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Photo Essay: The Beauty of Siberian Irises

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By Mike Unser

A small sampling of Siberian iris photos I've taken in years past showcasing the beauty they bring to the garden.  Siberian irises make exceptional garden plants and are easy to grow and care for. They are especially beautiful when grown in large masses. For many decades the color range was limited, but recent advances have opened up entirely new color classes for them and amazing new varieties appear every year in reds, golds, pinks, oranges, browns, and blends. New forms and patterns are being explored by hybridizers as well, including multiple falls, heavy ruffling, and edge bands that give a plicata effect. Exciting times for fans of this iris species.





































Wadi Zem Zem

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By Anna Cadd

Don't you hate it when you write something on the computer and the "cursed machine” thinks that it knows better, and constantly, automatically, corrects you, no matter how many times you click "ignore it?" Well, this is what happens with the name of the famous Spuria iris named ‘Wadi Zem Zem’. My computer hates the words Zem Zem. Finally, it made me discover what Mr. Milliken had in mind when he named his Spuria this way. What I discovered surprised me and I am glad that I learned something new. I started my research from the word "Wadi." It doesn't look like an English word, because it is not, it’s actually Arabic. Wadi is the Arabic term traditionally referring to a valley or ravine, bounded by relatively steep banks, found primarily in North Africa and the Middle East. In some instances, it may refer to a dry (ephemeral) riverbed that contains water only during times of heavy rain. Wadis are located on gently sloping nearly flat parts of deserts. Permanent channels do not exist due to lack of continual water flow. Wadis also show braided stream patterns because of the deficiency of water and the abundance of sediments. Wadis are generally dry year round, except after rain.


The desert environment is characterized by sudden but infrequent heavy rainfall, often resulting in flash floods. Crossing wadis at certain times of the year can be dangerous as a result. Uadi Zemzem (Wadi Zem Zem) is a wadi in Libya (Africa). It is located at an elevation of 26 meters above sea level. Its coordinates are 31°24'0" N and 15°16'60" E. So it is interesting how Mr. Milliken, living in Arcadia, California, knew about this distant and remote place on Earth in an era without computers, TV and the time where radio, books and National Geographic magazine were the window to the unknown world. It was also during WW II and I am sure that he didn't have a lot of knowledge about the military actions of British Army in Northern Africa. But, he heard something about the battles in the area and named the new Spuria introduction after one of the locations of these battles. We would have never known about this place without Mr. Milliken, as we are not expected to know the details of British Army operations, and it would have been forgotten, if not for one British soldier named Keith Douglas, born in 1920. Douglas wrote the small book titled "Alamein to Zem Zem," which is a military memoir of the Western Desert campaign of World War II.


Written by Douglas shortly before his death in action in Normandy on June 9, 1944; it was first published in 1946. I think Mr. Milliken heard about the battle in Wadi Zem Zem and the young British poet-soldier who sought about the sacrifices of soldiers from all nations, naming his new spuria in order to pay tribute to those who fought evil. Douglas names, El Alamein, a small town in Egypt on the Mediterranean Sea, (66 miles from Alexandria and 149 miles from Cairo); Zem Zem is in Libya, and there the story ends. The book is mainly a personal account of Douglas' experiences as a young tank commander with the Sherwood Rangers Yeomanry of the British Eighth Army at the Second Battle of El Alamein in October-November 1942. Zem Zem is the name of a wadi in Libya where Douglas was wounded in early 1943. This classic war book was written by one of the finest poets of WWII. Keith Douglas was posted to Palestine in 1941 with a cavalry regiment. When fighting broke out at El Alamein in 1942, he was instructed to stay behind as a staff officer.

But he wanted to fight, and so, completely disobeying orders, he drove a truck to the location of the battle and participated as a tank commander. Alamein to Zem Zem is a vivid and unforgettable description of his experiences on the desert battlefield, seen through the eyes of a poet-soldier.

"Highly charged, violent descriptive prose ... conveys the humor, the pathos and the literal beauty of the dead world of tanks, sand, scrub and human corpses. Scenes of unforgettable pity and terror unfold. Everything from flowers carpeting the desert in winter to vanquished enemies, is seen with the poet's eye and the generosity of youth." I need to admit that as much as I hate wars; I was mesmerized reading the Douglas memoirs, his deep humanity and pity for his fallen comrades, but also for his enemies. Alamein to Zem Zem tells of the eerie alien world of desert warfare where the men lived among sandstorms, flies, mosquitoes (not forgetting fever brought out by diminutive sand flies), desert sores, blind valleys, endless wastes of sand, roasting days, frozen nights, mirages and tricks of the light, machine-gun bullets visible against the clear starlight, booby-trapped corpses and derelict vehicles. It's a touching moment when Douglas rejoins his brigade after convalescence and learns who has survived and who didn't. This is a great read and lived up to its billing as a classic war memoir.

But I am supposed to write about Mr. Carl Milliken from Arcadia, California, who introduced 4 Spuria irises: 'Mt. Whitney', 'Mt. Wilson', 'Wadi Zem Zem' and 'White Heron' and particularly about Spuria 'Wadi Zem Zem', no matter what my computer "thinks" about the name. In the Iris Encyclopedia we can find very little information about ‘Wadi Zem Zem’. Is there someone who still
grows this Spuria?

Carl Milliken
'Wadi Zem-Zem' (Carl S. Milliken, R. 1943) SPU. Color Class-Y4M. Honorable Mention: 1952 Eric Nies Medal: 1956

But here is the description from Milliken Iris Garden catalog, 1945: 'Wadi Zem Zem' (Milliken). "A clear cream colored spuria, remarkably large in size and of excellent shape. The rounded spreading falls are two inches more in width, the standards are erect and open. Height 4 feet. Stock is very limited. $7.50."

As you probably noticed, the parentage of 'Wadi Zem Zem' is unknown. Backed by a strong family resemblance, 'Wadi Zem Zem' appears to be a direct descendant of I. monnieri, which was discovered growing in a garden in France. No wild habitat has been found, and although it was given a species designation at the time of its discovery, it is no longer considered a valid species. There are certain morphological similarities between I. monnieri and ‘Turkey Yellow,’ particularly the short recurved style crests unlike those of either I. orientalis or I. crocea but strongly resembling those of I. monnieri, would indicate that I. monnieri is indeed a hybrid between ‘Turkey Yellow’ and I. orientalis, both wild growing in similar areas of Turkey.

'Wadi Zem Zem' won the first ever Nies Award in 1956. It revolutionized the breeding of the spuria irises in two areas. First, it bequeathed to its offspring superior flower form - all of the better yellows in commerce can be traced back to Wadi, one or more times: Combs's 'Golden Lady', Walker's 'Oroville', Ferguson's 'Good Thunder', and Hager's 'Archie Owen'. Also, the influence of Wadi is a force in the genetic background of varieties in all of the wide range of colors of the modem spuria irises. The entrance of orange-yellow coloring onto the scene was the immediate result of crossing ‘Turkey Yellow’ with 'Wadi Zem Zem'.

Second, and possibly more importantly, 'Wadi Zem Zem' carries a resistance to the troublesome virus infections in spuria irises, which then it passed on to many of its progeny. All spuria varieties that show resistance to virus damage can be traced directly back to 'Wadi Zem Zem', an important phenomenon for an iris series in which virus infection is the primary malady.

Now there are 31 cultivars with 'Wadi Zem Zem' as one parent in its pedigree. I call them “child” of 'Wadi Zem Zem'. Some of them were used in multiple crosses during the following years and some were not used at all. In my original article for Spuria News I show the usage of "children" of 'Wadi Zem Zem' in crosses, and in providing the next generations of 'Wadi Zem Zem'"relatives." This illustrates how this one iris is in the pedigree of many modern Spuria varieties during about 70 years of iris Spuria hybridizing, and how they are all related to 'Wadi Zem Zem,''Turkey Yellow' and I. orientalis.

The "children" of 'Wadi Zem Zem' with the most influence in modern spuria varieties are: 'Anacapa', 'Golden Lady', 'Good Nature', Investment', 'Morningtide' and 'Wakerobin'. Grandchildren with the biggest involvements in modern varieties are: 'Burnished Brass', 'Intensity', 'Antiqua', 'Archie Owen', 'Connoisseur, 'Far Out', 'Lydia Jane', 'Plenty Of Sunshine', 'Yellow Wings', 'Baritone', 'Fairfield', 'Windfall’, 'Elan Vital', 'Contradiction' and 'Moon Bay Day'.

Because there were not so many Spuria varieties introduced in the last 50 years, children, grandchildren, great-great grandchildren and so on were crossed back and forth, passing the good traits of mostly I. orientalis into the next generations.

The Walker Ferguson breeding program from 'Monspur Premier' (Monnieri x Spuria) brought the strongly veined pattern, lending to 'Minneopa', McCown's 'Highline Sunset’ and Hager's 'Sarong’. Also from this line appeared Ferguson's deep blues and violets, 'Fort Ridge' and 'Proverb'. Most of the color lines in spuria irises can be traced back to single origins, as yellow color are traced to I. monnieri.

The browns and lavender blues are exclusive developments from the original Nies cross of I. orientalis x 'Monspur'. A progression to better form can be found in the work of Ferguson and Hager from the original 'Elixir' through 'Intensity' to Hager's 'Eagle' and Ferguson's 'Forty Carats'.

Hybridizing of white Spurias, which started with the white species I. ochroleuca, was lost along the way and is now re-appearing from more complicated lines. ‘Wakerobin’, the only notable white from Ferguson, is from 'Color Guard', a Nies blue, by yellow 'Wadi Zem Zem'. The problem with the whites is that breeders have been trying to eliminate the yellow spot and by so doing achieve what they consider a more attractive white flower. New whites with disappearing signals are also showing up in lines combining 'Wadi Zem Zem' with lavender-blue flowers, and in seedlings with I. carthaliniae in the background.

Breeders are also working for more ruffling, which has obviously been slow of development in spuria irises. Walker's 'Lydia Jane' and Hager's 'Ila Crawford' are impressive whites with this feature. But I think that the point of this article is to show how most of our Spurias in our gardens are so closely related and how most have some traits of Iris monnieri, Iris orientalis and 'Wadi Zem Zem' as distant relatives. Thank you, Mr. Milliken for the gift of 'Wadi Zem Zem' and for connecting the world's past tragic history, geography, the story of a young, talented war hero with the peaceful appreciation of garden Spuria irises in our everyday, ordinary, lives.

Editor's Note: The following article first appeared in Spuria News's Fall 2018 issue. Because of the format of the blog, we did not include the extensive chart of Wadi Zem Zem's children. The Spuria Iris Society has a Facebook page and they maintain a website: http://www.spuriairissociety.org, Our thanks to Anna Cadd for allowing us to use her article. If you are interested in Spuria irises, the website will tell you how to join the society.

Bacterial Rot in Irises

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Icky-smelly-deadly!

By:  Bonnie J Nichols

Texas has had 12+ inches of rain and counting……..the weather is cooler and the days are shorter.  What is that icky smell in the garden?? 

The rain, while refreshing our lakes and absolutely necessary for all living creatures – can be a not-so-good thing for our bearded irises.  The tall bearded irises seem to be more impacted than the smaller irises such as Standard Dwarf (SDB), Intermediate (IB), and border bearded (BB) – however, not exempt from rot.



Bacterial rot can happen no matter the temperature.  Bearded irises do not like a prolonged period of time with their roots and/or rhizomes soaked with water.  Rot can happen quickly and can be deadly for irises. 

Be observant!  While our neighbors might think we are “a bit” strange slowly and carefully looking at nothing but green irises leaves and not a bloom in sight – the earlier we can attack rot, the better our chances are of saving the rhizome.  The outer leaves may turn yellow or the entire fan may be laying on the ground – these are definite signs of rot.  The smell of rot is very unpleasant – okay, it is downright icky!  Push on the top of the rhizome.  If rot is present, the rhizome will be mushy.  Sometimes maggots or small worms are already present. 


If you find rot, you can dig the infected rhizome.  Digging this late in the season might be problematic to dig the rhizome and get it re-established before winter.  Irises need about 6 weeks to establish new roots.  Whether you dig the rhizome or not, you must clean out all the infected tissue.  You can use a sharp knife to scoop out the rot. THROW THE ROTTED tissue away!  Do not leave it in your flowerbed.  DO NOT reuse the knife until you have thoroughly cleaned it with soap and water.  Once the rot has been removed, you can apply several types of products that may work to stop the rot. 

For the last few years, we used DIAL (not the store branch) antibacterial soap.  The irises have either built up a tolerance to the soap and/or the manufacturer has changed the formula, because last year I had limited success stopping the rot with the soap.  Another product you may try is BARTENDERS FRIEND, ZUD, or COMET applied directly to the area you removed the tissue from.  When the DIAL soap was not working for me I researched for an older product than many of us used in the 1980s.  We used AGRISTREP.  You cannot find the product any longer.  I researched the active ingredients of AGRISTREP and found that Fertilome Fire Blight Spray has common ingredients.  Finding the product on store shelves is difficult and only a handful of stores carry it.  I found it online through Amazon – buying one 2 oz container at a time.  NOTE:  There may be generic products on the market.


To purchase through Amazon is about $12-$14 per 2 oz.  You apply the product directly on the infected area.  NO NOT dilute in water.  You may have to apply multiple times (2 x per day) for a few days.  I know the product is expensive; however, so was the $60 for my “favorite” new iris purchase.  I found the Fertilome product at BWI through our nursery license.  Wholesale, the product is appx. $10. 

Happy gardening.  Don’t give up on the irises.  They just need our help getting through the monsoon season to bloom for us in the spring. 


     


Did You Miss Us?

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For the last three weeks, a software glitch has prevented automatic notifications of The World of Irises blog. The coding error has been found and fixed and Monday you should have received notification about Bonnie Nichols’s blog on soft rot.

You may have missed several blogs with interesting information and good images. Just click on the link and it will take you to the blogs in questions.

Mike Unser’s blogs are always full of great images and the recent blog “The Beauty of Siberian Irises” is no exception.

Anna Cadd has been hybridizing Spurias for many years and her guest blog provides historical and current information about the important parent Wadi Zem Zem.

IRISES: The Bulletin of the AIS - Fall 2018 Edition

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By Andi Rivarola 

A warm welcome to those who are seeing IRISES, the Bulletin of The American Iris Society for the first time. If you are a member of The American Iris Society I hope you enjoy this new issue.

The Fall issue of the AIS Bulletin will be available for online viewing soon, and accessible via the Emembers section of the AIS website. The print copy has been mailed via the U.S. Post Office. On the cover this time, the Winner of the 2018 Dykes Medal, 'Haunted Heart,' by hybridizer Keith Keppel (R. 2010, TB). Congratulations!

Note: to access this area of the website you must have a current AIS Emembership. (AIS Emembership is separate from the normal AIS membership.) Please see the Electronic Membership Information area of the AIS website for more details.




Starting with beautiful pictures of all the 2018 Award Winners, on page 2 and 3, then it continues on pages, 58 and 59. 

AIS President, Gary White says goodbye, after three years at the helm, on pages 8 and 9.

The list of AIS 2018 Awards is on pages 10 though 16. 

Don't miss the invitation to submit an article for the AIS 2020 Centennial publications. Details are on page 17. AIS NEEDS YOU!

On pages 18 and 19 you will find detailed information about the 2019 AIS San Ramon Convention, and the registration form. 

Section Happenings are on pages 20 and 21, followed by dates of future AIS Conventions. 

On pages 22 and 23 beautiful images and article about International News, compiled by Bruce Filardi.

Interested in garden photography? Here's an article for you by Neil Hoghton, Ready for Your Close-up? on page 24.

Youth Views are on pages 25 through 27, compiled by Cheryl Deaton. 

Remembering Friends gives us details on the life of talented long time AIS-member Perry Dyer, on page 28. 

A detailed article that can't be missed, Coming to Terms with Arilbred Medians, by Tom Waters, on pages 30 through 38.

Scarlet Ayres, gives us information about New Mexico's The Big Dig, at the Mesilla Valley Iris Society, on pages 40 through 43.

And, lastly, having soil issues? Please read, Improving Your Garden Soil, by Wilbur Bluhm, on pages 44 through 47.


Not a member of The American Iris Society? Please see our website for information about becoming one: http://irises.org/

There's a lot more to see and read in this edition of IRISES, either in digital or print formats.

Happy Gardening!


French Irises and Their Hybridizers

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By/par Sylvain Ruaud

Our gardens abound in irises coming from the USA and Australia and soon they will be filled with varieties from Eastern Europe and even from Russia and Ukraine. I don't know if the world's gardeners know of the outstanding French varieties, but there is no shortage of them. And the quality of these French irises is not lacking as is demonstrated by the good results of the French hybridizers in European competitions in Florence, Munich, and Paris.

I have put together a list of varieties from French hybridizers. Although this is just a beginning and there are many more fine irises, this text contains varieties of many different colors and patterns. To keep the lists simple, I have chosen only twenty irises, mainly recent introductions, which cover the whole spectrum of colors you can find in France.

Let's start with the white. I propose a variety that seduced the judges of the competition FRANCIRIS© of 2005, as much for its perfect whiteness as for its remarkably drawn flowers. It is 'Gwennaden' (Madoré, 2001) (1). It is not an absolutely newest variety, but it always seems to me worthy to be included in this anthology.


In yellow I chose 'Macao' (Laporte, 2009) (2). Coming from the crossing 'Magic Kingdom' X 'Lorenzaccio De Medicis', it is a deep yellow with brown-scarred sepals, which gives it "peps". Bernard Laporte has obtained other interesting yellow irises, such as 'Féria de Nîmes' (2006) for example.


From yellow, let's go to brown. For this color, I hesitate between two very beautiful irises: the famous 'Lumière d'Automne' (L. Anfosso (3) for Eric Besse (2009) and 'Tabac Blond' (R. Cayeux, 2006) (4). The first had a complicated history because it was not registered when it was placed on the market and it was only after a very strong demand from collectors that the plant received registration. The second is nevertheless a fine example of the talent of Richard Cayeux.


Can we switch to orange? In this ungrateful color (in the irises, I specify) breeders from Britanny stand out clearly. Gérard Madoré first then Alain Chapelle (5) gave us very beautiful specimens, that's why I choose 'Baisers Dorés' (Chapelle, 2016), a flamboyant full-fledged orange, from 'Game Plan' X 'Leading Light'. It is a success.


'Terre de Feu' (Cayeux, 1997) is already 20 years old. It does not detract from its russet, red copper centered blue metallic; a color that we do not often find in the garden.

In the reds it is necessary to start with the magenta tone and in this case I succumb to my affection for 'Mamy Framboise' (V. Fur / B. Laporte, 2004). Not only it is an iris with bright colors, but it is also a plant without problem, which grows quickly and well.


In a more sustained tone, it is necessary to decide between the "old"'Rive Gauche Paris' and its younger 'Bouschet' (Laporte 2006). 'Rive Gauche' (obtained by Vivette Sazio in 1993) was registered under the name 'Rive Gauche Paris' by Laure Anfosso in 2012. It is a little slow to develop, but what color! It is in the pedigree of' Bouschet ', who inherited his rich clothes, but enjoys a faster growth.


In the numerous purple family, I designate 'Confiserie' (R. Cayeux, 2016). A little short on stalk, but richly colored, with a slightly rosy hue, very pleasant. His sibling 'Attirance' (2016), is not bad either, and looks like a twin!

Mauve is a delicious color, always associated with iris. One of his champions was Larry Gaulter. One of the most successful people here is Lawrence Ransom (6). His 'Marie Kalfayan' (1994), with an orange beard that gives her verve, deserves to be included in this list.


The same contrast between the beard and the rest of the flower is found in the light blue 'Princess Caroline of Monaco' (R. Cayeux, 1997). It is a plant which, for me, has all the qualities. I am not alone in thinking like that because it seems that it has received a great welcome all over the world.


I propose another iris by Richard Cayeux to illustrate the bright blue color. 'Grand Admiral' (1999). This large and beautiful flower has proven itself and seems to succeed everywhere. Descending from two of the most popular blues, 'Memphis Blue' and 'Sapphire Hills', this is a fine example of the wise use of inbreeding.

During the 18th century the amateurs hybridizers competed with one another about the black tulip. Today the black iris is almost the same challenge: nature does not know how to make black flowers naturally. Never mind, the most successful hybridizers have taken the case to the body and obtained flowers that now almost reach perfection. Among the recent French acquisitions, I have spotted two that have their place in this article. 'Penhir' (G. Madoré, unfortunately not registered) and 'Jais Moqueur' (A. Chapelle, 2016). But Bernard Laporte also had the happy hand with 'Dakar' (2009), enriched with spurs. Finally, in this difficult color, here we are with more pretenders than there is room!


Let's finish with the selfs talking about pink irises. There is plethora! After much hesitation, I selected 'Sensuelle' (Ransom, 1999) and 'Succès Fou' (Cayeux, 2000). The first shows a hint of orange, but this is not unpleasant and, like all the Lawrence Ransom varieties, it has an incomparable class. The second, contemporary of the previous, oscillates between the pink "flamingo" and the pink "coral". A delicious flower.


We are now talking about two-colored varieties. Starting with the many blue amoenas. I cannot decide between several particularly beautiful flowers: 'Barbe Noire' (R. Cayeux, 2012), 'Domino Noir' (R. Cayeux, 2012), and 'Princesse Laura' (Cancade, 2014) (7). Not only the flowers, with a sharp contrast, perfectly meet the criteria defining the amoenas, but also the plants themselves, make them indispensable to the iris garden.


In the amoenas, there are not only the blues, but we must not forget the roses or the yellows. However, if for the blues, make a choice was not difficult, the other colors have made my life more difficult. Not too much for the pink amoenas, category for which I designated 'Chateau d'Auvers sur Oise' (R. Cayeux, 2003) for its fresh colors where the pure white neighbors with a tone of pink apricot very sweet, with beautiful ripples. But yes for the yellows in whom I did not find anything exciting. 'Infusion Tilleul' (R. Cayeux, 2013) is not exactly on target, 'Cadran Lunaire' (J.C. Jacob, 2012) (8) will rather be ranked among the distallatas. I fell back on neighboring varieties, but very pretty: 'Ma Veronique' (R. Cayeux, 2013), where the yellow dominates, or 'Mireille Sanne' (Boulon, 2016) (9) where it is the white who takes over leaving yellow only the top of the sepals.


And reverse amoenas? This is not a subject that has inspired French hybrid breeders in recent years. I have selected two very successful varieties, which are in my own collection and whose vegetative qualities and harmony of colors I have been able to appreciate. They are 'Lune Bleue' (M. Bersillon, 1999) (10) in lavender blue on bluish white, and 'Somni' (R. Dejoux, 2008) (11), a subtle balance between petals of a very sweet primrose yellow and sepals very white.


On the side of variegated iris, we do not miss anything! I choose a very recent variety of a young hybridizer who must go far: Stéphane Boivin (12). He has made a name for himself at the last two FRANCIRIS© competitions and each of his flowers is attracting attention. This time I put forward 'Aime Bay' (2015). Coming from two "must", "Montmartre" and "Décadence", it is a modern variegata, in shades of beige and purple.

We return to a Richard Cayeux varieties for the category of two-color. 'Nelly Tardivier', (2012) has everything to please, especially a combination of original colors in fashion today. It's a variety that you must not miss!


The plicatas are part of my favorite irises. There is not only a purple plicata on a white background which we can say that they are introduced too often but an infinite number of variations. I prefer to put here a flower issued from the production of the late Lawrence Ransom, chic and rare: 'Ma Dulcinée' (2015). Impeccably coiffed, stitched, and veined with old lilac rose (as the official description says), it is a jewel for the garden. In a model often met in recent times in America, 'Fleur de Feu' (R. Cayeux, 2012) is not bad either.



Can we ignore the "broken color"? I do not think so, that's why I selected an original variety that grows well: 'Rose-Linda Vasquez' (2007) (13), created in the tiny garden of the hybridizer of the same name. This iris, which pleasantly mixes two shades of blue, is also an iris with spurs; he thus combines two very popular categories.


Appeared in the early 2000s, the new category called "distallata" quickly spread in our small world. Everyone wants to have its own. I thought to put to this catalog the obtaining of the young Sébastien Cancade 'Martingale' (2014) that the Anfosso family described in its catalog as "Warm white on purple veined and golden sepals around the orange beard, wavy and delicately perfumed. I add another version, more "soft", signed by Jean-Claude Jacob, 'Cadran Lunaire' (2012), but I do not yet know its horticultural qualities.


Let's end this inventory with the inevitable irises blue-white-red of the Cayeux's. In the long list of varieties of this kind, I propose 'Ruban Bleu' (J. Cayeux, 1997), last variety registered by Jean Cayeux, and admirable cultivar in all points.

Thus ends this collection of French irises, very representative of what our national hybridizers can offer. With these irises, you can be sure to build an exceptional iris garden. But do not forget that this is just a sampling, necessarily biased. There are many other remarkable varieties obtained in France during the last twenty years! And new hybridizers appear every year, among who we discover real talents.

(1)          Gérard Madoré was a French customs officer, who hybridized irises for a long time but who ceased this work now. Another hybridizer, Jean Claude Jacob, took back the plants and put them on the market.
(2)          Bernard Laporte, during another life, was a postman. Now he is one of the best French hybridizers and he markets his own varieties.
(3)          The Anfosso family is well known all the world round. During the 80's they hybridized excellent varieties; after a long interruption, they began again working with irises.
(4)          Who does not know the Cayeux family? Since the beginning of the twentieth century they hold a prominent place in the world of irises. Their last representative, Richard, is one of the best breeders in the world and his varieties are known everywhere and by all.
(5)          Alain Chapelle has only been interested in irises for about twenty years. His irises, often brightly colored, are very representative of the renewal of hybridization in France.
(6)          Lawrence Ransom died suddenly in 2016, of British origin but settled in France for about fifty years, is an original irisarian, eclectic, and creative. His irises are currently on sale by Roland Dejoux, President of French Iris Society.
(7)          Sébastien Cancade is a talented young hybridizer whose varieties are marketed by the company "Iris en Provence" of the Anfosso family.
(8)          Jean Claude Jacob also worked at La Poste before specializing in the hybridization of roses and irises of all categories. He markets his varieties himself.
(9)          Passionate about horticulture and particularly by irises, Jérôme Boulon makes crossings for his pleasure and that of his friends.
(10)        Michèle Bersillon was born in the USA. In France, she hybrids irises of a great delicacy of which some are on sale at Cayeux, but also at Stout's, in America.
(11)        Roland Dejoux is the current President of the French Society of Irises (SFIB). He markets his own irises.
(12)        Stéphane Boivin, an accountant, is passionate about iris and practices hybridization with great success. It is a great hope in this activity.
(13)        In her very little garden, Rose-Linda Vasquez manages to obtain interesting irises which she sells herself to a small number of connoisseurs.

Editor's Note: The World of Irises editors have been concerned that the blog reflect irises growing around the world. We would have been pleased to add a new blogger Sylvain Ruaud in any case, but are doubly please to have him writing from France. We look forward to hearing more from him about irises in Europe in future blogs. Sylvain has his own blog in French too. This is an experiment in one way--the text was machine translated and then edited and revised. For those reading the blog, if English is not your first language, we have added the translation feature to the blog. It can be found at the bottom of the left column.




Thank you Irisdom!

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The American Iris Society is very thankful for you, our worldwide membership and audience, and for all those who love irises. Without you we couldn't continue to focus on our mission, "to organize and disseminate knowledge of the genus Iris, while fostering its preservation, enjoyment and continued development.”

'Ink Patterns' by TB Thomas Johnson (R. 2007)

The AIS has many goals and objectives, and we need you to help us achieve them in the coming months and years, just as YOU have done before.

Thanks to YOU, here's an example of our achievements and current work:

~ We provide reliable information on irises of all types: including comprehensive information about the variables of growing irises in different terrains and climates, and that information is available to all for educational purposes.

~ We publish a beautiful quarterly bulletin that is so much pride to show our friends and family.

~ We encourage scientific studies that benefit the continuously expand our knowledge and understanding of iris plants.

~ We keep a very steady and informative online presence via our website, and social media channels, Facebook, Twitter, and the AIS Blog, World of Irises.

~ We've created the Iris Encyclopedia, and continue to maintain and expand it, where thousands upon thousands of new and old irises, articles, and publications are made available to everyone, in digital format.

~ We support our members organize and manage a yearly iris convention that exuberantly serves as inspiration to the hundreds of participants from around the country, and the world, who get to attend.

~ We support local iris clubs, regions and societies in the U.S., and we also cooperate with others in several other countries.

~ We've created the AIS Library located in Molalla, Oregon where thousands of iris-related materials are carefully organized, stored and maintained.

~ We continue to be the worldwide registrar for new irises; a job we have done for many decades. 

~ We strive to create iris programs, and encourage iris judges to educate others about growing irises in different climates and locations. 

~ And, lots more.

So, from the bottom of our hearts a big THANK YOU!

Lastly, we can only ask that if you have not become a member of The American Iris Society, please do. Your membership means a lot to us, it keeps us inspired to continue to work hard to achieve all the goals for our society, to expand, and to keep growing.

If you feel so inclined, your donation before the end of 2018 is also appreciated.

Andi Rivarola
1st VP, The American Iris Society

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What is in a name?    Lophiris - Crested Iris – Part One

When thinking about what I would write for this blog, it was before our main spring bloom season, just at a time when the sight of things to come was teasing us.  Many of our New Zealand iris lovers have these beautiful irises in their garden.  I am talking about the “butterfly iris” or more correctly Iris japonica and some of the different hybrids.

This iris is a native ofChina and Japan, a species in the genus Iris, it is also in the subgenus of Limniris and in the Lophiris section.  It is a rhizomatousperennial plant, with pale blue, lavender or white flowers with an orange or yellow crest. It is cultivated as an ornamental plant in temperate regions.

Often referred to as either a Crested Iris or an Evansia, and then there is Iris confusa. Confused, I sure am.  I quite like the term “butterfly iris” and look forward to any discussion relating to the correct naming.  This is one section of the iris world that I need to learn more about.


Iris confusa (?) in my garden

Actually, as I started my research on these irises, I was rather surprised to fine how many I have, so more research and understanding is required. 

The next one is a delightful clump of Iris confusa ‘Martyn Rix’, in my garden


Named for a UK plants man Martyn Rix, this iris gets bamboo-like stems to 2'-3' (80 – 95 cm) topped by fans of long green leaves from which the long flower stems emerge bearing a swarm of dark blue-violet flowers which are deeper coloured than typical for the species.

Another similar iris known as ‘Chengdu’, is often confused for the above iris.  Similar in size but slightly different in depth of colour.  Registered by Jean Witt in 1997, this Evansia SPEC grows to around 24” (61 cm).  Standards and style arms are light lavender, the falls slightly darker, signal white with medium lavender halo and a yellow crest.  Originally collected in 1980 by Jeanne Gardiner between Kanding, Tibet and Yaan, Sichuan, China around 3000’ elevation.


‘Chengdu’ in my garden, which was flowering in late September

Now to look at some of the hybrids created in New Zealand




Queen’s Grace, growing in my garden

Queen’s Grace is a cross between I. wattii X I. tectorum hybridized by Jean Stevens in 1955.  36" (91 cm), Standards are clear lavender-blue, the falls same flecked deeper at haft; multi-ridges crest on falls, cream-white flecked brown.

We still have a number of gardens with this growing in around New Zealand.






Question Mark

Registered in 1982 by Revie Harvey, this Evansia grown to 54-60” (137-152cm).  Smooth pale lilac, deeper toned fleck markings, bright gold crests, signal points radiate from crests, dark green foliage topping dark purple green canes.  It is of unknown parentage but probably I. wattii X Darjrrling or I. Confusa





Kilkivan

Registered by Mrs M Harvey in 1982, this Evansia grows to 54-60” (137-152 cm).  It is pale lavender with pale gold crest on white zone, numerous deep lavender signal markings, pale lavender style arms with fringed tips; deep green foliage topping medium green canes.  Parentage is an Ellis white sdlg. X Question Mark.





Part two we will continue to look at what I have growing in my garden, and others from around the country.


Reblooming Irises: An Autumn Feast

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By Virginia Spoon

Our garden in northern Virginia, zone 6, at an elevation of 1100 feet with alkaline soil, is almost a perfect location to grow bearded irises. In the autumn the colors of the reblooming irises blend with the leaves of the mountain maples, the black gums, persimmons and dogwoods.

Mountain Maples in the fall in our backyard.  Image by--Ginny Spoon

Reblooming SDBs, 'Eric Simpson' with 'Ray Jones' in background.  Image by --Ginny Spoon

As I am writing this article in mid October, the rebloomers are putting on quite a show along with the changing leaves. Our weeping cherry tree is changing color and the winterberries are starting to lose their leaves while our resident Mockingbird is tirelessly guarding his hoard.

The weeping cherry tree and winterberries at Winterberry Gardens. Image by --Ginny Spoon

Each day brings a new surprise while stalks appear as if by magic. I thought 'Lord of Rings' matched the changing leaves of the cherry tree so well. 

'Lord of Rings' (George Sutton 2003) reblooming in October at Winterberry--Image by-Ginny Spoon

It is so peaceful to wander around the garden and enjoy the sounds and colors  and even the smells of autumn. Our Katsura tree now smells like burnt brown sugar and somewhere nearby, someone is burning leaves. A customer called a few days ago and asked about fragrant irises that matched their color. I remembered a few, but I had some rebloomers open and I checked the fragrance of 'Persimmon Pie' and remembered why we named it that. Also, 'Mango Parfait' was reblooming and it smelled like a fresh mango.

'Mango Parfait' (Don Spoon) reblooming in October at Winterberry. Image by--Ginny Spoon

What would a fall garden be without the chrysanthemums? There are perennial mums that come  back every year and their colors blend in well with the rebloomers. Ours grow beside our entrance and I must remember to plant some among the irises next spring.

Perennial mums at Winterberry. Image by-Ginny Spoon

Rebloomer, 'Doubleday'(George Sutton 2001) Image by--Ginny Spoon

  Winterberry Gardens, our woods in autumn --image by Ginny Spoon

Enjoy the crisp fall weather and all of the sights, sounds and smells because ... Winter is coming.


Our resident Mockingbird guarding the winterberries in winter. Image--Ginny Spoon






                               

California Dreaming 4--Superstition Iris Garden

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By Bryce Williamson

Both Phil Williams and I woke up early Tuesday morning, knowing we had a long day ahead of us. The Best Western did provide a breakfast, saving us the time to go look for a place in Merced. And then it was on the road again for the drive up to Superstition Iris Garden in Cathey’s Valley.

On March 22, Superstition received 5.21" of rain with 3.25" of it coming in a one-hour long, vicious thunderstorm. There was a lot of damage in the local area with many bridges washed away. As a result, we could not take Old Highway into the garden, but had to use School House Road instead; however, before we went to the garden, I wanted to see the Detwiler Fire damage so we drove up to the bustling metropolis of Mariposa. Ironically last year’s fire has resulted in wonderful wildflower bloom this spring.

Because Superstition grown medians and arilbreds along with tall bearded, there was a lot to see in the garden. As always, Rick Tasco and Roger Duncan were gracious hosts, letting us first wander around in the named varieties rows before we walked the seedlings with Rick.


Rick Tasco and Roger Duncan

I was especially excited to see some fine arilbred irises:
'Dragon's Eye' (Tasco 2015)

'On the Web' Tasco 2018

'Glow of Love' Tasco

'Vivid Dream' Tasco2018

This is one of Rick's arilbred medians and the second arilbred median is his Warrior Prince:

'Lucky Dragon' Tasco 2018

'Warrior Prince' (Tasco 2015)

In the named tall bearded iris beds, I liked:

'Ayes Alert' (Burseen 2015)

'Brighton Beach' (M. Sutton 2017)

'Desert Paradise' (Dash 2017)

'Good Morning Beautiful' (Stanton 2012)

Then Rick and Roger walked us through the seedlings and some have been named since I wrote this blog; there was more TB bloom there since the plants had gone into the ground earlier:

Boundless Beauty' Tasco 2019

Tasco14.TB.05.01

Tasco 15.TB.05.09

The additional stock of Rick's 2018 introductions were also by the seedling beds:

'Ice Cream Sunday' Tasco 2018

'Secret Delight' Tasco 2018

'Spring Elegance' Tasco 2018

When we were ready to leave, Roger provided wonderful directions to John and Leslie Painter’s garden by Lake Barryessa. Those great directions saved at least a hour of time on that leg of the on the road trip.
 

Superstition has a printed catalogue and it can be obtained by sending $1.50 to Superstition Iris Garden, 2536 Old Highway, Cathey's Valley, California 95306 for a two year subscription. They can also be reached on Facebook or in email at randrcv@sti.net.


Clara B. Rees - Queen Mother of the Iris World

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by Jean Richter

While Clara B. Rees (together with her sister Ruth) introduced only 28 iris during her lifetime, she remains one of the most impactful American iris hybridizers, largely through her first introduction, the astounding iris breakthrough 'Snow Flurry' (C.B. Rees 1939).

'Snow Flurry' (C.B. Rees 1939) photo by Jean Richter

'Snow Flurry' was the result of a cross of the white iris 'Purissima' and pastel orchid pink 'Thais.' The resulting seed pod had only two seeds, one of which was shriveled and was discarded. The other produced a blue-white iris of unparalleled size and ruffling, held on large well-branched stalks. As I have related in a previous blog of Carl Salbach, Ms. Rees' sister Ruth cut several of its flowers, securing them with tissue paper in a shoebox, and made an all-day journey by train, ferry, and trolley all the way from San Jose to Salbach's home in the Berkeley hills. Upon seeing the magnificent flower Salbach was so amazed that, after seeing the plant in Rees' San Jose garden, he purchased her entire stock. He also kept a stalk in cold storage until the AIS convention in Oakland the following week - upon its presentation to the assembled irisarians there were audible gasps, and numerous orders of rhizomes were made. Its premiere into the iris world was so remarkable that an article on the subject appeared in the local newspaper.

'Snow Flurry's breeding potential was recognized immediately by hybridizer Orville Fay, who went on to create numerous award-winning 'Snow Flurry' progeny. Although producing no pollen, 'Snow Flurry' proved to be an excellent pod parent for many iris, passing down her most excellent traits. The photo below from the January 1968 AIS Bulletin shows Ms. Rees with a stalk of 'Snow Flurry' and a board showing its multitude of progeny.

Clara B. Rees and 'Snow Flurry' (January 1968 AIS Bulletin)

Clara B. Rees was born and lived her early life on a farm in Ohio. It was here that she learned her love of plants and flowers, and made her first hybridizing efforts with amaryllis. After her father passed away, she, her mother, and her sister Ruth moved to San Jose, California to be near her other sister Mildred (Mrs. Bert E. Loehr).


The Rees sisters. from left: Mildred, Ruth, and Clara (photo courtesy of Bryce Williamson)

Although Clara had a strong early interest in tulips, the San Jose climate made working with them impractical, and she began concentrating on iris instead. She and Ruth (who referred to herself as Clara's "Girl Friday" in iris matters) soon filled the garden of their San Jose home with many of the latest varieties of iris, as well as many other plants.


 Clara B. Rees in her garden  (photo courtesy of Bryce Williamson)

Clara raised 600 to 1000 seedlings per year, but was very selective in what she chose for introduction. She introduced a number of 'Snow Flurry' progeny herself, including the yellow-tinged white iris 'Easter Sunrise' registered in 1944.

'Easter Sunrise' C.B. Rees, registered 1944  (photo by Bluebird Haven Iris Garden)

'Easter Sunrise' was the parent of the lovely yellow 'Sarah Lester,' a joint introduction of Clara and Ruth.


 'Sarah Lester' (C.B. and R. Rees, registered 1949)  (photo by Mikey Lango)

The red-purple 'Fire Flurry' is another child of 'Snow Flurry.'

'Fire Flurry' (C.B. Rees 1957) photo from Historic Iris Preservation Society

Clara even produced an arilbred iris from 'Snow Flurry,''Flurry Mohr' whose pollen parent was the important arilbred iris 'Capitola.'

'Flurry Mohr' by C.B. Rees, registered 1949 (photo by Bluebird Haven Iris Garden)

Late in her life Ms. Rees produced a number of large, ruffled introductions, such as 'Light and Lovely' (C.B. Rees 1966).

'Light and Lovely' (C.B. Rees 1966)   photo by Larry Harder

'Touch of Elegance' (C.B. Rees 1962) has a tangerine beard as its focal point.

'Touch of Elegance' (C.B. Rees 1962)   photo by Rosalie Figge

'Waltzing' (C.B. Rees 1969) shows remarkable form and ruffling for its time.

'Waltzing' (C.B. Rees 1969)   photo by Larry Harder

Clara B. Rees received numerous honors in her lifetime. She received the AIS Hybridizer's Medal in 1967, and the AIS named their annual award for best white iris the Clara B. Rees Cup. In 1957 a group of irisarians in the San Jose area organized the Clara B. Rees Iris Society, a club that is still active today.

Clara B. Rees passed away in 1970 at the age of 90. Wherever iris are grown, Clara B. Rees and 'Snow Flurry' will be remembered.
Distinguished irisarians at a Region 14 spring meeting in San Jose admiring a clump of 'Snow Flurry'. Front row from left: Roy Oliphant, Bernice Roe, Melba Hamblen, and Clara B. Rees. Back row from left: Larry Gaulter, Harry Randall, and Robert Carney.   Photo courtesy of Bryce Williamson.

Borderline Cases

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by Tom Waters

There are three classes of median irises that span the interval between the standard dwarf bearded (SDB) and tall bearded (TB) classes. The intermediate bearded (IB) are mostly the result of crossing TBs with SDBs, leading to plants intermediate between the two, both in height and in bloom season. The miniature tall bearded (MTB) come from varied backgrounds, but must meet exacting standards of delicacy in height, flower size, and stalk proportions. The final class, the border bearded (BB) are derived almost exclusively from the TBs, but with height less than the 70 cm (27.5 inches) that is the boundary between the BB and TB classes.

The BB class is unusual in that it has no real “center of gravity” of its own; rather it represents the smaller “tail end” of the TB class. Many BBs are registered at a height of 27 inches, just barely below the upper limit of the class, and are hard to distinguish in practice from TBs at the lower end of the TB height range. One might ask if there is really a need to place such irises in a separate class.

Proponents of BBs have long had a vision of the class that sets it apart from the TB class. An ideal BB is not just a TB that is an inch or two shorter; rather, an ideal BB is a reduced TB in all its dimensions and proportions, including foliage, branching, flower size and form. While it is not intended that they be as delicate as MTBs, they ought to be “halfway there”, as it were – they should be esthetically medians, instantly distinguishable as diminutive and elegant irises in their own right. Part of their value comes from being useful in garden design in situations where TBs would be out of scale or overwhelming. They should be more about charm than grandeur.

'Brown Lasso' (Buckles by Niswonger, 1975),
BB (22 inches), American Dykes Medal, 1981
Some of the best median hybridizers have pursued this ideal with great care, selecting plants for introduction that are modestly proportioned, perky, and might more easily be mistaken for IBs or MTBs than for TBs. Early BBs like ‘Frenchi’ (B. Jones, 1959) and ‘Tulare’ (M. Hamblen, 1961) were exemplars of this ideal in their time, as was ‘Brown Lasso’ (Buckles by Niswonger, 1975) which was the only BB to win the American Dykes Medal. ‘Cranapple’(Aitken, 1995) is a worthy example of more recent vintage.

 This is difficult work, and not always appreciated; many people buy BBs just as they do TBs, by looking at the catalog “glamor photos” of single blooms and choosing exciting colors and patterns, with little attention to plant proportions or esthetics. A large, blousy iris with the latest TB color pattern that does not meet the BB ideal may sell more than a carefully selected, lightly ruffled, charming BB in an unexceptional yellow, violet, or white.

One might argue that this doesn’t matter in the big picture of things. People like what they like, and if they enjoy an iris, who cares about its failure to meet some elitist ideal?  On a case-by-case basis, I think that is a valid perspective. Where it becomes problematic is when the notion of the class becomes so blurred that it ceases to convey anything clear to gardeners, and those seeking smaller, well-proportioned medians can’t trust the BB designation as meaningful.

'Oops' (Jim and Vicki Craig, 2003),
a BB from tetraploid MTB breeding
We all have a role to play in maintaining the distinctiveness of the BB class. Hybridizers can work more with lines that are intentionally devised to produce BBs, rather than taking most of their BB introductions from crosses intended to produce TBs. Tetraploid MTBs and smaller bearded species can be used to “tame” the TB genes and keep plants in scale.

Judges must strive to be more scrupulous in maintaining the standards of the BB class. Alas, color novelty and hybridizer reputation often bias judges away from a more sober consideration of shape and proportion.

Finally, buyers can reward hybridizers who keep the BB ideal in mind. Best of all is to buy BBs you have seen growing in a garden, and which you know to be consistently diminutive and in proportion. If you do buy “sight unseen” (as I often do), give preference to BBs registered in the 20-24 inch range, rather than 26 or 27 inches, as so many are. I also check pedigrees, looking for a preponderance of BBs, MTBs, or SPX irises in the background of a new BB. Finally, even a single-bloom photo can convey information about the scale of the plant, if you know what to look for. A bloom that is perky, flared, and not too ruffled is more likely to be in scale than one that is more flamboyant but not so flaring.

I have chosen not to use this blog post to give examples of modern BBs that I think are particularly fine or particularly poor examples of the class ideals; that is for each person to decide for themselves.

The BB class need not be just a spillover for short TB seedlings; it has much to offer the discerning gardener. Wonderful irises come in all sizes!

If you found this post interesting, please check back in January, when noted hybridizer Kevin Vaughn offers his reflections on the history of the BB class and promising avenues for its future development.

From a Painful Past Beautiful Irises Thrive

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By Sabrina Penteriani

In the garden Le Iris di Trebecco, in the village of Credaro, Cristina Mostosi overcame the pain of her sister's violent disappearance 17 years ago.

Beauty is everywhere, all you need is your eyes to see it, and according to Dostoevsky [it] "will save the world". It can even be cultivated, as Cristina Mostosi does in her garden, Le iris di Trebecco, in Credaro, [near Bergamo, Italy] taking care of the flowers of her father Luigi — it is a demanding and tiring but powerful job, because over time she has treated the deepest wounds of the heart, making grief sprout, turning it into something different. The irises are gentle and fragile looking flowers, they are found many in the meadows, along the streams, and on the riverbeds. Not everyone knows, however, how tenacious and robust they are. There was a time when the peasants had sown them on the steep ground, because their thick rhizomes made a natural fence.





At the beginning

For the Mostosi family irises played an even more important role. In difficult years they have served as a barrier in the despair and void left by young Paola, the "little one," daughter and sister, barbarically killed seventeen years prior, when she was only 23. "A splendid girl," Cristina remembers, "intelligent, full of life."

The iris garden is in the country house, a small and cozy space set in a medieval castle. When the Mostosi family bought it, beneath its windows it layed, rugged, uncultivated, full of weeds, but still fascinating, well exposed to the sun, with a priceless view of the Oglio River and the Castle of the Count Calepio. "The idea of ​​the iris was my mother's,"  says Cristina. "Originally from Grumello, she remembered that the peasants planted them in the ditches because the rhizomes in time formed real dams and also compacted the ground."





The iris dedicated to Bergamo


That house is full of happy memories: Cristina and her brothers spent carefree summers of their childhood together, running through meadows and woods and bathing in the river. "Here the soul of my family is preserved. I still remember when we planted the first irises, of the most common type, which they call "Germanic". Over time, on their travels, my parents discovered other species, other stories related to these irises. My father was very passionate about gardening, he followed a hybridization course, he learned to create new species and colors for himself. He dedicated an iris, red and yellow, to the city of Bergamo. He also managed to obtain a particular shade of red, a very rare color for iris, and in 2004 he won a prize from the Italian Iris Society's Florence Competition. He was in close contact with other hybridizers throughout Europe. This passion supported him in the years that followed the death of my sister. Faced with such a great pain, impossible to express and overcome, one must still cling to something beautiful. My father really believed in it; he was a creator of beauty, and it helped him to survive, to get away from the horrors of the world and to find peace again. Every morning at 5:00 a.m., he was already in his garden. He considered it an open-air laboratory, his shelter, and then he returned home to Torre Boldone, at 7:30 a.m., just in time to be next to my mother when she got up. My mother, instead never managed to overcome her daughter's loss, and went from one exhaustion to another; nobody was able to console her, and she took refuge in a world of her own, where she remained until her death."



Paola's void

The life of the Mostosi family was hit hard by the murder of Paola, and everyone reacted differently. Cristina, who at the time had two young children, after a short time separated from her husband: "Such a great tragedy leads one to question one's own life. This can strengthen a relationship or hurt it by exposing its fragility. I rolled up my sleeves and went ahead." In the past, Cristina did not spend much time in the garden: "Sometimes I helped my father, with love but without a particular desire to do so. But, he knew me well, and he knew how he had chosen a positive activity for me." 




When Luigi died a few years ago, he chose, in fact, to entrust Cristina with the care of the iris garden: "It happened suddenly," she explains about his death, "from a heart attack; I stayed for a long time wondering what to do, saddened and lost. I enjoyed the bloom season, then left Castello Trebecco for a few months because I had to mourn — my father was my rock, my safe harbor, and now he was gone. By that time, my brother had lived in Monte Carlo with his family for over twenty years, so suddenly, without my father I felt really lonely. When I came back to Castello Tebecco the garden seemed like a deserted, abandoned place. I realized that as his age progressed, my father had neglected the maintenance work and so a radical garden restructuring was necessary. I called several gardeners, but no one wanted to accept the task, because it was a task too tiring, on a steep slope, with many steps to do. I understood that I would have to deal with it alone. I did not know enough, so I started studying, creating a small library. I realized that taking care of a garden does not only mean keeping the plants alive but also nourishing the garden's character and spirit." 

Cristina decided to keep the footprint her father Luigi had established: "I cleaned up the paths he had traced, I rebuilt the dry stone walls that supported the terraces and steps with the same material he had chosen. What I have chosen, volcanic tuff, comes from Tuscany, it is natural, it camouflages a lot, you almost do not see it, it gives the whole path a pleasant, harmonious look."



The bricks, however, are heavy: "It was a huge job, and I have yet to finish it. Fortunately, I had my friends and family with me. An incredible chain of solidarity has been activated. My cousins ​​helped me above all, and the company has become an opportunity to get together, keep in touch, do something together. Thus our bond strengthened."





The iris garden transformed Cristina's life: "I changed my life rhythms to follow those of nature. I earn a living working in a bank, so I live in the city, but for some years I obtained a part-time job that allows me to move to Castello Trebecco from Thursday to Sunday and get my hands on the ground. I get scars from the work, my skin gets cuts, I wear the marks of this work on my skin, but it gives me a lot of satisfaction. Every April I open the garden to the public, offering guided tours; and I started to participate in some trade fairs, like Orticola in Milan, an important and beautiful experience. I'm only at the beginning of this process but I've already had visitors from many parts of Italy, and even from abroad. Now my children Giulia and Fabio attend university and live in Milan, which means that I have more time available, and I dedicate it all to gardening. I am gradually discovering new possibilities. I have created new relationships with cultural associations, and tourist organizations in the area."




Important encounters


Thanks to meeting Mariagrazia Dammicco, president of the Wigwam Club Historical Gardens of Venice, Cristina participated for two years at the Festival of the Gardens of the Serenissima, where she brought her irises. On one occasion she met Luciano Cecchetti, curator of the Vatican Gardens and Castel Gandolfo, who transmitted the most important requirements for a good gardener: fertile soil, strong hands and a lot of patience. "His advice has helped me to revive the garden, trying to give it a personal touch, putting the emphasis on beauty and wellness, pushing me to enrich it with all that makes me feel good. Then, the garden has revived me, offering me new perspectives, unexpected thoughts and opportunities."




New ideas

Cristina never stands still: she organizes lectures, meetings, workshops of botanical and traditional watercolor in the open among the Iris of Trebecco, she lectures at school. "I talk to students about the care of plants as a way to take care of themselves, to reappropriate personal traditions and habits that are often lost by living in the city, where it is difficult to notice even the passing of time and the seasons."


The garden of Castel Trebecco is fertile, because it generates beauty in many ways, stable, thanks to its flowers, and symbolic: "I continue to generate ideas, for example I am thinking of starting some collaborations with community associations. I would like my garden to become a beneficial source not only for me but also for others."




The ground that — almost  collapsed


And to think that all began with the need to contain a land that was in danger of collapsing: "In Greek mythology iris is the name of the messenger of the gods, a winged girl who rides the rainbow. My flowers are sturdy, resistant and rustic, and at the same time spread delicacy and charm with their appearance, bright colors, and their beautiful scent. I tried to recover all the species of my father's, and in the future I would like to follow a hybridization course and maybe an internship in Holland or France. For now it is only a dream. I will realize it when I retire and I can devote myself to irises fulltime. The garden has changed my horizon, it has taught me that I need very little, it has brought me back to the essential, to what gives meaning to life."




[Editor's Note: Posted with permission. Originally published on Sunday, November 28, 2018 on L'ECO DI BERGAMO, which coincided with The United Nations General Assembly's  designation of November 25 as the International Day for the Elimination of Violence Against Women. Translated by Andi Rivarola]

The original Italian post on L'eco di Bergamo: https://goo.gl/BBrYHB

Le Iris di Trebecco on Instagram: @leirisditrebecco

Giardino Le Iris di Trebecco Facebook Page: https://goo.gl/YxynGR

2018's Top Blog Posts

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2018 In Review

The last year was an important one for The World of Irises. In late October, our number of views passed one million, a significant milestone. During the year, we have had posts of all types of irises. It is useful to look back and note the most viewed The World of Irises posts. Here are the top ten for 2018.

If you missed any of these blog posts, just click on the title and it will load the article for you.

The most viewed post of the years was "Talking Irises" - THE 2018 TALL BEARDED IRIS BLOOM SEASON: A SPECTACULAR SHOW! By Susanne Holland Spicker. This was a guest post and we miss Susanne’s colorful articles as she had been on a sabbatical from writing.

Image by Susanne Holland Spicker


That post was followed by “Photo Essay: A Visit to Schreiner's Iris Gardens” By Mike Unser.

Next was Tom Waters’s important post about the complicated issues of fertilizing:  “Fertilizing Irises.” This post lead to many serious discussions and some of us have changed our gardening habits based on its information.

Tom Walter’s post about fertilizing was followed in views by Keith Keppel’s “New Color Combinations in Plicatas, part 2."

Bryce Williamson’s post about the new and yet unnamed iris species was next: "New Iris Species Azure Blue."

Next in line was Ginny Spoon's post about East Coast reblooming irises:"Reblooming Iris: A Love Affair." 

That was followed by Chad Harris’s article “Iris Ensata,Iris Laevigata, and Pseudota in Containers.”

And rounding out the top ten viewed posts of 2018 was Keith Keppel’s part 1 of “New Color Combinations In Plicatas.”




Diversity of Color in Louisiana Irises - Red Irises

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by Ron Killingsworth

"The name Iris is derived from a Greek word meaning "rainbow" and is a fitting name for this beautiful family of flowers." (The Louisiana Iris - The History and Culture of Five Native American Species and their Hybrids, an official publication of the Society for Louisiana Irises.)

The pigments of the iris petals create the brilliant colors of irises.  There are many articles and books written on this subject, so feel free to "google" it and learn as much as you desire.  Our discussion today is simply about the wide range of colors to be found in this group of irises.

The color range of Louisiana irises had been greatly expanded by more than 75 years of hybridizing.

In other postings we have looked at other colors of Louisiana irises, in our search to study the diversity of color found in irises.  Now I want to start this discussion with the Louisiana irises that are red or somewhat red.  Color is a big subject and from reading the descriptions of irises in various registration documents, it is easy to see that not everyone describes one color the same as someone else.  Therefore, if some of the irises shown below are not what you consider red, then just remember that someone else thought it is indeed red!

'Acadian' by S. Conger 1956, is actually registered as rose color.

'Amber Goddess' by Charles Arny 1963, is registered as amber.  Irises from this period provided the colors needed to expand the diversity of color in Louisiana irises.

'Boiled Crawfish' by R. Guidry, 2016, is registered as red and although it is relatively new,
still has the old flower form like the Sidney Conger iris above.

'Captain Bill'by Sidney Conger, 1956, registered as red (Corinthian red) stands with mauve rose falls.

'Chacahoula Fire' by Rusty McSparrin, 2005, registered as orange red but there is much more going on in this iris.
Notice the signals are bordered in red. The pod parent was 'Cajun Caper' by MacMilliam in 1975, a violet iris.

'Cherry Cup' by R. Morgan, 1988, is registered as "full red".  This picture is really of two irises, one immediately above the one below.  Both parents are registered as red.

'Coral Island' by Peter Jackson of Australia, 2017, registered as "coral pink.  What a beauty.  Such "eye catching" signals and style arms. The pod parent is orange and the pollen parent is "ruby red".

'Exquisite Idea' by Heather Pryor of Australia, 2006, registered as "stands lemon, falls golden yellow" but I see some red in this iris, do you?  Also lots of other colors.  It is certainly "eye catching".

'Extra Dazzle' by Heather Pryor 2003, registered as "dark cyclamen rose".  The registration picture shows more green in the signals, and the next picture, shown below, does show more green in the signals.  I do not know if this bloom is older or newer than the one below.

'Extra Dazzle' - a love irises that have an "appropriate" name and this one certainly has extra dazzle.  There are not a lot of Louisiana irises with the signal on all petals.

'Fiesta Gal' by Charles Army, 1987, registered as "blood red". This iris was not used much by hybridizers,
I found only one other with his as the pod parent and none with the pollen parent.

'Fire Alarm'by Caroline Dormon in 1951.  Registered as "carmine self". See 'Wheelhorse' below for a similar iris.

'Flaming Hot' by Ron Betzer in 2016, registered as "stands red-orange and falls red-orange".  If you have access to the iris registration information, look up the parentage of this iris!

'Flash Harry' by Penny Davis of Australia in 2008.  The registration picture looks quite a bit different and talks about "red flush" and "wine red".

'Fringed Gold' by D. L. Shepard in 1992.  I am often asked to name my "favorite" iris and this one is always in the list of twenty to thirty "favorites".  It is registered as "brick red".

'Gladiator's Gift'by John Taylor of Australia in 1990.  Registered as "greyed red".  Looks red to me.

iris.nelsonii - one of the species of Louisiana irises

'Kerry Lynette Douglas' by D. R. Grieves of Australia 2007.  Registered as "greyed red" and "rusty red".

'News Brief' by Henry Rowlan 1982, registered as "red" and "chrysanthemum crimson".  More red here than the registration picture. 

'Our Friend Harry' by Ron Killingsworth, 2011.  I had to include at least one of mine, right?  Registered as "maroon" but I do not know why -- most men do basic colors and I would have thought I registered this as "red".

'Pointe Aux Chenes' by Joseph Musacchia in 2005.  OK, this one is not red but I like it and so here it is!  It is registered as "peach" but I see a lot of red in it.  The picture below is same iris, different view.

'Pointe Aux Chenes' -- look down into the area in the middle of the style arms and see if you think it has some red. Pointe Aux Chenes is, among other things, a wildlife management area in south Louisiana.

'Professor Neil'by Joseph Mertzweiller 1990.  As mentioned above, the tetraploid Louisiana irises, many of them anyway, came from Joe Mertzweiller's work with tetraploids many years back.  'Wheelhorse', described below, was included in the pod parent.

I do not know the name of this iris or where I found it.  We call them "surprises" around here and they pop up from time to time.  Could be a seedling, could simply be a named iris that has lot its identity.  I think it is pretty and red.

'Wheelhorse' by Caroline Dormon, 1952, registered as "rose bitone".  I found 14 irises with this as the pod parent and 24 with this as the pollen parent.  Still a show winner and was one of the irises treated with colchicine by Joseph Mertzweiller in his development of the the tetraploids Louisiana irises, many of which he named for his professor friends, such as 'Professor Marta Marie' (J. Mertzweiller, 1990) and many of them are "redish" in color.

To learn more about Louisiana irises, visit here. To learn more about all irises, visit the American Iris Society.

Next time we will look at yellow Louisiana irises.


Irises as Part of the Perennial Border

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By Kevin Vaughn

I grew up in Massachusetts in the AIS of the 60’s and when we went on tours the iris were not grown like a corn field but rather as a part of a garden picture. 
'Cup Race' was one of the famous irises to come out of the Stedman Buttrick garden.
Image courtesy of Schreiner's Iris Gardens.
Some of these gardens were impressive beyond words.  Leola Fraim’s, Miriam Corey’s and Stedman Buttrick’s gardens were amazing collections of irises but housed with an equally impressive array of other perennials.  Almost every garden had three perennials that bloomed essentially along with the irises. Peonies, in shades of rose and pink, were used to complement the abundant blues of the irises, and were especially effective against clumps of blue Siberian irises.  The peonies were large enough that they could almost be used as shrubs in these borders.  Oriental poppies were very much the rage in that era. The Fischer Oriental poppies brought to the public a range of colors and forms that had not been seen previously.   Clean pinks, whites, and raspberry shades were now in the palette of colors available to the gardener in addition to the more vibrant (and less easy to use in landscaping) oranges and reds.   When the Countess von Stein Zeppelin visited from Germany, she was so impressed that she negotiated with Mr. Fischer for seeds and plants of hers so that she could develop her own strain for European gardeners. In Massachusetts, lupines were almost weeds (in fact they have naturalized in places in Maine) and the Russell strain offered clear colors and much better density of the flowers on the heads than in previous strains.  One plant that was popular in Massachusetts at that time was the gas plant (Dictamnus).  Mrs. Corey had actually crossed the dark rose and white strains and had several unusual shades of white veined pink and clear pink.  These are very solid plants. One of the fond memories of my youth in Massachusetts was blooming a seedling from Mrs. Corey’s strain and also lighting the gas with a match.  Odd that you don’t see them more used today.

Besides what we were observing at iris peak almost every one of these gardens featured daffodils and other spring bulbs, daylilies and towards the shadier portions, hosta.  In many cases, these “other companion plants” became interests of their owners too and almost everyone dabbed a little pollen from one of these groups as well as the iris.  Consequently, the collections of these plants were also state of the art.  A visit to these gardens even before or after iris peak was still a treat.

All of these yards had another component that most of us don’t think of as part of the garden: beautiful pristine lawns that bordered every bed.  Lawns are like the frame on the picture. They offer a refreshing green that cools the effect of the garden and sets off all the plantings.   In the Buttrick garden, these lawns flowed gently down to the banks of the scenic Concord River.

Polly Bishop, who was my mentor, had a lovely perennial garden, although not on the scale of the bigger gardens in Region 1.  She had crossed pansies with Johnny jump-ups to create a strain of hardy hybrids that self-sowed and blanketed the irises and bloomed throughout the year.  These were shallow-rooted plants and provided a living mulch around the bearded irises in the winter. In Polly’s garden, hardy succulents such a sedums and hens-and-chickens, were used to highlight the beds as well as many other rock garden type plants. These plants liked the same sharp-drained soil conditions as the bearded irises and added interest in both foliage and in flower.

Admittedly, that it is MUCH easier to manage irises in rows in terms of cultivation.  You can’t run a rototiller through a perennial border!  One only has to look at the magnificent display gardens at Schreiner’s here in Salem Oregon to see how effective irises can be as part of a much bigger picture.  I’m talking to myself somewhat here too.  Although I don’t do corn rows, I do use raised beds chiefly of bearded irises.  The spurias and Siberians are much more integrated into the borders and the Pacific Coast Natives are incorporated into the shade borders.  Now to work on those bearded beds Kevin!


Greetings from Down Under

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By Melissa and Bailey Schiller

Today marks the day that we publish our first post for the American Iris Society blog. We would like to thank the editors for offering us this opportunity to be part of the blogging team all the way from Down Under!

Smokin Heights Spring 2016
We are Melissa and Bailey Schiller, mother and son owners of Smokin Heights Nursery. We specialise in bearded iris, with a further interest in hybridizing novelties. Melissa started collecting iris about 25 years ago after acquiring 5 iris from her grandmother. The iris virus soon took a hold and it became an obsession for Melissa. She soon discovered Tempo Two Nursery and started to increase her collection.  Every Spring she would open the garden to the public and offer excess varieties for sale.

Barry, Lesley and Heidi Blyth soon became mentors to what Melissa wanted to grow and use in her own garden and to achieve in her hybridizing goals.

Bailey at the age of 13 watched on while Melissa dabbled in the iris field with replant and hybridizing, and just like that Bailey took the tweezers from Melissa’s hand and started doing his own crosses.

Bailey and Barry Blyth back in  Spring 2013 at Tempo Two
The Spring of 2013 Barry invited us to Tempo Two. This was a quick day trip with a bored dad and husband in tow. We remember being so overwhelmed with the view in front of us. Being allowed into Barry’s seedling field was a soul fulfilling experience…..frantically we rushed around doing so many crosses with the little time we had. On this our first trip Barry spent only a little time with us as the Barn was open with people everywhere. Barry, Lesley and Heidi were flat out. We even met Tim Blyth this day too near the end of our visit. This is where Bailey and his photographic memory was first recognized. A very useful tool but can get annoying when he gets going. Bailey has the ability to read the pedigree of iris and remember it, as well as where it is positioned in the garden. A very useful tool for everyone who spends time with him in the iris field! This visit we met with Roland Dejoux and also Kirk Hansen.

In the spring of 2014 we were invited again to Tempo Two. We spent several extremely busy days hybridizing and spending special time with Barry, Lesley and Heidi Blyth. We were also privileged to meet and begin our friendship with Thomas Johnson and Kirk Hansen. WOW.

Thomas Johnson and Bailey in Spring 2014 at Tempo Two
This particular year Barry spent a lot of time with Bailey discussing the iris with a focal point on genetics. Over the next few months any questions that Bailey had he would email Barry. Barry and Bailey discussed everything iris related. Seedling pictures were exchanged and more discussion ensued. Bailey would offer ideas to Barry and vice versa. I think Barry got the idea pretty quickly that Bailey’s style of hybridizing was much like his own. Have a go with this to that and who knows what you will get! This rule of thumb applies to the Blyth genetics where Barry’s lines are criss crossed and then crossed together. Does that make sense?

The mentoring continues to this day but now has branched out to include Thomas Johnson, Paul Black, and Keith Keppel. We love the frivolity and guidance we receive from these gentlemen in the iris field.

We would like to finish off the blog with a couple seedlings and just a brief overview of our hybridising goals which will be continued in our next installment.



F74-1: (Chaos Theory X Fiasco)
Bailey is a lover of all things weird and whacky, and this shows in his hybridising. With a particular focus and interest in breeding novelties. F74-1 (pictured above) was his favourite seedling to have its maiden bloom in Spring 2018. Coming from two 6-falled (flat) parents is this consistently flat iris. Bailey has been working on flat iris for a few years now and this is the best to bloom thus far.


F50-4: (Blyth A117-1: involved pedigree X Boston Cream)
If you look closely at the photo of  F50-4 you will notice some white colour breaks on the falls. Very interesting to see the plicata pattern and broken colour pattern in the same bloom, neither one dominating the other. We definitely plan on exploring this further!

In our next blog we will delve deeper into our hybridizing and show everyone what we have been working on and where we would like to go with our breeding lines.


Editors' Note: Barry Blyth, along with Graeme Grosvenor and John Taylor, are the best known to the rest of the world of the Australian iris hybridizers. For many years, Mr. Blyth operated Tempo Two, but two years ago, he retired. His introductions are now listed at Mid America Gardens in Salem, Oregon. Thomas Johnson and Kirk Hansen run the business. Please note that we leave UK spelling of English words alone.







A View from Russia of Gypsy Lord and Children

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I am glad to welcome all fans of irises! My name is Sergey Stroganov, and I live in the South of Russia (USDA zone 6B). In our country, there are a lot of fans of beautiful flowers, and many of these gardens grow bearded irises. The most popular iris in those gardens is tall bearded, which are grown from 3 to 8 zones. Here and in my garden I grow mostly tall bearded irises. I am very grateful for the kind offer to blog, and my first photo post I want to devote to all known variety of iris 'Gypsy Lord' and varieties obtained with his participation, which are more than 90 (in our I garden grow some of them).

So- 'Gypsy Lord' (Keith Keppel, 2005) - a posh iris, winner of honorary reviews and medals - Honorable Mention 2008; Franklin Cook Cup 2008; Award of Merit 2010; Wister Medal 2015, American Dykes Medal 2015! Conspicuous long bright beard, contrasting falls, good shape and branching and great growth. In the spring, before budding, thanks to its advanced growth of green mass it is pleasing to the eye.






Now presenting irises with Gypsy Lord as a parent.

Largely inherited the qualities of a parent - 'Brilliant Idea', Keith Keppel, 2008 (Parentage: Gypsy Lord X 02-185D: (Restless Heart x Queen's Circle)): the same long beard, only orange; shaded edge on the falls and abundant and powerful growth:






Iris  Giorgio’ Paul Black, 2013 (Parentage: Kiss of Passion X Gypsy Lord) – excellent shape, contrast and good growth:   


  
Iris 'Royal Orders' Barry Blyth, 2008 (Parentage: Gypsy Lord X Decadence) – a direct descendant of two legendary masterpieces:   





                
A very effective amoena with contrasting beards, 'Snaparazzi' Barry Blyth, 2011 (Parentage: Legerdemain X Gypsy Lord):






Dramatic neglecta with contrasting beards: 'Honourable Lord’ Barry Blyth, 2009  (Parentage: Legerdemain X Gypsy Lord):



The next sample of beauty is the neglecta 'Big Spender' Barry Blyth, 2014 (Parentage: Gypsy Lord X Keppel 04-71D: (98-181E, Naughty Nights sib, x Decadence), wide, very ruffled flower with a deep, rich color:




Iris 'Girls Got Rhythm', Barry Blyth, 2013 with a long parent list (Parentage: Gypsy Lord X Keppel 05-114A: (01-99A: (96-28B, Mysterious Ways sib, x 98-122A: (Shoop 91-26: (Summer Fashion x Coming up Roses) x Lotus Land)) x Decadence)). As you can see, Gypsy Lord was good as a parent plant and as a parent.



A contrasting iris with gold edging on the standards, looking very rich  is 'King's Reign’ Thomas Johnson, 2015 (Parentage: Gypsy Lord X Edge of Heaven):




Next, I would like to Supplement my post with some wonderful photos of other Russian collectors in order to further expand the picture of the ideas about irises that came from the Gypsy Lord.

Frequently requested variety - 'Colour Bazaar' Barry Blyth, 2012 (Parentage: Gypsy Lord X Carnival Capers); the color of the flower resembles the color of a tropical butterfly! Photo by Victoria Myrova in her garden:  
  


Iris 'Paris Memory' Barry Blyth,2013 (Parentage: Let's Romp X Gypsy Lord). Photo by Victoria Myrova in her garden:



Repeatedly attracting the eye iris – ‘Tango Express’ Barry Blyth, 2010   (Parentage: Gypsy Lord X Keppel 02-177XY: (Brave Face x Parisian Dawn):




And, finally, one of the varieties of the Russian hybridizer – 'Kozyrny Tuz'Olga Riabykh, 2011. Bright, memorable, good and abundant growth.



Photo by Nadezhda Zotova in her garden. All other images by the author.







Gifting SPCNI (or any organization)—with Longevity

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Kathleen Sayce

Longevity for plant-interest societies like Society for Pacific Coast Native Irises and other sections of AIS comes from the dedication of individual members. Every person who takes on an aspect of management or activities carries that part of the organization forward. We are looking for new ideas, new approaches, and of course, interested members, to help carry SPCNI and other iris societies that are part of AIS forward into the 21st century. SPCNI will be 50 years old in 2022, and we’d very much like to see it thriving. 

Eager photographers at Rancho Santa Ana, 2012, looking at I. munzii x  plants, first studied by Dr. Lee Lenz, mid 20th century. 

In each paragraph below I comment on some aspect of running an organization that is foundering. I would like to hear from readers about each aspect, and I know other sections of AIS feel the same. Share your ideas!

Interest in Irises: A tall bearded iris is the first flowering plant I saw up close and remembered. It was purple, with thick fleshy rhizomes that crept around in ophidian fashion, and as tall as I was. To a three-year-old, it was simply stunning. Decades later, with a garden of my own, I joined SPCNI, having become an ecologist, then developed a passion for native plants. This took a garden (it was my family’s yard), an old iris (my mom soon ripped it out, to my dismay), and of course, flowering plants. How do we promote species - species interactions between people and irises?


The Pacifica Iris that led me to SPCNI:  Iris innominata; these photos are from wild sites in southern Oregon, where it is native. 
Members:  Membership is around 200 people. New members bring wonderful energy to organizations. There is a resurgence of interest in gardening and food quality, so an interest in flowers, and especially irises, may come along soon. How should we encourage new memberships?

Ditches full of Iris tenax x Iris innominata hybrids somewhere in southern Oregon on a field trip in 2010.
Participation: The board has been in place for more than ten years with only one change, a new seed chair a few years ago. All our board members are ready for a change, and this means others are needed to fill their positions.  How do we interest members in taking these positions? 

Print Issues of Publications:  There is interest in Pacific Iris; I get the emails when issues are late or missed. We did a full color print issue as a special treat last fall, but no one commented on it afterwards. I’m still wondering if anyone noticed! An AIS member told me that all our issues should be full color, but I wonder how many get the issues just to look at the pictures? 

Debby Cole at Ontario 2012 AIS Convention; iris convenings are great ways to meet people from all over the continent. But PCIs only grow well on the West Coast. 
Editors and Content:  SIGNA, Species Iris Group of North America, meanwhile is looking for content for their publication, and an editor; AIS is looking for articles. Our own editor is in the same boat. 

How do we encourage members to write and share images for publication?

Seed Donations:  There is interest in getting seeds, especially of new hybrids and stalwart old selections, but donors have dwindled to fewer than ten, and seed orders have dropped over the past few years to fewer than twenty-five, in part due to a drop in seed donations. It takes time and focus to produce selfed crosses or find wild plants, collect the pods, dry the seeds, and send them to the seed chair. The first time I cleaned seeds, I felt like I was connecting to long lost ancestors, carrying forward a skill that has served our people well for thousands of years; it was amazing.
Would videos help promote interest in this ageless skill? 
How about promoting gardening, so that vital skills like crossing plants, growing new hybrids, selecting high quality plants, and planning future crosses are not lost? 
Would more videos help? How do we encourage seed saving? 


    Joseph Ghio, prolific hybridizer, active in several sections of the genus Iris; here with Debby Cole looking over his seed bed, 2012.
    Sharing Information via Field Trips:  There is also interest in field trips, though the last time we offered to organize a trip, no one came forward to say “I will attend.”  In the past, these were several days of driving in the hills to see wild species. We are considering short, one-day trips to see a wild site, or a few gardens. 

    Does this sound more attractive than longer trips? 

    Superstition Iris Gardens, after the Ontario Convention, 2012
    Display Gardens and Meetings:  We all love seeing well grown display gardens of our favorite iris groups, especially new hybrids. These take years to develop and major donations of time and plant materials as well as growing space. They go hand in hand with AIS conventions. SPCNI can’t fully participate because Pacifica iris don’t grow, or grow well, away from the West Coast.
    Should we instead try virtual display gardens and meetings via video? 
    Or try this:  Send the virtual garden manager five shots of your newest hybrid, he’ll merge them in a collection to stream? 
    How about video tours of amazing private gardens or botanic gardens?

    Please think about these topics, think about what you would like to see or do, and do post your ideas. We have some wonderful iris societies to energize!



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    Photo Essay: Ready for a Close-up

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    By Mike Unser


    I am fortunate to be friends with a local iris enthusiast, Rod Mendenhall, who grows over 1200 varieties of bearded irises. It is such a treat each spring to visit his garden and see the plethora of varieties that he maintains. There are always some new additions to enjoy and plenty of old friends too. Rod likes irises of all eras so there are plenty of historics as well as the latest and greatest to ooh and aah over. Today I'm sharing a closer look at some of the varieties from his collection taken in 2017. Much of the magic of irises, for me, is in the details of their patterns or architecture. I love getting in close for a look. I hope you will enjoy these.

















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