photos of the grandparents and great grandparents.





The cross ‘Night Angel’ X ‘Frosted Intrigue’ I have made twice now for myself. A small trial planting in 2002 with about 30 seedlings produced 15 seedlings worthy to line out to take a second look at. Of these, four were eventually selected to be introduced.





Because of the high percentage of worthwhile seedlings I remade this cross to line out several hundred more seedlings. The first that caught my eye with its maiden bloom in the seedling field was 08JE1, introduced last year as ‘Koto Harp Strings’.


Many other siblings have been lined out and also guested to the 2020 Japanese Iris Convention to be hosted in Nova Scotia, Canada. Following are a few of these 2008 seedlings that have been reselected for possible future introductions.






As you can see with the seedlings and introduced varieties from ‘Night Angel’ X ‘Frosted Intrigue’ that the pattern breakout is wide and varied.

I share this information to hopefully entice someone young and new to hybridizing to raise the tweezers and try their hand with Japanese iris, Iris ensata.

Iris Stories: April Melody

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By Bryce Williamson

Iris stories can be made up of several related, interlocking, overlapping stories—if the story is about a hybridizer’s creations, there may be stories about the names, why the cross was made, or other issues; less known is that often the hybridizer is influenced by or helped by other people who often are nameless, though those side stories are of interest. That is the case with Jim Gibson’s April Melody, the first good pink plicata and the foundation parent of pink/orange toned plicatas today.

And the story of Jim Gibson and April Melody actually starts in Utah with Tell Muhlestein taking a plicata seedling from Loomis’ 'Seashell' and crossing it with his 'Pink Formal'. Pink Formal was from a Loomis pink seedling and the a David Hall iris. From that cross, he obtained New Adventure and introduced it in 1953. We now know that the Hall pink irises had plicatas in their background and Seashell certainly had them. New Adventure was an interesting color break—a lavender-pink plicata with a tangerine beard, but, as you can see from the image, it did not have good form.

 New Adventure--image from the Iris Encyclopedia 

When Jim Gibson in Porterville, California grew New Adventure he realized it had great potential, but it also needed a lot of work on the form. Thus started his quest for a well formed pink plicata. As you can see from the complicated parentage, he made many crosses and brought into the breeding both the best pinks of the day and his own well-formed brown plicatas. And he raised seedlings and then another generation and yet more generations.

During one of my visits to his garden, Jim explained that he thought about giving up—the desired result was not showing up, but he did not give up and finally a flower appeared that met his high standards. As you can see from the parentage, many generations of hybridizing went into the creation of April Melody:  ((37-57: (54-55: (Taholah x 45-53: (Ballerina x ((Gibson Girl x (Madame Louis Aureau x (Sacramento x red brown))) x (Gibson Girl x (Tiffany x Siegfried))))) x (45-53D x (Ballerina x Happy Birthday))) x New Adventure)   X   (37-57 x (New Adventure x 54-55))).

But that was not the end of the story. At that time, the Gibson irises were being introduced by Cooley’s in Silverton, Oregon and they were hesitant to introduce this new colored iris. Enter the stranger in the form of Hazel Stewart of San Jose, a longtime member of the Clara B. Rees Iris Society.

April Melody image from HIPS archive

Region 14—Northern California and Nevada—had a spring meeting in Porterville. In the Gibson garden, the pink plicata seedling was in bloom. During the garden tours, Hazel stood by the planting and kept pointing out, “This is good. This is different.” She was right, it was good and different.

When the result of the voting for best seedling from a Region 14 hybridizer was announced, Hazel’s campaign had paid off—the pink plicata was named best seedling. With that award, Cooley’s did introduce April Melody.

And April Melody went on to be a major parent for Gibson and other hybridizers. From April Melody, Jim introduced a series of new plicata colors--Rippling Rose, Summer Silk, Casino Queen, Mod Mode, Porta Villa, and Frosty Blush are all first generation April Melody children. The second generation produced Lilac Love, Pink Ember, Happy Halo, Smoke Rings, Lasting Spring, and Frost Kiss. In the third generation, along came Pink Confetti and Anon, among others. Further down the line, one of the most important and lasting of Jim Gibson’s iris is the wonderful Queen in Calico.

Porta Villa image by Sunshine Iris, Australia

Pink Ember image by Glenn Corlew

Anon image by Country Delight Iris
Queen in Calico image from Iris Encyclopedia 

This is just a partial list of Gibson irises stemming from April Melody and, needless to say, other hybridizers realized the potential of the iris and used it heavily. In fact, April Melody not only opened up a whole new group of color plicatas, but also April Melody appears in the background of so many differently colored irises that it is hard to believe including the 2017 Dykes Medal winner Montmartre.
Montmartre image by Schriener's Gardens

When Jim could have given up on the line, he did not; he continued to work for the goal, finally reaching and not only achieving a wonderful flower, but also a wonderful parent. April Melody’s story also points out the importance of other people in making sure that wonderful and different irises are recognized. While the judges of The American Iris Society did award April Melody an Honorable Mention, they failed to vote it an Award of Merit—a huge oversight on their part. In another blog, I will show how April Melody and its children were used by other hybridizers to produce fine irises.

My thanks to Keith Keppel for reading, correcting, and suggesting ideas for this blog.


"Talking Irises" LOOKING FORWARD TO SPRING - Tall Bearded Irises With Spring Companion Plants

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By Susanne Holland Spicker

I love experimenting with different color combinations in the beds. By combining a variety of companion plants, as well as complimentary, or harmonious combinations of tall bearded irises, the beds provide a nice palette of color, as well as a long bloom season by using early, mid and late bloomers that flower at the same time as other perennials in the gardens. The beds are always a work in progress--I evaluate my beds each year at this time and make changes where I want to replace older varieties with newer iris hybrids or add any favorites from my long "wish list."

 I love the colors in this yellow, pink and blue bed:
  
Tall bearded irises 'Skywalker' (Schreiner '96), 'Tulip Festival' (Clough '75), 'Edith
Wolford' (Hager '86), 'Aegean Wind' (Schreiner '08), and 'Out of the Blues' 
(Van Liere '10) with companion plants Singing in the Rain Itoh peony, assorted
lupine, hybrid tea rose New Day, clematis Josephine, assorted pansies and petunias, 
and herbaceous peony Mons. Jules Ellie.


Striking colors of tall bearded irises and companion plants

 'Salzburg Echo' (Schreiner '09), 
'Spiced Custard' (Weiler '87), 'Supreme Sultan' (Schreiner '88), 'Dazzling Gold' (Anderson '81),  'Taco Supreme' (Ernst '87),  'Throb' (Weiler '91),  'Flamenco' (Keppel '77), 'Mulled Wine' (Keppel '02),  and 'Tiger Honey' (Kasperek '94), with companion plants early gladiola, lupine, daylily Bela Lugosi 
and various daylilies and Harlem poppy 


                                                        Bold and Beautiful! 

 Tall bearded irises 'Bold Expression' (Ernst '03), 
'Dreamcake' (Ernst '02), 'Close Up' (Tompkins '02),  and 'Ringo' (Shoop '79) with 
companion plants rosy purple pulsatilla, Caribbean Crush verbascum, Fascination 
 hybrid tea rose,  poppy Queen Alexander, America climbing rose, and lilac

A favorite bed of subtle yellows and blues:

Tall bearded irises 'Good Hope' (Moldovan '69), 'Absolute Treasure' (Tasco '06),
 'Grecian Skies' (Brown '84), 'Edith Wolford' (Hager '86), 'Bertwistle' (Innerst '90),
'Lavender Luck' (Ernst '88), 'Wedding Candles' (Schreiner '82) and 'On Edge' (Schreiner '86), with companion plants assorted pansies, Blue Star 
columbine, yellow, blue and white lupine, Crystal Fountain clematis, dwarf Snow Lady daisy, Konigskind clematis, tradescantia, High Noon tree peony, 
Silver Beauty Dutch iris, and hybrid tea rose Sunblest
  

This bed always stands out: 

Tall bearded irises 'Aristocracy' (Keppel '06),
 'Artist's Time' (Schreiner '74), 'Ever After' (Keppel '86), and 'Bubbling Over' 
(Ghio '92),  with companion plants Elisabeth variegated phlox, pansies, 
single late tulip Don Quixote, heartleaf bergenia, Jacob's Ladder, bleeding heart, and assorted pansies


I love these rose and apricot colors together:

Tall bearded irises 'Discretion' (Boushay '78), 'Naples' (Johnson '01), 'Mystic's
Muse' (Schreiner '93), 'Magharee' (Blyth '86), 'Aphrodisiac' (Schreiner '86), and 
'Role Model' (Denny '88), with companion plants assorted lupine, 
and Itoh peony Singing In The Rain




Do you like experimentaing with your flower beds? What are some of your favorite combinations?  I'd love to hear from you!






Median Iris: Standard Dwarf Bearded

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By Hooker Nichols

One of the most delightful classes of bearded iris one can grow is that particular group of iris known as the standard dwarf bearded.  These wonderful smaller iris range 8 to 16 inches in height.   They bloom after the peak season of miniature dwarf bearded iris and before the peak season of the intermediate bearded iris.

Hooker Nichol's 'Amazon Princess'--image by Igor Khorosh

Most generally as a group, these delightful iris are rapid increasers and the clumps give the appearance of mounds of flowers.  They possess the color range found in the other bearded classes.  Bloom is determined by the amount of cold weather experienced during the winter season.  Here in Texas, we experienced 334 frost free growing days in 2017 and spring bloom was very limited.  On the flip side of the coin, abundant rainfall during the spring and early summer resulted in very good rebloom from those possessing reblooming traits.

'Bright Blue Eyes' (M. Sutton)--image by Mike Sutton

This group of iris are easy to hybridize and generally the seeds germinate very well.  One can get nearly 100 percent bloom the spring following the germination.  They make excellent border plants, but generally must be transplanted every three years.

'Open Your Eyes' (Paul Black)--image from Mid America Iris Gardens

Standard dwarf bearded irises do well in most regions of the country and are well liked overseas.  I encourage you to plant a few to begin and extend your bloom season.

'Eye of the Tiger' (Paul Black)--image by Chuck Chapman

Editor's Note: The top award in this class is the Cook Douglas Medal. All images in this blog have won that award.

'Ultimate' (Thomas Johnson)--image by Brock Heilman

Merry Christmas!

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By Mike Unser

A small selection of irises with names appropriate for the season. Hope you enjoy them.

'Christmas Time', Schreiner's, 1965. Photo by Carlos Ayento.

'Holy Night', Ken Mohr, 1983. Photo by John Weiler.

'Santa', Shoop by Keppel, 1998. Photo by Mike Unser

'Santa's Helper', Carol Lankow by J. Terry Aitken, 1997. Photo by Mike Unser

'Christmas Carol', O'brien, 1973. Photo by Mary Hess.

'Dasher', Opal Brown, 1977. Photo by Paul Black. 

'Winterfest', Schreiner, 2005. Photo by Mike Unser

'Sleighing Song', Robinson, 1984. Photo by Paul Black.

'Gingerbread Man', Bennett Jones, 1969. Photo by Cindy Voss.

'Gingerbread Castle', Tompkins, 1967. Photo by Mike Unser

Happy Holidays! And all the best for 2018.


Year in Review

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As the editors of The World of Irises blog look back on 2017, these were the most viewed posts. To view the email, just click on the title of the blog and it will take you to the post.

 In first place was Dawn Munford’s “A Fond Farewell to Tall Bearded Iris."

Y
Image by Dawn Munford

The second most viewed blog was Suzanne Holland Spicker’s "’Talking Irises’ TALL BEARDED IRISES: COMPANION PLANTS for PINK, RED, and PURPLE IRISES.”

'Red Skies' (Ghio)--image by Suzanne Spicker

That blog was followed by Chad Harris’s “Colors, Patterns of Japanese Iris."
'
Image by Chad Harris

Dawn Munford occupies the Number 4 spot with “MOREPHOTOMONTAGES OF TALL BEARDED IRISES.”

Image by Dawn Munford

Rounding out the top five, Suzanne Holland Spicker’s “GardenMagic Fills My Soul.”

Image by Kat Zalewska

Next up is Tom Waters’s “Growing Irises From Seed.”

Image by Tom Water

One of our new bloggers occupies the next spot with Hooker Nichol’s “Louisiana Irises.”

'Great White Hope' (Haymon)--Image by Robert Treadway

Bonnie Nichols wrote about cultural problems in “Bloom Out in Bearded Irises.”

Image by Bonnie Nichols

In ninth place, Bryce Williamson posted “I’m Singing the Blues.”

'Absolute Treasure' (Tasco)--Image by Bryce Williamson

The final blog in the top 10 is Chad Harris’s “FlowerForms of Japanese Iris.”

Image by Chad Harris

You can be automatically notified of all new post by going to the top left of any blog and filling your email address in the box and then clicking on submit. With the wide variety of content in this blog, you don’t want to miss a post.

And the editors look forward to 2018 and many more exciting and interesting posts.

Reblooming Irises: A Love Affair

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By Ginny Spoon

When I first joined the American Iris Society in 1991, I learned about reblooming irises at our local chapter of AIS, the Chesapeake and Potomac Iris Society. Irises that bloom both spring and fall were the ones that I wanted most of all. That is where I met Don Spoon, who outbid me on every single iris that I wanted at the auction after the national convention that year. Although frustrated by those efforts, I managed to buy more rebloomers at our club sales over the next several years. Many of our own members in Region 4 were also iris hybridizers and had introduced reblooming irises. They included Charlie Nearpass, Clarence Mahan, Lloyd Zurbrigg, J. Griffin Crump and yes,  Don Spoon.  Sterling Innerst and Joan Roberts were also in our neighboring Region 3, and have introduced many lovely reblooming irises.


'Durham Dream' (Lloyd Zurbrigg)--image by Ginny Spoon

As the years went by, and my garden grew, I knew that irises were my favorite perennial. Not only do they come in all sizes and different kinds, but there is an iris of some kind blooming in the garden almost every month of the year.


'Lucy Doodle' reblooming MTB (Charlie Nearpass)--image by Cindy Rust



'Autumn Rose' (Ginny Spoon)--image by Ginny Spoon

The white reblooming iris in front of 'Autumn Rose' is my first introduction, 'Autumn Ivory', made possible when Don Spoon brought pollen from his garden and taught me how to hybridize.



Our Winterberry Iris Gardens--image by Ginny Spoon

One fall, we had almost a third of our garden blooming with reblooming irises. It was a glorious sight and one I will always remember.


 'Daughter of Stars' (Don Spoon)-- image by Ginny Spoon

As some of you may have guessed, I married Don Spoon and have now gotten back all those irises that I wanted in that auction, and more besides. We both love and hybridize irises, especially the rebloomers in our northern Virginia garden.


William Mohr - A Brief Life But Enormous Influence on Iris

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by Jean Richter

The San Francisco bay area has produced a number of important iris hybridizers. In my most recent blog (October 30, 2017), my subject was one of the earliest bay area hybridizers, Sydney B. Mitchell. One of Mitchell's close associates was an equally important hybridizer, William Mohr, whose work Mitchell carried on after his untimely death in 1923. Had Mohr not passed away at the age of 52 after only ten years of hybridizing work with iris, he undoubtedly would have become one of the most well-known iris hybridizers of his era.

      Sacramento (Mohr-Mitchell 1929)

William Mohr's father Cornelius Mohr was a German immigrant to the U.S. who, after leaving his job on a whaling ship in San Francisco, settled in the nearby Mt. Eden area (now known as Hayward) in the 1850s. Cornelius bought a grain farm from the Castro family (who had large holdings in the area via Spanish land grants prior to California's acquisition by the U.S.). His son William Mohr was born on the farm in 1870. Cornelius died in 1878, and after coming of age William took over the farm operations. He diversified the farm's holdings, adding row crops such as tomatoes and sugar beets in addition to wheat.  At the time of his death his holdings were 400 acres, most of which were rented out to other vegetable growers. He kept 60 acres to grow his strains of wheat and barley, and had two to three acres near his home for his flower garden, which was varied and extensive. He hybridized many other flower varieties in addition to iris, including daffodils, primrose, tulips, and clematis.

William married Alfreda (Frieda) Mohr, and they had a young daughter named Marion in 1913.

When William Mohr began his hybriziding work with iris, he first worked with the common tall bearded iris of the day, but soon began working with tetraploid iris species such as Iris mesopotamica and cypriana to introduce larger flowers and better branching into his hybrids. He also began working with the aril species oncocylcus and reglia, and used mesopotamica also in these crosses. He hybridized a very large variety of iris, including all the bearded classes, aril-bearded hybrids (arilbreds), spuria iris, Siberian iris, and Pacific coast iris.

  Iris mesopotamica

In his hybridizing work he was guided by extensive correspondence with early hybridizers Grace Sturtevant and Dr. Samuel Stillman Berry, and particularly by Sydney B. Mitchell, who lived just fifteen miles away. Describied by Mitchell in his obituary for him as a shy, retiring, and humble man, Mohr was quite reluctant to name and introduce his creations despite their quality. One early success was a cross of mesopotamica with the tall bearded iris Juniata (Iris pallida ancestry) which produced Conquistador (Mohr 1923).

 Conquistador (Mohr 1923)

A great interest in the last few years of his life was producing a larger yellow iris. He crossed yellow Iris pumila with mesopotamica and Iris trojana, seedlings which eventually resulted in varieties such as Alta California (Mohr-Mitchell 1931) and California Gold (Mohr-Mitchell 1933).

 California Gold (Mohr-Mitchell 1933)

He produced a number of large white seedlings, including the variety eventually named Purissima (Mohr-Mitchell 1927). I have a picture of this iris in my Mitchell blog, and here reproduce a picture from the 1938 bulletin of the British Iris Society, showing an enormously tall clump of Purissima next to the then-president of the BIS, Geoffrey Langton Pilkington (who as I understand was not a small man).
Purissima (Mohr-Mitchell 1927) with BIS President Pilkington

Mohr also had great interest in plicatas, and a number of his best plicata seedlings were  introduced after his death. Mitchell chose California place names for a number of Mohr's iris (e.g. Sacramento, the first picture in this blog), and below are two of Mohr's most famous plicatas, San Francisco (Mohr 1927), the first Dykes Medal winner, and Los Angeles (Mohr-Mitchell 1927).

   San Francisco (Mohr 1927)                   Los Angeles (Mohr-Mitchell 1927)

Mitchell named one of Mohr's seedlings for his wife Frieda:

Frieda Mohr (Mohr-Mitchell 1926)

Mohr also named an iris for his daughter Marian. Sadly, as far as I know this iris is no longer extant. If it could be found again, it would be a wonderful addition to his iris legacy.

Photo of Marian Mohr (Mohr 1923) and its namesake (from the 1923 AIS Bulletin)

In 1923, William Mohr, his wife Frieda, and daughter Marian were driving with three neighbors when they encountered a parked truck full of produce. With the large truck in their way (and no rail crossing gate) they did not see the oncoming mail express train which collided with their car, killing everyone except Marian, who was seriously injured but survived. After recovering, Marian went to live with her mother's parents in Iowa, but returned to the Bay Area to attend the University of California, where she met her husband Jeryl Fry. Together they worked her father's farm, and when that became too difficult with the encroaching city (the original farm is now on the site of Chabot  College), moved the farm activities to the San Joachin Valley, where it still exists today as the Mohr-Fry Ranches. Marian lived to the great age of 94, passing away in 2007. She and her husband are buried in the family plot (with William and Frieda Mohr) at the Mt. Eden Cemetery in Hayward.


After Mohr's death, Sydney B. Mitchell took his seedlings into his care, and began introducing his best varieties and working further with his stock. Mohr's best arilbred seedling and greatest pride, a cross of tall bearded iris Parisiana and aril species Iris gatesii, which had been shown in 1923 prior to his death at an Oakland iris show, was named by Mitchell as William Mohr.

William Mohr (Mohr 1925)

Despite his brief time in the iris world, William Mohr left a great legacy of iris, both bearded and arilbred. His influence is particularly evident in the arilbred iris, where it has been a naming convention for some time to incorporate Mohr into arilbred iris names. The AIS name registry lists over 100 iris names that include Mohr, the vast majority of which are arilbred iris. A few examples include Elmohr (one of whose parents is William Mohr), the winner of the 1945 Dykes Medal.

Elmohr (Loomis-Long 1942)

Another is Lady Mohr, introduced by Mitchell associate Carl Salbach, which also has William Mohr in its lineage.

 Lady Mohr (Salbach 1943)

A further honor accorded to Willliam Mohr is the William Mohr Medal, which is awarded by the AIS each year to the best arilbred iris of 1/4 up to 1/2 aril ancestry.

Despite the depth of William Mohr's influence on iris, one can only wonder what would have been if he had not left us so soon in his hybridizing career. What are your favorite William Mohr iris?

I am greatly indebted to my wife Bonnie Petheram, whose research at the Hayward Historical Society and the Sydney B. Mitchell papers at the UC Berkeley Bancroft Library form the basis of this blog, along with Sydney B. Mitchell's obituary of Mohr from the 1923 AIS Bulletin and historical material from the Mohr-Fry Ranch.

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